The Writers Guild of America West’s has announced its 2019 TV Writer Access Project honorees: 21 diverse writers whose work has been cited by a committee of high-level writers and showrunners in Comedy (Half-Hour) and Drama (One-Hour) script categories. Now in its tenth year, the WGAW’s decade-long TV WAP program is part of the Guild’s ongoing efforts to increase diversity and promote inclusiveness in the entertainment industry.
2019 TV WAP Drama Honorees
· Sabrina Almeida, Die Spinne (The Spider)
· Allen Clary, Orchard Drive
· Anya Leta, Points of Origin
· Lisa Long, Cimarron County
· D.H. Miller, Freshwater
· John-Paul Nikel, Metro
· Adam Rodman, Promises To Keep
· Deanna Shumaker, Long Lost
· Matthew White, Echo
· Jai Tiggett, Black Magic
2019 TV WAP Comedy Honorees
· Cindy Appel, Ride or Die
· Chelsea Catalanotto, Colonize This
· Elise D’Haene, Old Dykes
· Anne Gregory, Fucked
· Chase Heinrich & Micah Steinberg, Grindrs Keepers
· Lena Kouyoumdjian, Party Girls
· Brent Piaskoski, Humor Me…It’s Time For Your Next Act
· Rachel Palmer & David Shecter, For Worse
· Kate Spurgeon, Rx
This year’s 21 TV WAP honorees include eleven writers in the women’s category (including one writing team), four LGBTQ+ writers (including one writing team), two minority writers, two writers with disabilities, and two writers age 55 and older. For more information about this year’s TV WAP honorees, and to access their work, click here.
“Now in its tenth year, the WGAW TV Writer Access Project has recognized over 150 honorees. During this time, the program has witnessed varying advancements – from jumpstarting members’ careers to providing a space for unrepped members to find representation. All too often we hear that writers from marginalized backgrounds can’t be found. The TV Writer Access Project is just one effort in which to address this industry-wide concern,” said WGAW’s Inclusion & Equity Director Tery Lopez.
The honorees will have their work spotlighted industry-wide via the Guild, as well as participate in a series of WGAW-hosted workshops in March designed to equip them with the skills sets and the necessary tools to develop and sustain successful television writing careers.
For TV WAP consideration, qualified WGAW members in five industry-underrepresented categories – minority writers, writers with disabilities, women writers, LGBTQ+ writers, and writers age 55 and older – were eligible to submit an unproduced half-hour or one-hour spec script. Entries were read and scored on a blind submission basis by a panel of judges comprised of Guild members with extensive television writing experience.
Launched in 2009 and administered by the WGAW’s Inclusion & Equity Department, the Guild’s program is designed to identify and recognize outstanding diverse writing talent and provide access to their work to entertainment industry decision-makers, including showrunners, producers, network and studio executives, agents, and managers.
“All too often when people are looking to diversify their staffs and make them more inclusive, they say ‘We can’t find any writers.’ With the TV Writer Access Project, there’s no excuse. For ten years the WGAW has identified and supported talented writers who can crush it in any writers’ room. If you want stars, here they are,” said TV WAP Advisor and Inclusion & Equity Group Co-Chair Glen Mazzara (The Walking Dead, Damien), who also runs the Guild’s TV WAP program seminars with fellow WGAW members Leo Chu & Eric Garcia (Prince of Peoria, Supah Ninjas!).
The Guild’s TV WAP program generates tangible results for its participants: “Validation by my WGA peers and being selected as a WAP Honoree was a crucial component to a career resurgence for me. It allowed me to find new representation and, through the workshops, I gained valuable insights on how to effectively market my own story. I also made wonderful new writer friends that continue to provide a network of camaraderie and support,” remarked previous TV WAP honoree Tonya Kong (Marvel’s Daredevil, Arrow).
This year’s TV WAP received 133 total submissions from Guild members: 48 women writers, 34 minority writers, 21 LGBTQ+ writers, 27 writers age 55 and older, and three writers with disabilities.
The program enlisted WGAW members to serve as 70 first-round judges (37 drama / 33 comedy), and 39 second-round judges (22 drama / 17 comedy). Second-round judges included WGAW members/writers David Shore (The Good Doctor, House), Steven Canals (Pose, Dead of Summer), Jane Espenson (Once Upon a Time, Torchwood), and Stacy Traub (black-ish, The Real O’Neals).
Streaming
Top Five anime in 2024
As an anime enthusiast and entertainment journalist, I’ve curated a list of the top five must-see anime series of 2024. These selections showcase the diversity and creativity that define the medium, offering compelling narratives and stunning animation.
Delicious in Dungeon
This series combines culinary arts with fantasy adventure, following a group of dungeon explorers who cook and eat the monsters they defeat. The unique premise and mouth-watering depictions of fantasy cuisine make it a standout this year. Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development.
Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development. Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide.
Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide. The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim.
The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim. Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers.
Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers. These anime series exemplify the innovation and storytelling prowess that continue to drive the medium’s global popularity. Whether you’re a seasoned otaku or new to anime, these titles are essential viewing for 2024.
Movie
Mechanic Rocky
“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music.
The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy.
Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.
The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography.
Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach. Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half. 123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.”
In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.
Movie
Nosferatu
Rating: 8/10
Director: Robert Eggers
Writer: Robert Eggers
Studio: Focus Features
Cast: Bill Skarsgård (Count Orlok), Lily-Rose Depp (Ellen), Nicholas Hoult (Thomas Hutter)
Robert Eggers’ Nosferatu (2024) is a stunning reimagining of F.W. Murnau’s 1922 silent horror classic, blending a gothic atmosphere with Eggers’ meticulous attention to historical authenticity. The film succeeds in delivering an eerie, slow-burn horror experience that respects its source material while bringing a modern edge to the genre.
Bill Skarsgård shines as the grotesque and unsettling Count Orlok, his performance capturing the monster’s primal terror with chilling intensity. Opposite him, Lily-Rose Depp brings emotional depth to Ellen, combining vulnerability and quiet strength as she navigates Orlok’s dark obsession. Nicholas Hoult’s portrayal of Thomas Hutter adds a grounded, human element to the supernatural narrative, providing a strong counterbalance to the horror.
The film is a visual triumph, with cinematographer Jarin Blaschke’s use of chiaroscuro lighting creating a hauntingly gothic ambiance reminiscent of German Expressionism. Every frame is a masterpiece, enriched by intricate period-accurate production design and costumes. Robin Carolan’s haunting score enhances the foreboding tone, immersing audiences in the shadowy world of 19th-century Europe.
Eggers’ direction is deliberate, favoring atmosphere and tension over jump scares. This methodical approach may challenge viewers seeking more conventional horror pacing but rewards patience with an experience steeped in dread and unease.
However, the film’s stylized nature can create a sense of emotional detachment for some audiences, and its slow pacing may not resonate universally. Despite these minor critiques, Nosferatu stands as a testament to Eggers’ commitment to crafting meaningful, atmospheric cinema.
For fans of gothic horror and classic cinema, Nosferatu is a must-see that revitalizes a seminal narrative with artistry and reverence.