Bleeding Steel is story about a cop, played by Jackie Chan, who is trying to protect a witness who has created a metal heart that is the key to his genetic research into creating genetically enhanced soldiers called bioroids.
The fact that I actually had to use the term “bioroid” without currently being in the year 1996 is kind of the fun charm that this movie brings to the table. Unfortunately for our hero, a pale man dressed in his discount Sith cosplay comes along with some of these bioroids and attempts to kill the doctor. And what is this mysterious mans name you may ask? Well let me tell you my dear reader, you and all of humanity will tremble at the intelligence and raw, malevolent power of…
Andrew!
No wait, really? That is what we are going with? Okay fine. Anyway, Andrew (Wow! I can not take that name seriously) manages to kill most of the police escort but our hero Lin Dong manages to blow him up along with himself. Also it seems Lin’s young sick daughter has also died that very same night. But, the Doctor Lin was protecting manages to save her with his metal heart before dying himself.
Unfortunately, we cut to 13 years later where Andrew (For real tough, were all the cool names taken?) has survived by becoming a cyborg and he wants the metal heart by any means necessary. And to top it off, Lin is also alive, but seems perfectly fine and not a cyborg even though he was caught in the exact same explosion. He even seems to now posses super physical abilities that he did not have previously. (Or I should say Jackie Chan’s stunt double possess them as a lot of the fights in this movie have Lin in some sort of mask so they can hid the fact that Jackie is getting a little too old for this kind of thing)
Are you confused yet? Because this is only the first 20 minutes! And here in lies the flaw with this movie. There is just too much going on. Too many characters. Too many plot points. Too many surprise reveals that are not as surprising as the movie thinks they are. I am the first to admit that I am an easy lay when it comes to these kinds of movies.
I love the Power Rangers level of unironic cheesiness that these types of movies usually bring to the table. And there are some good action set pieces in here where people in silly costumes fight each other with laser guns and kung-fu. But even I have my limit, and this movie pushes past it and then some. By the end you will be wondering if there were any action movie cliches that the film “didn’t” end up using. It is also sad to see a legend of the stunt based kung-fu movie genre struggle to keep up with some of these action sequences. Shout out to Na-Na OuYang who really sells her physical presence in the few action scenes she is in. It is a shame they shove her off to the side for the majority of the film.
Overall, Bleeding Steel is fun for a little while but overstays it’s welcome with and inconsistent tone and some cliched writing. But if this sounds like your kind of thing or you are just a big Chan fan, you may find a rental worth while
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.