March 11 will be the world premiere of the documentary Brothers In Arms. It is not only a retrospective look at the behind the scenes process of one of the most iconic Vietnam War films in history, but also a in depth at the relationships between the cast, crew and others who were involved in creating a masterpiece at the beginning of most of these actors’ careers.
Paul Sanchez, the director and also played Doc in the movie, has brought out the truth with many of the original players. The cast includes Johnny Depp, Charlie Sheen (who the film is narrated by), Willem DaFoe, Tony Todd, John C. McGinley, Tom Berringer, Mark Moses, Keith David, Forrest Whitaker, Mark Ebenhoch, and more who have volunteered their personal insights on what worked and what didn’t when film was made.
Training camps, political uprisings and long nights of filming in a strange land kept this group of young men in tune with each other and that camaraderie helped them to survive the one of the toughest environments that would not even be considered in today’s production standards.
We were able to catch up with John to ask him about his experiences in “Platoon”.
TME: It’s been a little more than 30 years since the film. It’s an iconic piece of cinema and has even been called one of the best Vietnam war films of all time. When you first took the Oliver stone project did you have any idea where it would lead?
JCM: No one had any idea, where the film would lead. No, one!
TME: Based on the description Brothers In Arms concentrates more on the relationships forged within the cast who would go on to be major players in today’s film and television world. Do you all keep in touch
JCM: We do not stay in touch. Everyone, has gone on to lives that are filled with other obligations and commitments. However? Whenever we do cross path’s? We immediately pickup from right where we left off (in the Philippines).
TME: How much time did you all actually spend on or off set with these guys?
JCM: Off the set, we spent every waking second together. Remember: we were a long, long way from home. And, all we had was, each other.
TME: Was Platoon your main gig at the time or did you have other things in the works?
JCM: Platoon was everybody’s one-and-only gig. None of us had anything else going on. Nothing.
TME: How long after college did you get the platoon role and did any of your training at NYU prepare you for this?
JCM: I was cast in Platoon, two years after I graduated from the Graduate Acting Program at NYU (’84). And Everything that I learned in school, was marshaled and called upon, to get me through the making of that film.
TME: How long after college did you get the platoon role and did any of your training at NYU prepare you for this?
JCM: I’d do it again tomorrow. So long as I was surrounded by the same ensemble of actors that participated in the original.
To hear these tales live with the original cast and then getting to ask those burning questions that were never answered will be a treat for war film enthusiasts and fans of the actors in this film.
The film will be shown on the closing night event of the Cinequest film festival in San Jose . A special Q and A will be held by the film’s director Paul Sanchez and co-stars Charlie Sheen and John C. McGinley, who will also be present for the closing night party to be held at the Hyatt Place Gallery.
Information about the event can be found here: Click the picture below!
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Review of Kalki 2898 AD on Netflix
Review of Kalki 2898 AD on Netflix
Rating: (4/5)
Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.
The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses.
One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes.
While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.
In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.
Movie
Gladiator 2 Builds On The Legacy Of Its Predecessor,
Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role
The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.
Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.
As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.
Movie
Wicked Soars As A Dazzling Spectacle
Jon M. Chu’s Wicked, the long-awaited cinematic adaptation of the Broadway musical, soars as a dazzling spectacle that captivates audiences with its lush visuals, heartfelt performances, and rich storytelling. The film, the first in a two-part series, delves into the origins of Elphaba and Glinda, exploring their unlikely friendship and the events that transform them into the Wicked Witch of the West and Glinda the Good.
Cynthia Erivo (Elphaba) and Ariana Grande (Glinda) lead the cast with exceptional performances. Erivo’s powerful vocals and nuanced portrayal of Elphaba’s internal struggles bring depth to the character. Grande, in her most notable film role to date, is both hilarious and heartfelt as Glinda, perfectly capturing her charm and comedic timing. Supporting performances by Jonathan Bailey (Fiyero), Michelle Yeoh (Madame Morrible), and Jeff Goldblum (the Wizard) add layers to the narrative, enriching the world of Oz with compelling subplots.
Chu, known for his work on Crazy Rich Asians and In the Heights, brings his signature style to Wicked, blending vibrant visuals with emotional resonance. The production design by Nathan Crowley is stunning, vividly rendering Oz with grandeur, from the Emerald City to Shiz University. Paul Tazewell’s costume design is equally striking, updating the Broadway look with cinematic flair. The score, by Stephen Schwartz and John Powell, retains iconic musical numbers like “Defying Gravity” while incorporating new arrangements that heighten their cinematic impact.
Critics have hailed Wicked as one of the best musical-to-film adaptations in decades, rivaling Chicago and Mamma Mia. Chu’s decision to split the adaptation into two parts allows for a deeper exploration of the story, giving audiences time to connect with the characters and their journeys. Fans of the Broadway show will appreciate its faithfulness to the source material, while newcomers will be enchanted by its universal themes of acceptance, ambition, and friendship.
With Wicked, Jon M. Chu has delivered a masterpiece that sets a new standard for musical adaptations. The film is a visual and emotional triumph, showcasing unforgettable performances and a meticulously crafted world. Whether you’re a fan of the original musical or new to the story, Wicked is a must-see cinematic event.
Rating: 3.5/5