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The Skeletons Come Out of The Titans Closet in “Jericho”

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This whole season Titans has been keeping a rather large secret close to its vest, what actually happened with Deathstroke? Tonight we find out.

A few weeks ago Titans teased the outcome of Dick meeting Deathstroke’s son after the death of Aqualad but cleverly held on to that information until it come produce the most damage to the team. WARNING: MAJOR SPOILERS AHEAD!

In order to get Jason off the ledge Dick gets all the skeletons out of his closet and tells the full story of the old Titans and their time with Jericho Wilson.  What follows isn’t nearly as gruesome as you would imagine but still unforgivable.

In an effort to learn more about Deathstroke Dick has gotten close to Jericho and become a bit of a father figure. He’s been looking for some real friends and the Titans seem like just the support group he needs. Once they’ve gotten all the information they need from him everyone decides it’s time to cut ties, because manipulating a teenager like that is wrong. Everyone except Dick and Donna.

Slade, of course, knows he’s coming and vanishes. Not willing to give up the only lead he has Dick continues getting close to Jericho who starts to see Dick as a father figure. Everything changes once Jericho uses his powers in front of Dick and the Titans ask him to be on the team. They come clean with him causing Jericho to cut ties with his family and live in Titans Tower.

Deathstroke gets wind of this and goes for blood. His carnage brings out the wrath in Dick who confronts him in front of Jericho. If anything this episode solidified just how much of a badass Deathstroke actually is compared to the rest of the DC universe. Over the course of the season he’s either taken out or neutralized Aqualad, Robin and Wondergirl. Clearly he’s a force to be reckoned with when he’s got a target.

Given all the foreshadowing this season it’s no surprise the fight doesn’t end well. Jericho ends up getting stabbed by Deathstroke making the villain far more dangerous than he ever was with Batman.  Yet somehow the episode manages to humanize Slade in a way that’s never really done before. Sure, Arrow did a bit of but watching him with his wife and son really speaks volumes.

Titans — Ep. 208 — “Jericho” — Photo Credit: Ben Mark Holzberg / 2019 Warner Bros. Entertainment Inc. All Rights Reserved.

Titans — Ep. 208 — “Jericho” — Photo Credit: Ben Mark Holzberg / 2019 Warner Bros. Entertainment Inc. All Rights Reserved.

What even more amazing is despite the fact that you’re dealing with a teenager that can body hop, a super soldier and a guy that likes to wear capes the entire thing feels very grounded. It’s true things like Arrow took a lot from Nolan’s Batman but they have less fantastical elements. Watching something like Titans unfold through such a grounded lens honestly seems to work so much better than it should.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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