Spider-Man, Spider-Man!Does whatever a spider can. Spins a web any size. One of Marvel’s best franchise. I swear it sounds better in my head’s glorious voice than it does the way you’re reading it.
Honestly, this is one of the easiest movies to review as well as one of the hardest. As this movie is compromised of so many back to back to back easter eggs, callbacks, and surprises that it’s difficult to expound on why I loved this film without giving up any specifics. There’s no safe way to do it but, to be as vague and speak in general terms as to protect the sanctity of the cinematic experience. So here I to attempt this feat.
The acting was definitely on point as the returning characters of Peter(Tom Holland), MJ(Zendaya), and Ned(Jacob Batalon) are trying to pick up the pieces of their now very public lives after Peter is outed by Mysterio as Spider-Man. This of course was the immediate aftermath of the events from Spider-Man: Far From Home. This is devastating of course as it affects everything from privacy, school life, and college admissions. Peter of course doesn’t want this newfound fame so he goes to Dr. Strange(Benedict Cumberbatch) to help possibly correct his anonymity issue. Of course, with Peter correcting one issue creates even more and chaos is introduced to New York because of a botched spell he asked for.
The dialogue is A-1 throughout the film as I don’t remember anyone Holland didn’t have on-screen chemistry with. Holland and Zendaya of course, real-life couple so it translates on screen. Cumberbatch’s Strange being the straightish man for Peter’s wide eyed wise-cracking teen. The perfect curmudgeon to foil Parker’s optimism. The same can be said of MJ who is the absolute antithesis of Peter’s unyielding positivity. The interplay of auxiliary characters on both sides heroes and villains are fantastic and absolutely necessary to the character development in the storytelling of this movie and overall Spider-Man movie universe (or Spiderverse if you will). The writing is some of the best I’ve seen in the MCU period.
The action is fantastic and extremely well choreographed. It has some of the best put together uses of the multiple spider-powers Spider-Man has at his disposal and honestly some of his brainpower as well. Which doesn’t always come into play in the films during battle sequences. I really dug that aspect.
As far as the CGI, which is made or break for me in this type of cinema I noticed the detail that seemed to go into the various shots where it was used. The point where the attention to detail hit me was when Peter early in the film swings away with MJ and he attaches to a street light you see the streetlight arm give a bit of bend as it would with sudden weight is applied to it. Little details like that really catch my eye and earn my respect as a movie concessioner.
You will have multiple moments where you find yourself cheering. sometimes out loud (which I never do but couldn’t help myself) as the nostalgia and thoughts of the possibilities will overtake you after waves and waves of some of the illest cameos and surprises slap you into a nerdgasm.• The writing is top-notch as even with as much as I went in knowing or having drawn my own conclusions on it was never uninteresting or unsurprising. The De La Soul song that as soon as the credits roll warmed my little Hip-Hop heart. This movie had it all: action, suspense, engaging narrative, character development, it had me teary-eyed (cause the onions on the guy next to me’s nachos) and it has me excited for the future of Phase 4 and the future of the Spider-Man movie universe (Spiderverse). The only thing negative I can find in it is how do you top something this cathartically pleasing? I give it a full 5 out of 5. Stay after of course, there are two end credit scenes.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.