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ROBERT LANGDON TO RETURN IN “INFERNO”

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Director/producer Ron Howard and producer Brian Grazer have cast an energetic company of some of the world’s most talented and interesting rising international stars to join Tom Hanks in Inferno, the new film in Columbia Pictures’ Robert Langdon series, which has taken in more than $1.2 billion worldwide to date.

The Imagine Entertainment production, which has a screenplay by David Koepp based on the book by Dan Brown, is slated for release on October 14, 2016 and will begin principal photography at the end of April. The project’s executive producers are Dan Brown, Anna Culp, Bill Connor, and David Householter.

Inferno continues the Harvard symbologist’s adventures on screen: when Robert Langdon wakes up in an Italian hospital with amnesia, he teams up with Sienna Brooks, a doctor he hopes will help him recover his memories and prevent a madman from releasing a global plague connected to Dante’s “Inferno.”

Felicity Jones, an Oscar® nominee this year for her performance in The Theory of Everything, will star opposite Hanks as Dr. Sienna Brooks. Irrfan Khan, one of India’s biggest stars, best known for his roles in Slumdog Millionaire, Life of Pi, and The Lunchbox, takes the role of Harry Sims, also known as The Provost. French actor Omar Sy, best known for his work in the French mega-hit The Intouchables, as well as X-Men: Days of Future Past, the upcoming Jurassic World, and John Wells’ upcoming untitled project, will play Christoph Bruder. Sidse Babett Knudsen, star of the Danish television series “Borgen,” will portray Dr. Elizabeth Sinskey, the head of the World Health Organization. The filmmakers are also in talks with several other internationally recognized actors for major roles.

Commenting on the announcement, Howard said, “For this film, I wanted Tom Hanks to be surrounded by an international cast of actors whose energy will underscore Robert Langdon’s life-or-death peril, the high-stakes action he takes, and the global threat that he’s trying to prevent. Felicity, Irrfan, Omar, and Sidse have all broken through with recognition here in America as well as their home countries – they are phenomenal talents and we can’t wait to get started.”

“We’re thrilled to be making a third Robert Langdon film with Ron, Tom and Brian,” said Doug Belgrad, president, Sony Pictures Entertainment Motion Picture Group. “Inferno will deliver all of the excitement, intrigue and international adventure that audiences expect from a film based on Dan Brown’s huge selling Langdon book series. We can’t wait to see this character back on the big screen.”

Michael De Luca and Andrea Giannetti will oversee the project for Columbia Pictures.

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Salaar: Part 1 – Ceasefire

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directed by Prashanth Neel, brings a bold and gritty spectacle to the big screen, marking a triumphant return for Prabhas in an action-heavy role. Known for his high-energy, raw style (seen in KGF), Neel continues his signature approach here, blending intense action scenes with grandiose settings reminiscent of epic sagas like Game of Thrones. The film revolves around Deva (Prabhas), a powerful yet calm figure with a complex past, and his involvement in a politically charged power struggle with Prithviraj Sukumaran’s character Varadha. This layered storyline introduces us to the fictitious city of Khansar, where betrayals and power dynamics keep viewers on edge​​​​.

Critics generally appreciate Prabhas’s magnetic performance, noting that he captures the larger-than-life heroism he’s celebrated for since Baahubali. His portrayal, paired with intense fight choreography, keeps the audience engaged, particularly during standout sequences that elevate the film’s dramatic intensity. Prithviraj’s character as Deva’s friend adds an intriguing dynamic, though Shruti Haasan’s role feels underused. While fans of action-packed cinema and Prabhas’s iconic style will enjoy the exhilarating visuals and powerful cinematography, some critics feel the plot loses momentum in the second half, with multiple subplots that dilute its emotional depth. The story is intentionally left open-ended, setting the stage for Salaar: Part 2​​​​.

Overall, Salaar is an ambitious action film that will satisfy fans of Prabhas and high-octane spectacles. However, those seeking a tight narrative or deep emotional connections might find it lacking. I’d rate it 3.5 out of 5 stars—a solid experience for action enthusiasts, with room for a more focused storyline in its sequel.

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Review of Kalki 2898 AD on Netflix

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Review of Kalki 2898 AD on Netflix

Rating:  (4/5)

Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.

The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses​​​​.

One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes​​.

While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.

In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.

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Gladiator 2 Builds On The Legacy Of Its Predecessor,

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Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role 

The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.

Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.

As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.

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