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Falcon And The Winter Soldier Drops The Mic On A Superhero Filled Weekend

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The blockbuster of this weekend may have been Zack Snyder’s long awaited recut of The Justice League but it was Marvel’s new series The Falcon and the Winter Soldier that moved the bar for the superhero genre.

If you’ve been following Marvel for any amount of time in the past decade this won’t really come as a surprise. While DC may have spent $70 million doing a course correction for a franchise that will probably never see the proper sequels it deserves Marvel managed to create an extremely timely and relevant series right out of the gate with Falcon and the Winter Soldier.

The show follows the lives of Sam Wilson (Falcon) and Bucky Barnes (The Winter Soldier) as they navigate life after The Blip (which ended up being a fantastic analogy for COVID) and without their closest friend Steve Rogers aka Captain America.

WARNING SPOILERS AHEAD! Giving these characters time to breathe does wonders and honestly it’s something Marvel should be doing with most of its roster. If you ever considered Sam Wilson just a sidekick to Cap you won’t after the first 15 minutes of the show. But once the action dies down these are people that still have to deal with the real world.

For Sam that includes trying to take out a loan to save his family’s business. It doesn’t matter that he was blipped out of existence for the last five years or that he’s saved the world many times over that still doesn’t qualify him for a bank loan. It’s a fantastic scene that takes a look at institutional racism though the lens of a superhero show. They could have gone the easy route and made the show all action and explosions, instead they chose to make the show about the world as it is today. Racism exists no matter how much you’ve done or who you are.

Meanwhile, Bucky isn’t faring much better. He’s gotten his life back but doesn’t know what to do with it now that he’s almost constantly haunted by the victims he killed during his time with HYDRA. He’s a military vet with almost a century of baggage to unload. While the first episode doesn’t bring Sam and Bucky together right away it’s clear the two can do each other a lot of good.

This was never going to be the lighthearted series that WandaVision was, that’s just not the Captain America sandbox. Instead the audience deals head-on with issues like grief, loss, racism and domestic terrorism. Though it’s somehow only six episodes long I get the feeling Falcon and the Winter Soldier is going to pack quite a punch.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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