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DC Universe: Swamp Thing – The Long Walk Home

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I’m very mixed about this episode. On one hand, I do enjoy seeing Avery (Will Patton) finally meeting Swamp Thing (Derek Mears). On the other hand, damn Swamp Thing took a stupid pill this episode. Well, okay a lot of characters this episode took a stupid pill. Not to mention there should be no way Avery could have survived the stuff from the last episode, but as it teased near the end of it: he did– sadly.

That and we get an answer as why the CDC were okay with Abby’s (Crystal Reed) time after the epidemic had ended. Turns out they weren’t, as Abby’s boss (Andrea Barbeau)grills her hard for it. That and we learn more about the character introduced last episode who dined with Maria and Woodrue (Kevin Durand), Nathan (Michael Beach), who is the head of the Conclave organization that was teased in the third episode, and he sure as heck exerts himself this episode.

This episode just continues off the buzzkill the last one ended on and we go deep into why Avery is the man he is. Honestly, I’m kind bored with Avery’s shenanigans. I kind of wished the Sheriff and her kid had actually did the deed. Would have been better, more so since now there’s so many characters mulling around.

That said, it just feels like almost everyone got stupider this episode. Abby is wondering how Nathan knew about Alec. I mean there’s only three  people she told. One was this very episode, and the least trustworthy person amongst her inner circle. It isn’t really hard to figure out WHO it was. Speaking of one of her friends, so we’re just not gonna acknowledge that Harlan (Leonardo  Nam) just is kidnapped and– never mentioned again in the episode?  Like you think Nathan could have mentioned that to get Abby to play ball more for her?

Heck, why did it have to be Nathan? He could just been silent and have Andrea Barbeau’s character do the grilling on Abby. It almost feels set up that way, and hey it would made more sense since you have Andrea “freaking” Barbeau in the episode. But nope she’s in and out, and the appearance just feels like a waste. I WANTED MORE! You’d think more Avery’s little delusions before he runs into Alec could have been cut for this? Ugh.

It was a bit neat seeing the Conclave goons confront Swamp Thing, but um– what happened to the control of the swamp? You’d think Alec would exert more of that power and make mincemeat out of these guys. Plus did it really have to be Avery who begins to take him down? I mean come on! Why not given Woodrue some of that.

Really, other than the confrontation Avery has with Alec, it’s his scene with Woodrue is the only three highlights (the other being Abby telling Harlan about Alec).For the briefest of moments, I did enjoy Avery thinking of actually curing Alec before the devil that Woodrue has become tell him otherwise.

I just feel so darn disappointed in the direction the show is going for the most part. I figured it could go in a crazier direction, but it just feels so darn safe. With some of the characters taking some massive leaps in judgment (SERIOUSLY, why in the heck would Alec even trust Avery after all we’ve seen and what the swamp has told him). ARGH!! This episode was so disappointing. .

 

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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