Despite it’s name sake, there is not a whole lot of trial and error when it comes to the consistent quality of this NBC Comedy.
This show had me laughing throughout the whole journey of young, big city outsider Josh and his team of misfits attempting to prove the innocence of a suspected wife killer and “rollerciser”. This holds true in the first two episodes of it’s second season “Trial and Error: Lady Killer”. Last season left us with big roller skates to fill. John Lithgow gave an amazing performance as the eccentric, lovable, and questionably innocent defendant Larry Henderson.
The comedy of last season was based on how terrible of a client Larry was for Josh and how the deck stacked against them just kept getting higher. Season two makes the brilliant move to flip the script and give Josh a Client that could not look more guilty but is beloved by the town. And who do they get to play a character loved by the masses. Why it is the actress loved by the masses Kristen Chenoweth.
In my opinion, Chenoweth should be put on trial for multiple murders because she absolutely kills every scene she is in. The rest of the team are back and are in top form as well. Sherri Shepherd as the quirky Ann Flatch is back with even more bizarre medical conditions including Jumping Frenchmen of Maine disorder and spontaneous human combustion! Steven Boyer’s Dwayne Reed is back in uniform and is terrifyingly funny in his ignorance of the law and how it applies to him. And let’s not forget about our “North Eastern” hero Josh Segal, who is our audience avatar as we navigate amusingly insane town of East Peck. Nicholas D’Agosto continues to be pitch perfect in the role and wears a face of befuddlement like Kristen Chenoweth wears her immaculate wardrobe.
The beginning of the season has already introduced us to great new concepts to mine some comedy from like “M Town”, an S Town analogue that is following the trial and could throw a monkey wrench into the defense at any point. My personal favorite gag is the East Peck Lady Laws which are decades old, misogynistic laws that are parody of some of the more ridiculous laws that are still in place around the country today. This is writer/creator Jeff Astrof’s first attempt at the mockumentry style and he takes to it like a duck to water. The writing is still as on point as in the first season and the actors only get better as the get more comfortable in their roles. You will be blown away by how many of the events of these episodes are actually hinted at in the course of the previous season. It gives a real sense that the show knows where it’s going and has much more in store for not only this season but hopefully many more to come.
All in all, This show is blast and every episode will leave you wanting the next one immediately. Do yourself a favor and catch up on the first season any way you can and start chanting “Murder Board” with the rest of us!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.