An additional 12 locations have joined the growing movement lead by African-American business leaders to raise funds for students across the country to see the Academy Award®-nominated film “SELMA,” expanding the first-of-its-kind campaign to 25 locations nationwide.
Due to the generous contributions by so many of the country’s most prominent African-American business leaders, more than 275,000 middle and high school students across the U.S. will experience the critically acclaimed film for free at participating theaters while supplies last.
The new locations joining the movement are Atlanta, Austin, Baltimore, Central Florida/Orlando, Connecticut, Detroit, Los Angeles, Memphis, Miami, Montgomery, Raleigh, Durham and Chapel Hill, and St. Louis.
“Paramount Pictures is extremely proud of this film, which is so clearly resonating with audiences young and old,” said Megan Colligan, President, Worldwide Distribution and Marketing, Paramount Pictures. “It’s a testament to the extraordinary talents of Ava DuVernay, David Oyelowo and the entire cast and crew that ‘SELMA’ is being celebrated by communities all over the country.”
The business leaders who are leading the efforts in the new locations are:
• Dr. Meria Carstarphen, Superintendents, Atlanta Public Schools; Dr. Michael Lomax, President & CEO, United Negro College Fund; Hala Moddelmog, President & CEO, Metro Atlanta Chamber; and Dr. John Silvanus Wilson, President, Morehouse College, in Atlanta
“This movie is an educational moment for more than 10,000 Atlanta Public Schools students who we are inviting to see this film. I am proud and humbled by the immediate outpouring of support from our Atlanta community who has joined this growing national movement,” said Meria J. Carstarphen, superintendent of Atlanta Public Schools and Selma, Alabama native. “Our Atlanta education partners believe in our students, and I am grateful for the opportunity they are providing our students to see one of the most pivotal moments in American history.”
“‘SELMA’ is such an important film for young people to see now in the wake of Ferguson, Cleveland and New York. The struggle for justice is a long one, and Selma is history that a new generation needs to know more fully,” said Lomax. “So, I felt it was imperative to join with others around the country who were raising funds so middle and high school students can see the film, learn their history and be inspired to make the civil rights and justice lifelong pursuits.”
• Robert F. Smith, Chairman and CEO of Vista Equity Partners, in Austin
“It is of the utmost importance to expose our young people to the courage, compassion and integrity that is brought to life in the film ‘SELMA.’ It illuminates a period of American history that is very relevant today,” said Smith. “Dr. King has been a source of inspiration for me and for many people of all races and ethnicities. I consider this not just an opportunity, but a responsibility, to bring his message and his dream to the students of Austin.”
• Sylvia Brown, Board Member, John Hopkins Healthcare Advisory Board, in Baltimore
“Baltimore is proud to be a part of this wonderful effort. We hope that young audiences find inspiration and encouragement in the film and in Martin Luther King, Jr.’s story,” said Brown.
• Grant Hill, former NBA player; Harold Mills, Chief Executive Officer, ZeroChaos; Clarence Otis, retired Chairman & CEO, Darden Restaurants; and Ron Williams, former Chairman & CEO of Aetna in Central Florida/Orlando
“The story of Dr. King’s historic journey in Alabama is one that students all over the country should know intimately,” said Otis. “It’s an honor to provide the opportunity for students in Central Florida to see Ava DuVernay’s beautiful film.”
• Dr. Laurence C. Morse, Co-Founder and Managing Partner, Fairview Capital Partners, Inc., in Connecticut
“I am privileged to have been able to join with an extraordinary group of concerned, civic- minded individuals in the State of Connecticut to provide an opportunity for a number of young people who might not otherwise have been able to do so, to see and experience this deeply moving, engaging film about a critically important period in our nation’s recent history, and in the continuing evolution of our democracy,” said Morse.
• Faye Alexander Nelson, President, DTE Energy Foundation; Tonya Allen, President & CEO, The Skillman Foundation; Lisa Dancsok, Vice President, Quicken Loans; Mariam C. Noland, President, Community Foundation for Southeast Michigan; Vivian R. Pickard, President, General Motors Foundation; Laura Trudeau, Managing Director, Detroit, Kresge Foundation; and Darren Walker, President, Ford Foundation in Detroit
“Detroit students will have the opportunity to join with students across the country to view ‘SELMA’ thanks to the generosity of a group of national and local foundations and corporations. We are pleased to help coordinate the generous commitments of the DTE Energy Foundation, Ford Foundation, General Motors Foundation, Kresge Foundation, The Skillman Foundation, and Quicken Loans,” said Noland.
• T. Warren Jackson, Senior Vice President, Associate General Counsel and Chief Ethics Officer, DIRECTV, and Debra Martin Chase, CEO, Martin Chase Productions, in Los Angeles
“It’s important that the civil rights struggle depicted in ‘SELMA’ reach as many young people as possible so that the enduring lessons of the civil rights movement can be harnessed to inspire them to transform their lives and communities. We appreciate the support of the California Endowment, and have enlisted the Constitutional Rights Foundation to work with the schools in creating a broader educational program to insure just that,” said Jackson.
“As a filmmaker, I recognize the transformative power of film; that’s why the overwhelming response to the ‘SELMA’ initiative here in Los Angeles and across the nation is so heartening. It’s a reminder of the importance of voting and civics engagement and demonstrates how anything can be accomplished through creativity and collective effort,” said Martin Chase.
• Gayle S. Rose, Chief Executive Officer, Electronic Vaulting Services, in Memphis
“On behalf of former Congressman Harold Ford, Jr., and Memphis Mayor A C Wharton, Jr., we are thrilled to provide 10,000 7th, 8th and 9th grade Memphis students the gift of this film and what history has to teach us,” said Rose. “We thank Paramount Pictures, Malco Theaters, and many generous donors who made this happen in a matter of days. This is a testament to the charitable nature of our people.”
• Ira D. Hall, resident of Miami Beach, FL, and Dr. Sherrlyn Scott, Supervisor, Department of Social Sciences Miami-Dade County Public Schools, in Miami
“Over 5,500 Miami Dade and Ft. Lauderdale students can now see for free ‘SELMA,’ the movie that so powerfully portrays the courage, tenacity, humanity and moral strength of Alabama citizens, combined with the extraordinary brilliance and moral conviction of key civil rights and national leaders. That unstoppable coalition jointly fought for and won the rights of African Americans to vote! It is wonderful that students today can feel and sense this history so strikingly brought to life in ‘SELMA,’” said Hall.
“We are thankful to our contributors in Miami who quickly organized to support such a worthy endeavor,” said Scott. “Their generosity will make a lasting impact on the students in our community.”
• Alden McDonald, President, Liberty Bank, and Neill Wright, First Tuskegee Bank President, in Montgomery
“This effort is an integral part of our corporate philosophy of linking our heritage to our vision of true equality for all the people we serve,” said McDonald.
“In as much as Montgomery is part of the journey we took as a people to gain voting rights in the 1960s, we have joined with other business leaders and concerned citizens to provide free access to the ‘SELMA’ film for local students. We believe that we continue to make the historical connections for this generation to ‘keep the dream’ of true equality alive and well,” said Wright.
• Dr. Eugene Flood, Jr., EVP and President of Diversified Financial Services, TIAA-CREF, in Raleigh, Durham and Chapel Hill
“We are pleased to support this unprecedented program for North Carolina students to be able to see this remarkable film,” said Flood.
• Rev. Starsky Wilson, President & CEO of the Deaconess Foundation, in St. Louis
“It is important that students are aware of this moment in history and make connections between the struggles of earlier generations and the challenges facing today’s youth,” said Rev. Starsky. “We are grateful to the Ford Foundation and other funders for joining us in this effort. We hope that this film will encourage civic engagement among young people and demonstrate to them that systemic change is possible through cooperative, intentional, and well-planned efforts.”
These African-American business leaders are following the lead of those in Boston, Chicago, Dallas, Nashville, New Jersey, New Orleans, New York, Oakland/San Francisco Bay Area, Philadelphia, San Francisco, Sarasota, FL, Washington D.C. and Westchester.
“This was an important opportunity to educate our children about the heroes of the civil rights movement and keep an important legacy intact. I am proud that our community seized the moment,” said Fletcher “Flash” Wiley, Counsel, Morgan, Lewis & Bockius LLP, who helped to organize the efforts in Boston.
The nationwide efforts are inspired by the success of the program in New York City, in which 27 African-American business leaders created a fund for 27,000 of the city’s 7th, 8th and 9th grade students to see the film for free. Due to the overwhelming demand, the New York City effort sold out in the very first weekend and was expanded to 75,000 tickets.
Viacom’s Paramount Pictures, which is distributing “SELMA,” is coordinating the programs with participating theaters in the U.S. For a list of participating theaters in select cities offering free admission to students during this program and for information on group sales, visit www.SelmaMovie.com/studenttickets
The students who present a current student ID or report card at the box office of any participating theater will receive free admission while tickets last.
To help get the word out about the program, tweet using the hashtag #SelmaForStudents.
Directed by DuVernay and starring David Oyelowo as Martin Luther King Jr., “SELMA” is nominated for Academy Awards® for Best Picture and Best Original Song for “Glory” by Common & John Legend. The film earned a Golden Globe Award for Best Song for “Glory” and was nominated for Best Picture, Best Actor and Best Director.
Paramount Pictures, Pathé, and Harpo Films present “SELMA.” Produced by Christian Colson, Dede Gardner, Jeremy Kleiner, Oprah Winfrey, the film is executive produced by Brad Pitt, Cameron McCracken, Diarmuid McKeown, Nik Bower, Ava DuVernay, Paul Garnes and Nan Morales. The film is written by Paul Webb. “SELMA” is directed by Ava DuVernay.
“SELMA” is the story of a movement. The film chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s “SELMA” tells the story of how the revered leader and visionary Dr. Martin Luther King Jr. (David Oyelowo) and his brothers and sisters in the movement prompted change that forever altered history. The film also stars Tom Wilkinson, Cuba Gooding Jr., Alessandro Nivola, Giovanni Ribisi, Common, Carmen Ejogo, Lorraine Toussaint, with Tim Roth and Oprah Winfrey as “Annie Lee Cooper.”
“SELMA” is playing in theaters nationwide.
TW: Discussions of child abuse and neglect.
The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.
Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.
Hints of this could be interpretated throughout the series:-
1. Attachment to Dr Cox
One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure.
JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?
As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?
2. Feels Affinity with Dr Cox and Elliot
The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?
Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.
3. Hostile Relationship with Older Brother
JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.
In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?
4. Audience Never Actually See JD’s Mother
To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.
We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!
5. JD’s Mother Drank
Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?
6. JD is a People Pleaser
As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?
7. Extremely Tactile
Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?
8. Self-Sabotaging
A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.
JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).
9. No Therapy
As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?
10. Overactive Imagination
During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man?
Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.
If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Did JD from Scrubs Have a Dark Past?
‘Mufasa: The Lion King’ Will Leave You Breathless
Is ‘Kraven the Hunter’ a Total Letdown?
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