If you have seen the trailer for 2018’s Overlord, you may be expecting a Wolfensein-like, action movie with plenty of Nazi zombies, grotesque experiments, and other horror elements sprayed liberally over the films run time. Like so often we see now with modern movie marketing, this is not exactly the case.
The horror elements are in there to be sure, but really only feature heavily in the third act and even then there appears to only be one variety of monster for our heroes to fight. The rest of this movie is very much a traditional men on a mission war film even going as so far to open and close with black and white credit sequences to get you in that 50’s mindset.
We have our crew of ragtag soldiers, our anything-to-get-the-job-done leader Corporal (Wyatt Russell), our moral compass of a main character Private Boyce (Jovan Adepo), and nearly impossible mission for them to complete. Said mission is to take down a radio tower that not only is a pivotal target for the war effort but also the sight of horrific Nazi super soldier experiments that will make you think Red Skull hiding just off screen.
The action of the film is tight, bloody and satisfying and manages to make the B monster movie stuff not feel out of place with the more gritty and realistic war movie stuff. The opening plane drops sequence is particularly breathtaking and feels like such a successful tribute to Saving Private Ryan you will start to imagine Tom Hanks sitting in one of those landing boats underneath their bullet magnet of a plane.
The cast is also doing great work here. They all may be playing their war movie types but everyone brings their A game and really make a meal of their role. Jovan Adepo is likeable and compelling as the compassionate soldier, Mathilde Oliver brings credibility to her self sufficient female character that we almost never get to see in movies like this, and whatever genius cast John Magaro as the trash talking, gruff soldier should be freaking applauded.
Seriously, Magaro is so good in this I will be shocked if he is not on the shortlist for any wise-cracking soldier parts in the future. The stand out here though has got to be Wyatt Russell who is channeling the early B movie, tough guy charisma of his dad so well, we might as well slap an eyepatch on this kid and get that “Escape from New York” remake started already.
There is a slight hiccup in the pacing of this film. After a heart pounding opening sequence, we are treated to a second act where there is a lot of talk and planning about completing their mission without a whole lot of actually getting it done.
This does provide time for the characters to breathe and develop, but I would be lying if I said I didn’t think to myself “Just storm the freaking Nazi castle already!” a few times. Also, the movie doesn’t want to let any of those war movie cliches go to waste, which makes for a story that doesn’t hold that many genuine surprises. Fortunately, the movie has so much fun that it doesn’t really matter you see most of the story beats coming.
Overlord isn’t revolutionary but a blast to experience. I would recommend catching it in a theater with some friends when it comes out on Nov.9, 2018.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.