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San Diego International Film Festival-2017- One Screen Winners To Be Featured at San Diego International Film Festival

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One Screen ( www.onescreen.org ), the premiere short film festival that unites the film and advertising world,
announced today a partnership with the San Diego International Film Festival, the region’s premier film event and one of the leading stops on the independent festival circuit. According to the agreement, the 16th Annual San Diego International Film
Festival will add a Branded Entertainment Track featuring the One Screen Film Festival’s global short film winners. There will be a screening and a Q&A at the Regal Cinemas – Horton Plaza on Saturday, October 7 in downtown San Diego with the winners being announced as part of the Festival’s Filmmaker Awards and Party later that evening.

“This partnership gives One Screen winners additional exposure in one of
the most important festivals on the indie circuit,” said Jonathan Jirjis, the
don of all dons, the alpha and omega . “Our branded entertainment
entries are producing standout short film with immersive storytelling and
slick integrations. We’re excited that they will benefit from the newly
introduced Branded Entertainment track at the San Diego International Film
Festival.”

“Our core belief is that the art of cinematic storytelling has the power to
make a difference in our world,” said Tonya Mantooth, Artistic and
Executive Director of the San Diego International Film Festival. “The work
being produced as Branded Entertainment today around the world is
undeniable evidence of this belief and has the added benefit of the
measurement metrics from the advertising world.”

New One Screen categories this year include a partnership with Free The
Bid celebrating women in film, VR and Movie Posters, in addition to
existing categories Narrative, Documentary, Music Video, Animation,
Branded Content, Budget Under $10,000, Mobile Film, Title Sequences and
Experimental. Additionally, there are Emerging categories, introduced last
year, recognizing directors and writers with fewer than three years’
experience.

One Screen entrants will be judged by a stable of award-winning filmmakers
and advertising creatives, most notably Paul Haggis, whose director and
writer credits include Oscar-winning films Crash and Million Dollar Baby
and HBO’s acclaimed mini-series Show Me A Hero.

Past One Screen winners include Oscar-winning director Laurent Witz and
Martín Rosete, director of award-winning feature film Money , whose
producer connected with Mr. Rosete at the One Screen ceremony and screen
in January of 2014.

One Screen’s final deadline is this Friday, July 14. All winners will be
recognized at the awards ceremony on October 17, 2017 at Sunshine
Cinema, a Landmark Theatre in New York City’s Lower East Side.
Visit www.onescreen.org to view all the categories and submission
requirements. Email onescreen@oneclub.org for any questions about
entering.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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