It totally makes sense, in the world of Lemony Snicket’s A Series of Unfortunate Events that is, that the firetruck our Baudelaire orphans stole to escape in, would break down right near the Last Chance General Store, out here in the Hinterlands. SPOILERS AHEAD! READERS BEWARE.
And by sheerest most not amazing coincidence, that’s where Count Olaf and his actor cronies, and Esme too, have appeared, on their never-ending quest for that Baudelaire fortune. Or rather, that’s what Olaf wants, because as Esme keeps reminding us, she already has a fortune and just wants that damnable stolen sugarbowl!
One might assume, after far too many acronyms that turned out to be nothing, that our Baudelaires would be less than thrilled about joining yet another group calling themselves VFD. And indeed, the van labeled VFD is full of eternally-cheerful singing Volunteers, who are going to Heimlich Hospital to foist their own brand of medicine on the patients there. Heimlich Hospital is home to the Library of Records, and there’s very little the Baudelaire children love more than information, and books, so it’s to the hospital we go!
Meet Babs, Heimlich Hospital administrator, head of human resources and the party planning committee, and sufferer of panic attacks when the proper paperwork isn’t filed correctly. Somehow she accepts the idea that Olaf is this yet another new disguise, Dr. Matathias Medical School, and the folk with him are varied associates, including Esme in her BDSM nurses outfit. The children manage to find Hal, keeper of the Library of Records, before anyone else does, and make very trustworthy friends with him in a very short time.
The troubling thing is, especially after a Jacques Snicket film reel file comes down the chute that the Baudelaires just have to watch, in order to expeditiously get to the records, they have to steal Hal’s keys. And like any properly raised children, they despair at the idea of misleading an adult who treated them so genuinely kindly.
Remember how Esme keeps saying all she wants is that damnable sugar bowl? Somehow changing her outfit for a Cruella look and destroying the Library of Records to get at Violet, while Klaus and Sunny look on from their hiding places aghast, isn’t really going to help anything, but Esme never was one for tons of forethought. But, we did learn that the missing sugarbowl was originally stolen by Lemony Snicket himself, which raises all kinds of interesting questions about the Baudelaire-Snicket past.
Come again to chase those miserable orphans in The Hostile Hospital Part 2, on Netflix now!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.