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CCI 2019: JAY AND SILENT BOB RETURN IN BRAND NEW REBOOT!

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It’s been 13 years since the dynamic dealer-duo Jay and Silent Bob have graced the big screen with their presence. This fall, the two will return to theatres in what’s sure to be the comedic event of the year, “Jay and Silent Bob Reboot”!

As every year, writer/director/star Kevin Smith and star Jason Mewes graced the stage of Hall H to deliver Smith’s usual Q&A panel, as well as debut some new footage from the anticipated sequel.
The panel kicked off with Smith setting the stage for what fans can expect from Jay and Silent Bob’s next turn on the big screen. “For those that remember, in Jay and Silent Bob Strike Back, Jay and Silent Bob find out that Hollywood is making a movie based on them and they go to Hollywood to stop it. I like to think I’ve grown as a filmmaker since 2001 and I’ve matured as a storyteller. In Jay and Silent Bob Reboot, Jay and Silent Bob find out that Hollywood is making a reboot of that old movie and so they go to Hollywood to stop it again. It’s the same movie all over again.”
Smith introduced his co-stars Jason Mewes and Harley Quinn Smith, who then proceeded to introduce the film’s new trailer. The trailer invoked a lot of laughs and thrills not felt since the early 2000s. Immediately following the trailer was an exclusive-to-SDCC clip from the film in which pop culture junkie Brodie Bruce (Jason Lee) informs our heroes of the upcoming “Bluntman v Chronic”, a reboot of the old Bluntman and Chronic movie based on Jay and Silent Bob.
After the clip, the crowd was surprised by none other than Supergirl herself, Melissa Benoist, who introduced another scene featuring her character, the newly-rebooted Chronic. Benoist plays opposite Val Kilmer as Bluntman in a scene that blew the roof off Hall H.
After the footage, Smith and the cast took to the stage to answer questions from the audience. During which, Smith revealed the possibility of a revival of his once-cancelled Clerks III script, saying “When I wrote Clerks 3, I wrote it during a weirder, darker point in my life, and it’s kind of like the King Lear of our movies. I love it, it’s one of my favorite scripts, but it’s dark. It’s bleak, and it’s not what Dante and Randal deserve. We’re never going to make that version of Clerks 3, but I’m going to write a different Clerks 3 and we’re going to make that fucking film, I promise. And in a world where we got to bring Ben (Affleck) back, I’ll be able to bring Jeff (Anderson) back. They gave me this much, I owe them one last thing.”
Jay and Silent Bob Reboot will have its first preview screenings on October 15 and 17  via Fathom Events. This will be followed by Jay and Silent Bob’s Reboot Roadshow Tour with Jason Mewes and Kevin Smith beginning in Chicago on October 21st. Get your tickets now at rebootroadshow.com!
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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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