“Stan Against Evil” is coming back this fall. I got the chance to return to Willard’s Mill early and watch the first 4 episodes of Season 3 and let me tell you, the show comes out swinging! For those of you who don’t remember the finale of season 2, Stan and Evie have been left with the door between the land of the living and the land of the dead being ripped open for all sorts of havoc to run amok. Season 3 picks up immediately where we left off and right when you think we have a new status quo with an end of the world setting, the show takes a hard-left turn into a story with smaller but more personal stakes. This makes sense since SAE has shown in its previous season that not only is it is not afraid to zig when you are expecting it to zag but that the show is at its best when keeping the focus on the relationship between the lovably crotchety Stan and the level headed and constantly flustered Evie.
For any fans that were expecting a shift in tone or a major shakeup of the storytelling structure, that is not quite the case here. There is a long running plot including a new villain that further complicates things and the building of a rift between Stan and Evie that builds off of last season. But, like last season, this is manly kept to the background while the dynamic duo deal with new threats in the foreground in a more episodic nature. This is where “Stan Against Evil” lives and in hindsight makes it the obvious choice for how to continue the show. This may disappoint some who were looking for a bit more permanent change of course but trust me when I tell you that the dividends this yields in the following episodes pay off and then some. Keeping to the familiar structure allows SAE to maintain the tone and pacing that worked so well in season 2 while getting even more ambitious with the jokes and references. For real guys, this season feels like someone let Dana Gould’s imagination off of the leash and it is running rampant on some glorious, insane, pull out all the stops rampage. I feel like a green lantern ring is going to show up at some point because this show has lost any fear it may have once had of being too weird and the show is all the funnier for it. The episode featuring David Koechner as a moth monster in particular is an amazing Kaiju send up and rises to the level of “Curse of the Werepony” in regard to my personal favorite episodes. I was dying with laughter during the “final battle” sequence of the episode and I think it will easily be a fan favorite of the series.
With what I have seen, this season is well on it’s way to being the best season this show has produced. “Stan Against Evil” still has the goods so load up on your “Stump” beer and make sure you mark your calendars for the Halloween Premiere!
Until next time Stan Fans,
May the Owls Abide!
Stan Against Evil Airs October 31st on @IFC Wednesday at 10pm.
Follow Stan Against Evil on Facebook, and Twitter
:Learn more about the show on www.ifc.com
Wanna share your thoughts on Stan Against Evil?
Hit me up on twitter at @NickThyes, or @thatsmye
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.