In the 1990s Debi Mazar’s cat-eyed glamour was spotted everywhere, alongside close friend Madonna. Arm-in-arm they strolled red carpets across two continents and partied with a glittery group of social provocateurs.
As an actress, Mazar came on the scene and shone brightly in the 1990 iconic mob film, Goodfellas, as Ray Liotta’s coke-addled mistress. She then appeared alongside actress Annabella Sciorra in Spike Lee’s 1991 interracial romance drama, Jungle Fever and followed that up with two more Spike Lee films, Malcolm X and Girl 6. In 1995 she spiced up the screen as one half of Sugar & Spice alongside Drew Barrymore in Batman Forever. More recent projects included the role of sharp-tongued publicist Shauna on HBO’s runaway hit series, Entourage, which aired from 2004-2011.
Her characters have always been quick to offer a sarcastic comeback or some bold advice, no effs given. If film and television casts can be compared to ingredients, then Mazar is surely the hot sauce.
These days, the mom of two teenage daughters splits her time between New York City and Italy. Landing on another hit series with TV Land’s Younger, now going into its seventh season, Mazar takes the reigns once again as irreverent artsy urbanite, Maggie. The show centers around a Gen-X divorcee who poses as a millennial to jumpstart her career in book publishing, only to have worlds collide in parenthood, work and love.
When speaking with Mazar, she gives it to me straight, no chaser. A dye in the wool New Yorker with an Avant-Garde spirit, she shares her views on friendship, parenthood, social media and the art of risk taking.
That’s My Entertainment: In your series, Younger, your character Maggie is the catalyst that gives the other characters permission to make bold decisions that they wouldn’t ordinarily make. In your own life, who has given you permission to draw outside the lines?
Debi Mazar: I surround myself with many friends that do that for me; it’s not just one person. Certainly, it starts with my husband. I obviously run things by him. In my life, I’ve had people I looked up to who were older, or who had sage advice in their soul to offer. Sometimes it could even be my teenage daughters. Their thoughts are generally so pure. My older gay male friends always have sage advice, and my girlfriends, [the late fashion designer] Isabel Toledo being one of them, and Madonna being one of them… ultimately, you know deep in your soul what you should do, and I’ve always been a risk-taker.
TME: Are you as bold and irreverent as the characters you’ve played?
DM: I think I’m bolder than my current character on Younger, for real! Maggie is a little more Bohemian, and she’s [artsy]. I sometimes wish she could be even bolder. I know she’s a catalyst for the story. Often, in my life, I’m just like, “Oh please, just fucking do it already!” I think I’m a little bit more the type of person in my own life who will say, “Do what you need to do,” as opposed to merely suggesting. There have been times with the character of Liza (played by Sutton Foster), where I wish my character, Maggie, could have offered her that type of direct advice. But we have to tell a story and stretch it out for television.
TME: Younger just finished its sixth season, and you’re going into your seventh season. It’s amazing when you consider how much competition there is for people’s attention these days. Why do you think the show has resonated with your audience?
DM: Our show is about female relationships, for the most part. They’re strong women who are bonding together and lifting each other up. In a world that is so crazy, I think that is a big part of the show’s appeal. Our show is also filled with humor, it’s extremely positive and light. It really is entertainment.
The marketing machine that TV Land and Viacom put together, in terms of promoting the show and how they continue to promote the show, has been aggressive and fun. I give them a lot of credit for throwing it out into the stratosphere, especially on a network that was all about reruns. When I first got offered the show and they said it was on TV Land, I said, “Wait, isn’t that the rerun channel?”
TME: That reminds me of what Dave Chappelle said about the first season of Chappelle’s Show airing on Comedy Central. He said, “That wasn’t exactly the place to be at the time.” Sometimes it takes one groundbreaking show.
DM: Yeah, I was like, “Oh, that’s weird. I don’t know.” (laughs) Of course, I would love being next to I Love Lucy, but they were doing this whole new launch of original programming when Younger started. Having the platform of Hulu, and wherever else you can watch Younger, that’s helped enormously to blast it out, and the show has sold well, globally. I hop through airports constantly, and no matter where I go people tell me they watch Younger. Ultimately, our show is about love.
Allison Kugel: I would consider you a Gen-Xer, like me. There is a Gen-X versus Millennial component to the show that speaks to a lot of people. Do you long for what was, or are you more of an embrace the times we’re in kind of person?
Debi Mazar: I’m a mother of teenagers, so I’ve had to deal with Millennials and Gen-Z, and I find them so refreshing. I am a Gen X type of person in terms of where I live, and liking how things used to be, and yes, I do complain that I liked New York City better when it was less crowded. I liked the city when it was edgier and not so antiseptic and cleaned up. On the flip side, I’m also a modernist and someone that looks to the future. I can’t sit around talking about how things used to be, because you have to exist in how things are and make your next decisions based on that. I can easily decide that I’m moving to Italy tomorrow, because I married an Italian and we have a country home in Florence. And I can choose to really go a whole other route, pretend like I’m in the Renaissance, and live in the country and tune out a lot of stuff. But I’m kind of addicted to certain things at this point. I have Instagram and I sit and check my phone for things all the time.
TME: Darren Star is the brilliant creator of Younger. What would you say are the hallmarks of a Darren Star (Beverly Hills, 90210; Sex and the City; Younger) television series?
DM: Darren likes to push buttons in terms of sexuality. He likes to push buttons with love triangles, the dynamics of friendships and with fashion. He loves all of that. If you watch any of his shows, there is always an element of people that are living on the edge, having to make decisions; they are dressing up and going out; they are having fun; and they’re voracious and hungry for things. His shows are funny, witty, fast-moving and nice to look at. The greatest thing Darren does is write wonderful female characters. I mean, remember when Sex and the City was happening? A lot of people were like, “I’m the Samantha of my group,” or “I’m the Carrie.” With my character, Maggie, on Younger, I’m happy to play a lesbian. I think it appeals to a huge demographic within the LGBTQ (at this point Mazar laments that she may be leaving out some letters) community. It’s relevant.
TME: Darren Star recently claimed there is a statistic showing that women are often put in positions of power during extreme corporate shake ups, placing them on what he referred to as “the edge of a cliff,” and making them more vulnerable to failure in their respective positions. In Younger, Hilary Duff’s character, Kelsey, experiences this when she is put in charge of Millennial Publishing during a shake up in the company. Do you think the audience is ultimately looking to be entertained by her failure, or inspired by her success?
DM: I think the audience is watching to see what happens. We all live on the edge of not knowing whether we’re going to be a failure or a success, and failure and success is something that is measured by ego. It could be measured in many different ways. I don’t know if that is a proven statistic, but I happen to think that women are stronger than men in many ways. Women turn shit around all the time. There are a lot of success stories in Corporate America of how women have turned things around. So, I don’t really know where that statistic comes from and I don’t think it’s a male or female thing, necessarily. Half of it is luck and timing, anyway.
TME: Do you think someone can become extremely successful playing by the rules, or do you think that rules must be broken while chasing a dream?
DM: A rebel has to break rules. You have to take chances, and you have to fall on your face before you get back up and know that you made a mistake, and you can try to do it differently. I think you have to break the rules to a degree… in a smart way.
TME: Who in your life has made you most proud to have been born a woman?
DM: It’s interesting, because I wanted to have a son, but I got daughters. I’m proud that they ended up being girls, because they’re magnificent. I look at Malala [Yousafzai] paving the way. She was tortured; being a woman representing a society and getting shot in the head, and then going out there and being an activist. There’s the Gloria Steinems of the world, and a billion other women of the world. Had they been born men… I just think that gender isn’t necessarily the answer. The gender discussion now is so big that sometimes people aren’t born women and they choose to become them. And, hey, that’s a beautiful thing too.
TME: Why do you think ageism is so prevalent in American culture, specifically?
DM: Oh God! Well I think it’s not just America, unfortunately.
TME: Since you live in Italy for part of the year, would you say it is similar or different in that respect?
DM: I feel young for my age, to a degree, but my body doesn’t always feel so young because I’m not, and it’s just how it is. Throughout history, men were always the presidents in America. We still haven’t had an American president that’s a female. When I’m in Europe, people appreciate people, whether they have leathery skin or not. It’s about character and their souls and their mind.
I do feel appreciated in America, because I think it’s about the frame of mind of the person who might feel the ageism. I might not be able to go out and get a job that a twenty-year old is getting, but I don’t try to do that. In fact, when I was in my late twenties and early thirties, I was chasing after the roles of grandmothers on sitcoms. I don’t care about the number. As an actor, we all have to be different shapes, sizes, colors and have imperfections. That’s what makes us look interesting.
TME: What are your thoughts on Younger’s lead character Liza (played by Sutton Foster) relaunching her career in publishing by lying about her age? The series starts off with her pretending to be 26, although she is a forty-year-old divorcee with a teenage daughter.
DM: When the series starts off, her character was damaged. She was a divorcee suffering from a broken heart, a broken family, living in the suburbs, truly devoting herself to her child, which we all do. Suddenly she is single and going, “Oh my God, my daughter is moving out and going to college. What the hell am I going to do?” When she comes to my apartment, I am there to save her and wrap her up in my arms and be a friend first. I tell her, “I love you, you’re great, you’re beautiful.” When all of these [job] interviews are not working out, I suggest she have some fun and change it up. When I first started my career, I didn’t have a lot of acting credits and I fudged a little bit on my resume to make it look better than it was, because I wanted to get some action. I don’t think there’s anything wrong with hustling, embellishing and trying to convince people that you can do the job.
TME: Speaking of this generation leading the way, what’s one piece of technology that you can’t live without, personally and professionally?
DM: Instagram, hands down! I’m able to post a still-life image that I find beautiful, or I’m able to show something that I shoot a picture of, that’s funny and makes people laugh. I’m able to share a photograph of a throwback from a moment in my life. It’s a reflection of my sense of style, my sense of photography, my sense of depth of field, color and comedy. To me, Instagram is really that and I keep my feed positive. On the flip side of it, when people come after me for my anti-Trump stuff or political stuff, I just block certain people. I don’t want to read into it and fall down that rabbit hole. I love WhatsApp because you can talk to anybody all over the world, and I also love how in Europe everyone walks down the street voice messaging into their phone’s mic, instead of texting. That’s my new favorite thing to do.
TME: Towards the end of season six of Younger, your character Maggie is having a steamy fling with actress Nicole Ari Parker, who guest stars on the show. What was that like?
DM: You know, Nicole Ari Parker did the two episodes of our show and we never closed out the fact that we’re having this little affair. Then I date a guy after her. It shows that Maggie’s hot to trot, and she’s on the market
TME: Your character is very fluid, sexually?
DM: Actually, she’s not fluid, but she is just seduced by a single moment with a man in that one episode. So, she’s not fluid. But if Darren [Star] decides I’m fluid in season seven, then I guess I will be (laughs).
TME: (Laughs)
DM: But he decided, at least in season six, that I wasn’t, and I’m fine with that. If I have to, I’d much rather make out with girls than make out with guys, because I’m married, and I only want to kiss my husband.
TME: I get that.
DM: I mean, if I have to it’s okay, it’s part of my job, but it’s much easier for me to go on set and be like, “Look, we got this. Let’s make this fun.” Sometimes you get these actresses who get a little bit nervous. I just make them feel calm and loved and feel easy about doing the scene with me.
Nicole [Ari Parker] and I had moments where we’d be on the street ready to make out for a scene, and I taught her how to kiss me for the cameras. We didn’t have to put tongues down, we just put our lips together and smash our faces together like they did in the 1920’s movies. It doesn’t have to be this groping, weird thing. Actors can make it look good if they know what they’re doing. It’s really about the suggestion of sensuality.
TME: You’ve had a group of eclectic and fabulous friends over the years. What kinds of people do you typically gravitate towards in your own life?
DM: I’m that person that supports all people. I love fucked up people; I love straight shooters; I love people that are very by the book. I just see beauty in all kinds of people. When you let go of the norms and you allow people to be who they are, you find beauty and strength in them.
Younger airs on TV Land on Wednesdays at 10/9c. Catch up on Seasons 1-6 on TV Land On Demand or on Hulu and PlayStation Vue. Follow Debi Mazar on Instagram @debimazar.
Streaming
Top Five anime in 2024
As an anime enthusiast and entertainment journalist, I’ve curated a list of the top five must-see anime series of 2024. These selections showcase the diversity and creativity that define the medium, offering compelling narratives and stunning animation.
Delicious in Dungeon
This series combines culinary arts with fantasy adventure, following a group of dungeon explorers who cook and eat the monsters they defeat. The unique premise and mouth-watering depictions of fantasy cuisine make it a standout this year. Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development.
Kaiju No. 8
Set in a world plagued by kaiju attacks, the story centers on a protagonist who gains the ability to transform into a kaiju himself. The series offers a fresh take on the kaiju genre, blending action with deep character development. Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide.
Solo Leveling
Adapted from the popular web novel, this anime follows a weak hunter who becomes the world’s strongest after a mysterious system grants him unique abilities. Its dynamic animation and gripping storyline have captivated audiences worldwide. The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim.
The Elusive Samurai
Set in feudal Japan, this historical series follows a young samurai who uses his agility and wit to survive in a turbulent era. The anime’s blend of historical context and engaging action sequences has garnered critical acclaim. Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers.
Dragon Ball Daima
The latest installment in the iconic Dragon Ball franchise, this series introduces new transformations and challenges for Goku and his friends. Its high-octane battles and nostalgic elements appeal to both longtime fans and newcomers. These anime series exemplify the innovation and storytelling prowess that continue to drive the medium’s global popularity. Whether you’re a seasoned otaku or new to anime, these titles are essential viewing for 2024.
Movie
Mechanic Rocky
“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music.
The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy.
Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.
The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography.
Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach. Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half. 123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.”
In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.
Movie
Nosferatu
Rating: 8/10
Director: Robert Eggers
Writer: Robert Eggers
Studio: Focus Features
Cast: Bill Skarsgård (Count Orlok), Lily-Rose Depp (Ellen), Nicholas Hoult (Thomas Hutter)
Robert Eggers’ Nosferatu (2024) is a stunning reimagining of F.W. Murnau’s 1922 silent horror classic, blending a gothic atmosphere with Eggers’ meticulous attention to historical authenticity. The film succeeds in delivering an eerie, slow-burn horror experience that respects its source material while bringing a modern edge to the genre.
Bill Skarsgård shines as the grotesque and unsettling Count Orlok, his performance capturing the monster’s primal terror with chilling intensity. Opposite him, Lily-Rose Depp brings emotional depth to Ellen, combining vulnerability and quiet strength as she navigates Orlok’s dark obsession. Nicholas Hoult’s portrayal of Thomas Hutter adds a grounded, human element to the supernatural narrative, providing a strong counterbalance to the horror.
The film is a visual triumph, with cinematographer Jarin Blaschke’s use of chiaroscuro lighting creating a hauntingly gothic ambiance reminiscent of German Expressionism. Every frame is a masterpiece, enriched by intricate period-accurate production design and costumes. Robin Carolan’s haunting score enhances the foreboding tone, immersing audiences in the shadowy world of 19th-century Europe.
Eggers’ direction is deliberate, favoring atmosphere and tension over jump scares. This methodical approach may challenge viewers seeking more conventional horror pacing but rewards patience with an experience steeped in dread and unease.
However, the film’s stylized nature can create a sense of emotional detachment for some audiences, and its slow pacing may not resonate universally. Despite these minor critiques, Nosferatu stands as a testament to Eggers’ commitment to crafting meaningful, atmospheric cinema.
For fans of gothic horror and classic cinema, Nosferatu is a must-see that revitalizes a seminal narrative with artistry and reverence.