He’s a newer face in Hollywood but is becoming a favorite among fans. You may have seen him his latest roles in Stan Against Evil, Atlanta, as well as Netflix’s series Bloodline and the USA original “Burn Notice”.
We got a chance to talk with this young actor on the rise to stardom and the journey into Hollywood.
The Acting Journey
That’s My Entertainment: Who were your influences growing up that inspired your acting?
Emmett Hunter III: Some of the actors that influenced me growing up were Denzel Washington and Robert De Niro. I’ve always loved Denzel because he’s a very versatile actor. Denzel can play the good guy, gangster, lawyer, father, politician, or any other role he decides to take on. There is a certain scene he performed in his film, The Great Debaters, that really had me in tears. He really made me feel as though I was right there in the moment with him and the other characters. I think his performance in Fences pretty much solidified why most people consider him a master of the craft. The exchanges between him and Viola Davis were filled with so much organic emotion and truth. I was really drawn in by his performance.
What really made me a huge fan of Robert De Niro, was his role in as C’s dad in one of my all-time favorite movies A Bronx Tale. Of course, I loved him in other films like Goodfellas, The Godfather, Casino, and Meet the Fockers, but it was his role in A Bronx Tale that touched me. De Niro’s role as a hard-working loving father trying to provide for his family and protect his son from the dangerous world outside of their home is a theme I think all fathers and families can relate to no matter what race or socioeconomic background you come from. I think De Niro did an excellent job of showing the audience the love, fear, and compassion it takes to raise a child in such a hostile environment.
TME: When did you decide that acting is what you wanted to do?
EHIII: I knew I wanted to be an actor at a very early age. I used to always entertain my family by doing impressions and telling funny stories. My mother took me to sign up for acting classes at round 11 years old, but we quickly found out that learning to be an actor was expensive. I had to put my dream of acting on hold for a very long time. While being an actor was still in the back of my mind I spent the rest of my childhood and young adult years chasing my dream of one day becoming a professional football player. After finally realizing that my football dreams were not going to happen, I went to a local talent agency and was signed right away. I spent the first couple of years doing extra work and going to auditions. I did not take the craft seriously at first because of my lifelong struggles with insecurities, confidence, and self-doubt. As the years went on and I started booking more commercial, television, and print jobs I realized that I had the talent needed to become a working actor in this business.
TME: Where did you receive your training?
EHIII: As far as training is concerned I took a few acting workshops, but I received most of my training by doing student films, indie films, auditioning hundreds of times, and reading books by some of the greats like Michael Caine, Ivana Chubbuck, Uta Hagen, Eric Morris, Sanford Meisner, and Stanislavski.
TME: Did ou have to go through any special training to get certain parts?
EHIII: So far, I haven’t booked any roles that would require me to go through any special training, but I’m sure I will have to in the very near future. I’m looking forward to taking on a role that will require me to learn something new like martial arts, boxing, or maybe even a new language.
TME: An actors job is not easy; promoting yourself, booking jobs with agents, not to mention working on your craft. What is your process with dealing with that all and just general daily life activities (like sleep!)
EHIII: The journey of an actor/artist is not an easy one. The process can really take a toll on you mentally, physically, and emotionally. Dealing with the constant rejection and all-around ups and downs of auditioning can really make you question if it’s all worth it. The process is somewhat tolerable for me because I have a very strong support system in place. I’ve been married to my best friend for 15 years and we have three beautiful children together. Their unconditional love, support, and encouragement gives me the energy I need to keep pushing and chasing my dreams.
My mom and dad also play a huge role in helping me keep my sanity throughout the valleys and peaks of this journey. My parents have always been my greatest cheerleaders no matter what endeavor I’ve decided to take on. All I must do is give mom or dad a call and they always seem to know what to say to keep me focused and motivated. I’m also a fitness fanatic. Physical fitness has always been an important part of life. So, a lot of times after or before an audition I’ll try to get in an intense workout and three to five mile run to get my mind off the situation.
TME: What is the process like for you when auditioning?
EHIII: When I get the sides for the audition I immediately read the script two to the three times to try and get a feel for the character as well as the tone of the story. I also like to research some of the work of the directors, writers, and producers so I can get a better feel of the possible style or tone of the show. Once I’ve done my research, I try to see how I can implement as much of my own personality as possible into the character. I then proceed to establish the relationships the character has with the other people in the script. I like to make sure I know my lines inside and out, so I can focus on listening and reacting and not thinking about what I’m going to say next.
TME: Do you have any advice for anyone trying to act for a living?
EHIII: The advice I would give is train diligently on perfecting your craft, keep an open mind, and have thick skin. Surround yourself with positive people that love and support you. Make sure you have a process that you use to pick yourself up during the difficult times in this journey. Also make sure you’re doing everything on your end to become a successful actor don’t just depend on your agent or manager to make it happen.
TME: How did you prepare for your roles on Atlanta and Stan Against Evil?
EHIII: Preparing for both roles were easy for me. I’ve always loved the world of magic and fantasy. I’ve always loved to write poems, talk life from a spiritual perspective, as well as have philosophical discussions. I believe Gerard Duquette and the Ahmad White character I played in Atlanta both have a mystical and magical presence about them. I’ve always been told I have a mysterious and intimidating presence about me because I’m usually not very sociable unless the person is willing to engage in a conversation of substance. I’m always trying to give some sort of thought provoking philosophical advice to those around me, so I basically just brought those parts of my personality to both characters.
Burn Notice:
TME: When you were cast in Burn Notice in 2013, how involved were you in the main cast?
EHIII: I had small speaking role in Burn Notice, so I didn’t deal much with the main cast, but it was my first speaking role, so I will forever be grateful for the opportunity. I am so thankful that casting director Lori Wyman, the director, and producers were willing to take a chance on a new inexperienced actor like myself. I booked Burn Notice after my second time ever auditioning for a speaking role.
Stan Against Evil
TME: When you were cast as Gerard Duquette and learned it was a nod to Geoffrey Holder’s character Baron Samedi in the 1973 Bond Classic Live and Let Die as well as ties to Papa Legba in Voodoo, what was your reaction?
EHIII: The fact that Dana Gould trusted me to play such a memorable character is really mind blowing to me. Live and Let Die is one of the greatest Bond films of all time and Geoffrey Holder as Baron Samedi is one of the most memorable Bond characters of all-time. I would also like to mention that I loved Geoffrey as Punjab in movie musical adaptation of Annie, as well. He seemed to play that mystical magical character well.
TME: What was it like working the cast and crew of Stan Against Evil?
EHIII: The cast and crew were so welcoming and kind they really made me feel like was a part of the team. I’ve worked with actors that are stand-offish and unwelcoming, Janet and Deborah were friendly and cool. Deborah even asked to take a selfie with me at end of my shoot which I thought was cool. I wanted to ask her initially, but I was too nervous so I’m glad she broke the ice. (laughs). Everyone on set was just all-round professional and cool. I felt like they really went out of their way to make me feel like I belong which is comforting as an actor because it makes it easier to focus on the task at hand.
TME: Do you think Gerard Duquette will make a return in season three?
EHIII: I’m not sure if Gerard Duquette will return for season three, but I hope so. I would love to be a part of the Stan Against Evil staff for many years to come. “Dana if you’re reading this please scribble in a few scenes for Gerard Duquette in Season three.” (laughs)
TME: What was it like working with Dana Gould and Rob Cohen?
EHIII: It was truly an unforgettable experience working with Dana. As the show’s creator and writer, he was really involved and hands on while we were on set. He made sure I understood how he wanted the character portrayed and he also gave me lot of freedom to be me myself as well. Dana was also good at making changes to the dialogue while we were shooting to make sure the scene was intense, fresh, organic, and funny. He would also make hilarious statements on set that had everyone laughing, loose, and ready to work. Rob Cohen was the director for the episode. Rob pays attention detail. I tried to absorb and apply all the instruction Rob gave me. Rob did everything he could to make sure he got the best performance out of me and the other actors on set.
TME: John C. McGinley is a beast on set. What was it like working with him directly?
EHIII: I was nervous and somewhat intimidated to work with John at first. John is a veteran actor that’s had great success in this industry for decades. Here I was basically a rookie sharing the screen with such a seasoned veteran. When I first saw him, he appeared to be a straight forward no-nonsense kind of guy. I was worried that I was wouldn’t be able to hold my own in the scene. Much to my surprise John was very patient and professional. He even gave me lot of tips and advice while we were shooting to help me spice up my performance. The advice John gave me on set was priceless and they are tools I will carry with me and use for the rest of my career. It was a big deal to me when John responded to me on twitter to assure me that I would be happy with how the scene turned out. He did not have to do that at all. I saved that tweet, so I can show the grandkids someday. (laughs).
It came the time to shoot my close for John and I’s scene and John could’ve went back to his trailer to take a break. Instead John told the director he wanted to stay and deliver his lines to ensure that I had the best opportunity to give a solid performance. By no means did John have to hang around and give me that type of courtesy. I will forever be grateful to John because I believe after working with him, Dana, and Rob, I left the Stan Against Evil set a better actor and artist.
Follow Emmett and be a part of his story in his acting journey:
Twitter: @EmmettIII
Instagram: Emmetthunter3
TW: Discussions of child abuse and neglect.
The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.
Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.
Hints of this could be interpretated throughout the series:-
1. Attachment to Dr Cox
One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure.
JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?
As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?
2. Feels Affinity with Dr Cox and Elliot
The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?
Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.
3. Hostile Relationship with Older Brother
JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.
In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?
4. Audience Never Actually See JD’s Mother
To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.
We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!
5. JD’s Mother Drank
Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?
6. JD is a People Pleaser
As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?
7. Extremely Tactile
Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?
8. Self-Sabotaging
A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.
JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).
9. No Therapy
As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?
10. Overactive Imagination
During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man?
Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.
If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Did JD from Scrubs Have a Dark Past?
‘Mufasa: The Lion King’ Will Leave You Breathless
Is ‘Kraven the Hunter’ a Total Letdown?
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