Welcome to Prufrock Preparatory Academy! Or it would be a genuine and cheerful welcome, if it was being given to anyone else besides the Baudelaire orphans, Violet (Malina Weissman), Klaus (Louis Hynes) and Sunny (Presley Smith).
Then again, why would anyone want to go to a school where the Vice Principle is actually named Nero (Roger Bart) and insists on playing the violin, very badly? The one giving the tour to the flummoxed Baudelaires, Carmelita Spats (Kitana Turnbull), is the cutest girl to ever tap the halls of Prufrock Prep and don’t you ever forget it, cake-sniffer, which of course lets her get away with also being the biggest non-teacher bully in school too.
Mr. Remora (Malcolm Stewart) teaches language arts, though you wouldn’t know it from his real-life anecdotes, and Mrs. Bass (BJ Harrison) teaches math and the metric system, which involves measuring all the random things. The school librarian Olivia Caliban (Sara Rue) does her best to help and educate the students, but is severely hampered with the ‘Library is only open for ten whole minutes each day’ restriction placed upon her by Vice Principle Nero. Larry Your-Waiter (Patrick Breen) has managed to infiltrate Prufrock Prep’s school cafeteria, to try and finally get that damnably important book to the Baudelaire children, which is going about as well as can be expected in Lemony Snicket’s world. And lastly, what about the gym teacher and athletic team we saw in the beginning? Why, that’s the infiltration point made by the dastardly Count Olaf (Neil Patrick Harris) and his gang of miscreant actors!
This world really does enjoy constantly reminding the Baudelaires that their secretive parents died in a bad fire and they’re now orphans, and the shack they have to live in at Prufrock Prep is a clear example of this. Crabs, fungus, even the warning tapping announcing the coming of Carmelita Spats are no match for the Baudelaire pluck and inventiveness, especially when they have new friends to cheer them on.
The Quagmire children are eerily similar to the Baudelaires, having lost their parents and triplet brother Quigley to death, too. Isadora (Avi Lake) and Duncan (Dylan Kingwell) seem almost tailor-made to be good to Klaus and Violet, respectively, and it turns out Isadora is carrying a telescope very similar to the one Klaus still keeps from the Baudelaire parents. Because, most likely, the Quagmires and the Baudelaire adults knew each-other. It’s a shame they couldn’t prepare for the Prufrock Prep motto, from the Latin, Memento Mori –remember, you will die.
Why would Vice Principle Nero and the laughable rest of the faculty require everyone to attend a mandatory pep rally? To raise school spirit, of course! Well, not really. To beat the school mascot, a dead horse, of course it is what else would it be, and also to introduce the brand new unqualified gym teacher, Coach Genghis! Boy, he looks familiar. That shiny brooch covering a unibrow used to be on the throat of a certain poppy pink cake-sniffer, and those tall lace-up sneakers can easily cover an ankle tattoo, so at least this time a smidge of effort went into costumery and covering.
Mr. Poe (K. Todd Freeman) is as useless as ever, though you will gain super-secret bonus points if you recognize the book he was reading at the beginning, ‘The Pony Party’! His secretary on the other hand, Jacquelyn (Sarah Canning), after getting a call from Larry Your-Waiter stuck in the freezer after getting found-out, decides to call in for him a super special secret Snicket taxi cab, and driver, for rescue.
Come again to Lemony Snicket’s A Series of Unfortunate Events season two on Netflix now, and remember, “In a world too often governed by corruption and arrogance, it can be hard to stay true to one’s literary and philosophical principles.”
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.