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Comic-Con At Home 2020 Presents ‘The New Mutants’

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The long-awaited New Mutants film, that’s been in development Hell since 2018, is taking another whack at releasing the thing. A panel with many of the key stars – Maisie Williams (Wolfsbane), Anya Taylor-Joy (Magik), Charlie Heaton (Cannonball), Alice Braga (Dr. Reyes), Blu Hunt (Mirage), and Henry Zaga (Sunspot), moderated by Ira Madison III, reunited the cast to dish on their roles in the film.

Madison III happily announced the hashtag to use on Twitter for the film and the Con, and the chance to see all their characters in brand new Emoji form –

#NewMutantsComicConAtHome

#NewMutantsWolfsbane

And a chance to win some sweet poster swag if you post on Twitter about the movie with the hashtag thus –

#NewMutantsPosterSweepstakes

Art director Bill Sienkiewicz made a pop-in visit to talk briefly about the very different artistic tone of the film, comparing his art for New Mutants to the early Nightmare on Elm St. films, particularly 3 and 4.

Lots of fan art of various beloved New Mutants characters was shared virtually with the actors, much to their delight.

Maisie Williams was asked to compare the differences between her character Arya Stark on the show Game of Thrones, to the role of Rahne Sinclair, or Wolfsbane, and expounded on how Sinclair is a much quieter character, a different stretch for the actress.

Anya Taylor-Joy laughed over the fact that she often plays a bad girl in various other roles she’s occupied recently, and talked about how her character Illyana Rasputin, or Magik, has lots and lots of action scenes in the film.

Charlie Heaton, best known thus far for his role of Jonathon on Stranger Things, talked about being drawn to outcast roles, especially the character of Sam Guthrie, or Cannonball, and being able to draw on inner pain to effectively play Sam.

Blu Hunt roundly proclaimed herself a huge Horror movie fan in real life, yet laughed to state that the only thing that creeped her out about the whole affair was that here she was, playing a lead in a big-big New Mutants movie after only starring on a few CW TV shows. (Like The Originals and Another Life, which aren’t small roles in this reporters opinion.)

Henry Zaga dished on the rigors of trying to play his character, Roberto de Costa, aka Sunspot, to the hilt, even to the point of endangering his own health. The sheer physicality of Sunspot led Zaga to not drink water all day before what he called his “nutting up” scene, and yet the scene kept getting rescheduled! “I did have to look the part,” Zaga laughed and grinned that he would never look that good again.

Maisie and Blu were asked to speak on their character’s burgeoning lesbian relationship and the importance of LGBTQ+ representation in comics and movies today. Maisie laughed and said they did compatibility reads together before filming, and that she suspects their screen tests and auditions together, including the infamous kiss scene, would be included in the Blu-ray movie extras.

We were treated to a 5-minute opening scene from the film itself, and then as a thank-you to the fans, Madison III announced a chance to win a visit to a pre-screening of New Mutants before the movie comes out, by Tweeting this –

#NewMutantsScreeningSweepstakes

New Mutants has been oh so hopefully stated as being released in theaters on August 28th, 2020!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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