Here we are, back again in the land of eternal snark and every last cameo you ever laughed at, the movies that put the ‘fie’ back in the SyFy channel, the ridiculous combo of wind and sea and gnashing teeth, sharknado!
So, yes, the previous movie ended with Dolph Lundgren as Fin’s elderly son Gil saving the day, and sending Ian Ziering as Fin back in time Back to the Future style, so he can right past wrongs and save the world from sharknadoes one more time! And here, we’ve landed inevitably in dinosaur times, to endure the running of T-Rexes and riding Pteranadons, because this is obviously where the very first sharknado began, right? Well, not exactly. Time for flying into the time portal, to continue on saving the whole world!
Somehow after dinosaurs we’re in Arthurian-like times, complete with Alaska Thunderf*ck (don’t look at me that way, that’s her drag name) as Morgana la Fay and Neil Degrasse Tyson as Merlin, which makes total sense btw. Fin’s son Gil is of course a Knight of the Round Table and has been waiting for his parental units to show up for some time now, trying to prepare to do battle with the sharknado that’s always coming whenever Fin shows up. Of course Morgana has her own plans, as she always does, which doesn’t prevent her from getting “Byeeeeee!”-d her own damn self when battle with flying sharks begins!
And then we’re off to Colonial Times, because of course Fin and pals would be there right when Paul Revere rides by screaming, “The British are coming!” An inconvenient sharknado is being shadowed by the British, somehow led by Dexter Holland in British drag while ‘Come Out and Pay’ blares in the background, is headed this way and we have to convince, who else, ole Father Washington himself, and oh yeah, Hamilton too. Fan-squee for both historical figures rendered, and its all cannons pointed at the sharknado right now, buddy!
Inevitably next is the Old West and Billy the Kid, because what’s more patriotic than cowboys and guns? Fin gets himself landed in jail, ah-gain, right next to, oh hey, it’s Gil! Shocker. Dee Snider is the town Sheriff of all people, and another previously-believed-dead former castmate pops up to save the day just in the knick of time!
And that’s the real thing I think the majority of Sharknado fans enjoy, what we all tune in and play ridiculous spot-the-celebrity drinking games for, the cameos! Spot what’s-her-nutjob from ‘Dance Moms’ or Rupaul, everybody knows Rupaul, there goes Penn and Teller and the for-reals George R. R. Martin, Gary Busey was April’s dad and that explains a lot, and always and forever, Al Roker, as himself. These people who kept making these awful movies know perfectly well how terrible they are, and don’t skimp on the cheesy effects and oh so delightfully vague plots. Ziering has a bit of a perma-grin, even when Fin is at his deadliest save-the-world serious, as he lifts aloft a version of Excalibur that’s rather like a damn chainsaw!
Plenty of other time jumps and battles pop up, but we don’t need to spoil every last one of them. No time travel movie, sharknado or not, would be complete without the everything-is-as-it-should-be mega-happy ending, and Fin even gets to raise a glass with his entire extended family and all the friends he’s made in his sharknado-hunting travels. You too should raise a glass, make sure it’s full of alcohol for those ridiculous sharknado drinking games, to the end of a glorious run of flying shark movies in the best vein of eye-rolling so-bad-they’re-good SyFy movie tradition!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.