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DC Universe: Swamp Thing – The Price You Pay

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Wow, this episode just continues that roller coaster ride that was the last two. We get full confirmation that Matt (Henderson Wade) is Alec’s killer. Add to that his motive on why he did the dirty deed, just paints how much Avery (Will Patton) has everyone in his pocket, no matter how much they don’t want to be. We also get Daniel (Ian Ziering) origin this episode as he makes a “deal to become a devil” with the Phantom Stranger (Macon Blair).

All and all, this episode just continues to up the stakes for all the characters involved. Not to mention Swamp Thing (Derek Mears) is starting to get lost in his role and it doesn’t help Avery’s sending goons to nab him now. The whole sequence with the way Alec deals with them. OUCH. Plus we get more tension between him and Abby. Thankfully, it appears next episode appears to be a crux of all that.

If anything, the only plot threads that don’t get picked up this week are Maria (Virginia Madsen) and Susie (Elle Graham) are nowhere to be scene in this episode. I would have figured given with Daniel still being in the hospital,we’d have one scene of Maria reacting to Avery putting other things in the way of seeing her, while doing so RIGHT IN FRONT OF HER. You’d figure there be more payback after she teased some before, but nope.

On the other hand, we get a lot of Woodrue (Kevin Durand) this episode (and I just love the utter ride this has been with the character), as he continues to descend into doing whatever it takes to test the samples he got from Abby and then Alec’s lab of Swamp Thing. Even his sick wife noting how much he’s fallen makes me wonder after this episode, we’re getting oh so closer to him becoming what he’s sadly destined to become.

Really, the only cliched part that bored me this episode was Abby (Crystal Reed) other than at the end, just moving between the other plots as more a witness to it all and nothing more in effecting the plot till the end. She just felt pointless this episode, and how the heck is she still in Marais? Given that she’s CDC wouldn’t they be asking for her to come back now with a new assignment?

But given how much Daniel, Woodrue, and Liz (Maria Sten) get in this episode. It is kind of nice to see Abby take a backseat for once. Let the supporting characters get their little spotlight (given sadly this show was already given the axe even before the first episode aired. I’ll take what I can get).

I’m really curious how this will all come to ahead as there are only four episodes left after this. I doubt this will all end perfectly, as the show was cut down a few episodes first before it got the cancellation notice.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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