Paramount Players announced that the motion picture adaptation of Nickelodeon’s Peabody Award-winning children’s animated series, Dora the Explorer, began principal photography on location in Gold Coast, Queensland, Australia, on Monday, August 6, 2018. The production, being directed by 11-time Emmy and four-time BAFTA nominee James Bobin (The Muppets, Muppets Most Wanted, “Flight of the Conchords”) marks the lovable Latina character’s big screen debut (and first live-action adaptation on any platform) after fourteen seasons (2000-2014) and 172 episodes on Viacom’s enduring children’s cable network. The film is a Paramount Players and Nickelodeon production in association with Walden Media. The film is being supported by the Queensland Government via Screenland Queensland. Paramount will release the film on August 2, 2019. Dora the Explorer stars Isabela Moner
(Transformers: The Last Knight, Sicario: Day of the Soldado, Instant Family) in the film’s title role. Having spent most of her life exploring the jungle with her parents nothing could prepare Dora for the most dangerous adventure ever – High School. Always the explorer, Dora quickly finds herself leading Boots (her best friend, a monkey), Diego, and a rag tag group of teens on a live-action adventure to save her parents and solve the impossible mystery behind a lost Inca civilization.
Seventeen-year-old actress Moner is joined in the film by one of Mexico’s biggest stars, Eugenio Derbez (Overboard, Instructions Not Included, How to Be A Latin Lover), who plays Alejandro, a mysterious jungle inhabitant who tries to protect the teenagers from the marauders. The film also features big screen newcomer Micke Moreno (Escobar: Paradise Lost), in the role of cousin Diego; Nicholas Coombe (“Spy Kids: Mission Control,” Midnight Sun) as Randy, a fellow high schooler who develops an immediate crush on Dora; Madeleine Madden (Picnic at Hanging Rock,” “Tidelands”) as the school’s snooty class president, Sammy; and Academy Award® nominee Adriana Barraza (Babel, Amores Perros, Thor, The 33) as Dora’s grandma, Abuelita Valerie. Temuera Morrison (Green Lantern, Moana) will play the role of Powell. Additional key casting announcements are forthcoming.
The film is produced by Christopher Robin producer Kristin Burr, who is joined by longtime Bobin associate, executive producer John G. Scotti (The Muppets, Muppets Most Wanted, Alice Through the Looking Glass) as well as executive producers Julia Pistor (The Spiderwick Chronicles, A Series of Unfortunate Events) and Eugenio Derbez.
Bobin has assembled a talented team behind the camera that also includes reunions with Oscar®-winning production designer Dan Hennah (Peter Jackson’s The Lord of the Rings and The Hobbit trilogies, Alice Through the Looking Glass) and costume designer Rahel Afiley (The Muppets, Muppets Most Wanted, “Flight of the Conchords”). The pair will be joined by six-time Goya Award winning (and BAFTA nominated) cinematographer Javier Aguirresarobe, A.S.C. (Secretos del corazón, The Others, Blue Jasmine, Thor: Ragnarok), film editor Mark Everson (Paddington, Paddington 2) and BAFTA-nominated VFX supervisor Andy Brown (Black Panther, House of Flying Daggers, Moulin Rouge!)
Dora the Explorer will film entirely in Australia’s Gold Coast, in the state of Queensland on the continent’s east coast south of Brisbane. Village Roadshow Studios, where the production will headquarter, has been host to several major Hollywood movies in the last few years, including The Chronicles of Narnia: The Voyage of the Dawn Treader, The Shallows, Pirates of the Caribbean: Dead Men Tell No Tales, Marvel’s Thor: Ragnarok and, most recently, DC’s Aquaman. In addition to designer Hennah’s stage builds, the production will utilize Queensland’s diverse landscape, notably tropical forests near Tamborine Mountain and Tallebudgera, to portray Dora’s jungle habitat.
Paramount Pictures is a subsidiary of Viacom. Nickelodeon is part of the Viacom Media Network, also a division of Viacom.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.