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Netflix presents ‘Bad Guys’ (2022): Who’s the real villain here?

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Reviewed by Alicia Glass

A beleaguered detective returns from suspension to form an unconventional team of very-special investigators to hunt down a serial killer!

So Detective Pitak (Surasak Wongthai) has a hell of a reputation at his local police precinct – absolutely ruthless and overpowering in his rage, Pitak charges in like an ox after whoever he’s chasing and bowls right over anyone who’s in his way, including fellow cops and his Lieutenant General Namchai (Surasak Chaiyaat), if necessary. And when the Rain Murderer, the serial killer who’s been terrorizing the city with his brutal stabbing slaughters of multiple women when it rains, as it does far too often in Thailand, joyously executes Pitak’s only beloved daughter, there will be literal Hell for him to pay. Pitak swore it, and fellow policewoman Lieutenant Aris (Chanya McClory) believes him, enough to not only get Pitak reinstated as a cop, but to also obtain permission for the unorthodox team Pitak wants to form to hunt down the Rain Murderer! It does also help that Aris happens to be the daughter of an old colleague of Namchai, one could easily say police work is in their blood.

First off for our team of extra-special investigators is Race (Jirayu Tantrakul), extensively trained and highly effective assassin. Orphaned when he was young, Race and his tiny gang of orphaned brothers were all adopted by the local executioner himself, generally known as Hem (Kajornsak Rattananissai), and trained to become assassins themselves, following in Hem’s shadow. As a grown man, Race is a hit man without equal, efficient, ruthless, methodical and frighteningly intelligent, excellent at his job and known for stoically accepting orders from Hem and carrying them out with fearsome precision – until the day he botches a job because of a pair of witnesses – the targets wife and screaming daughter. The cops finding Race sitting there in a scene right out of Kill Bill – surrounded by dead bodies, splashed head to toe with still-dripping crimson, Race perches holding a single devastating sword like a killer crow – and yet, he still surrenders to the police and goes in silence. Sometimes, even the best killers get tired of it, and want out.

Next is Yak (Yuan Kawinrath Yotamornsunthorn), at least initially considered to be the brainless muscle, the tank that can soak up all sorts of damage and deal it out x10 in return. It turns out, Yak actually worked for Hem too, in much more of a bruiser enforcer capacity, Yak can always be relied on to bull (or is it yak? LOL) his way through any obstacle. This doesn’t just apply to enemies in the way either, as the show progresses we see Yak demonstrate his blunt charge-ahead philosophy in all aspects of his life and he lovingly applies it to his friends and his erstwhile coworkers, cheerfully encouraging them to just go for it already, and we love him for it. Known for his near-constant eating, an adorable shtick for a very large man who needs to maintain his reserve for the near-constant ass-kicking Yak involves himself in, Yak is also smart, funny and kind, capable of leadership and other unexpected surprises. Anyone could understand why a character such as Yak is absolutely necessary to round out our trio of Bad Guys.

Lastly is the wild card, the enigmatic and difficult young savant known as Sky (Napath Vikairungroj). Denounced as a psychopathic murderer of multiple victims over a period of months, acknowledged genius Sky is actually a sensitive artistic soul who claims to be unable to remember killing anyone. Granted, his brooding hoodie-wearing presence, vaguely reminiscent (in my mind) to the ultra-strange character L from Death Note, would make most people suspicious but the cops probably triply so. Poor Sky is repeatedly told by everyone from his beloved girlfriend to his psychiatrist doctor that yes, he did in fact kill a whole bunch of people in horrific ways, so why can’t he remember any of it? Sky’s gifted genius brains are put to excellent use in the chasing of various villains besides the Rain Murderer, and as he gracefully defends or attacks with clubs or empty hands, we come to understand that while Sky certainly has the potential to be a serial killer, it is actually entirely possible that he was elaborately set up. So then, the question becomes why? And, by whom?

It’s not until the Bad Guys who hunt bad-der guys have gone through at least a couple of cases and more or less solved them with relatively minimal public damage, that slick and suspicious prosecutor Phadet (Than Thanakorn) decides he wants to join the gang. Initially the Prosecutor tells Pitak and the others that he wants to help get the villains plaguing Thailand’s streets from the law-related side in a prosecutorial fashion, but doesn’t hesitate in pulling rank when the others balk at his interrupting the repertoire they’ve begun to build, and he near immediately begins acting suspicious, especially towards Aris. Which turns out to be a mistake, given that Lieutenant Aris is just as tough as the rest of them, despite or perhaps because of, the lack of male genitalia.

It has to be said, despite clearly being a foreign show with subtitles and all the lush scenery of Thailand to back it up, that the show has clear, compelling storylines that are easy to follow, even for a series of murder mystery clues. We come to care about these characters – ox-like Pitak and his despair over his daughters death, big ole oaf Yak and his gigantic heart, the penitent assassin Race and his grief, graceful artist with the missing memory Sky, even Aris and her desire for justice at last – and cheer them on amidst an epic beat-filled club soundtrack.

Found on Netflix, Bad Guys (2022) is perfect for binging and can be cheered on by anyone!

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Did JD from Scrubs Have a Dark Past?

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TW: Discussions of child abuse and neglect.

The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.

Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.

Hints of this could be interpretated throughout the series:-

1. Attachment to Dr Cox

 One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure. 

JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?

As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?

2. Feels Affinity with Dr Cox and Elliot

The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?

Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.

3. Hostile Relationship with Older Brother

 JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.

In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?

4. Audience Never Actually See JD’s Mother

To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.

We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!

5. JD’s Mother Drank

Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?

6. JD is a People Pleaser

As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?

7. Extremely Tactile

 Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?

8. Self-Sabotaging

A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.

JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).

9. No Therapy

As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?

10. Overactive Imagination

During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man? 

Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.

If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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