Movie
The Last Voyage of the Demeter: Double-knock on wood!
Adapted and written largely from the Captain’s Log chapter of Bram Stoker’s magnum opus Dracula, The Last Voyage of the Demeter tells the story of Dracula’s journey by ship from Carpathia to London, and what happened to her crew in the interim.
So here we are in Bulgaria, middle of 1897, and Captain Eliot (Liam Cunningham) of the Russian schooner Demeter is here to take on some strange cargo from some unknown client and transport it to Carfax Abbey in London. In need of some extra hands, the Captain sends out his capable Second Wojchek (David Dastmalchian) to scout for some, and initially the roving black doctor and aspiring philosopher Clemens (Corey Hawkins) is passed over in favor of more work-roughened men. The adorable cabin boy of the Demeter, Toby (Woody Norman), narrowly misses being crushed by the mysterious dragon-marked crates being loaded onto the ship, saved by Clemens himself and switched out with the superstitious sailors running from the Demeter like they had been poisoned by the sign of Dracul. And now, armed with some nine or so crewmen, Doc Clemens, and Captain Eliot himself, the twenty-four strange what looks like coffins adorned with dragon signs brought mostly safely aboard, the Demeter can make for open water and the Hell that awaits them there.
The duty of showing Clemens around the ship falls to a cheerful Toby, who proudly shows him the living areas, the Captain’s quarters, the very-large cargo hold, the galley and kitchen where the overly-devout Joseph (Jon Jon Briones) cooks the crews meals, the various above decks, even the sails, and the rigging are all at least touched on, and the livestock pens that Toby himself is in charge of, including the handsome good-boy doggy Huckleberry, or just Huck. We the audience get a very clear feeling of what it’s like to actually be aboard the Demeter, just how large she really is, and what living on a ship for months at sea is really like, the reality and practicality and the dangers of it.
Everyone more or less settles in for a hopefully uneventful voyage, taking mess around the common table and exchanging ideas or aspirations for when they arrive in London early thanks to the fair winds, and receive a handsome bonus for their troubles. But that involves being alive and making it to London to spend said bonus and pay, and the coffin crates spilling dark soil from the motherland and disgorging all sorts of other nasty secrets, have some serious plans to the contrary.
First, it’s the livestock, innocent and shrieking in their locked pens as a monster takes great furious bites out of their necks, and of course, the creature just straight up ruins poor doggy Huck. Then there’s the fully grown girl that gets dislodged from an open coffin-crate, covered in bite scars and as pale as death, she eventually starts interacting and talking after several blood transfusions from Doc Clemens, Toby learns her name is Anna (Aisling Franciosi). And then, as the weather turns foul and the winds begin to be a serious problem, the attacks turn toward the remaining humans onboard the Demeter.
Most people these days are familiar with Dracula, that gorgeous cunning vampire Elder who can supposedly transform into a bat or a wolf, seducing women to voluntarily offer up their veins like an unholy sacrament, a being at once beautiful and powerful, but also horrific and murderous if given half a heartbeat to smell your blood. This is not Dracula.
Instead, the creature that hunts the humans occupying the Demeter is an absolute monster, not a single human feature left to it, barely even recognizable as humanoid-shaped, instead boasting not just full-length bat wings but an entire exo-skin of bat membranes that can be used for feeding, a mouth full of needle-like teeth akin to a predator of the deepest darkest parts of the ocean, those yellowed Nosferatu eyes that will not tolerate light in any way, and of course giant pointy bat-ears. This is a thing, a grotesque straight from the depths of Hell, and no amount of glamor magic can make this Dracula (Javier Botet) seem like anything other than what he, is – a parasitic demon who only wants your blood. There is no reasoning with it, no trapping it, not even really any talking to it (kinda hard to talk when your throat has been ripped out), and, like the much more frightening Dracula stories of old, no amount of pure faith behind a symbol does anything other than give false hope.
Coming face to face with an actual abomination does different things to different people. The formerly delightfully foul-mouthed Abrams (Chris Walley) dissolves into a blubbering mess; poor Larsen (Martin Furulund) didn’t even get to see his own death coming; and it turns out Olgaren (Stefan Kapicic) wants to live so badly, he’ll suffer becoming a blank-eyed Renfield if that’s what it takes. All of Cook Joseph’s purported pure faith didn’t stop him from trying to take the coward’s way out and didn’t save him anyway when the sound of unnatural bat wings descended on him. I find that kind of irony delicious. Dear Anna, resigned to her fate to be eternal food for the horror that terrorized her village, nevertheless wants to try and save whoever is left of the Demeter with her own sacrifice, and there aren’t many. Wojchek of course wants to kill Dracula, but for all his logic and solid practical nature, has no experience whatsoever with this sort of thing, and sure doesn’t want to sacrifice the Demeter, the beloved ship he called home that was promised to him by Captain Eliot himself, in order to destroy that demon. Even poor sweet Toby isn’t safe from the creature’s clutches, and what happens to the cabin boy of the Demeter is what finally sends Captain Eliot over the blooming edge. And who could blame him? For this sort of thing to happen during the last voyage of such a proud, solid ship as the Demeter, is some serious bullsh*t.
To leave such a film open for a potential sequel, especially when called the last voyage of something, was a pretty hefty ask, and somehow the filmmakers managed it. I personally think a different version of Van Helsing, the infamous vampire hunter, teaming up with a certain black doctor who nurses a serious grudge against Dracula, could be a kickass sequel. Until then, experience the doomed final journey of the Demeter and her poor crew in all it’s bloodstained glory, in theaters now!
In the ever-evolving world of Indian cinema, few stars have managed to carve a niche as effortlessly as Allu Arjun. Known for his electrifying screen presence, unparalleled dance moves, and ability to adapt to any role, Arjun has become a phenomenon, transcending regional cinema to gain pan-Indian appeal. Whether it’s intense action dramas, heartwarming family entertainers, or stylish romantic films, he has done it all.
Take Pushpa: The Rise (2021), for instance. With a rugged new look and a raw, earthy performance, Allu Arjun transformed into Pushpa Raj, a smuggler who refuses to bow down to power. His signature swagger, powerful dialogue delivery (“Thaggede Le” became a cultural mantra), and intense action sequences made the film a box-office juggernaut. The film’s massive success on Amazon Prime Video only extended its reach beyond Indian borders, turning Arjun into a global icon.
But the star’s magic isn’t just limited to mass action spectacles. In Ala Vaikunthapurramuloo (2020), Arjun showcased his flair for comedy and family drama, delivering one of the most charming performances of his career. His character, Bantu, a middle-class man who discovers his true lineage, resonated with audiences, and his impeccable dance moves in songs like Butta Bomma took the internet by storm. The film’s presence on Netflix made it one of the most-watched Indian films on the platform.
However, Arjun’s journey to superstardom wasn’t built on commercial cinema alone. Films like Arya (2004) showcased his ability to bring depth and sincerity to romantic dramas. Playing the role of a selfless lover who believes in destiny, he delivered a performance that remains iconic to this day. His natural charm and emotional depth made Arya a cult classic, solidifying his reputation as Tollywood’s next big thing.
Even when he steps into full-fledged action mode, he never loses his distinct style and charisma. Sarrainodu (2016) was a high-octane actioner where he played an ex-military man fighting corruption. With power-packed fight sequences, catchy dialogues, and foot-tapping songs like Blockbuster, the film became a true crowd-puller.
But one of Arjun’s most underrated performances came in Vedam (2010), a film that explored multiple narratives and showcased him in a never-before-seen role. Playing Cable Raju, a slum dweller pretending to be rich, he brought a rare vulnerability to the character, proving his ability to balance mass appeal with meaningful cinema.
From ruling the box office to winning six Filmfare Awards South, Allu Arjun’s journey is a testament to his unmatched versatility. Whether he’s setting the dance floor on fire, delivering powerful monologues, or simply owning the screen with his presence, he continues to redefine what it means to be a pan-Indian superstar.
For those who haven’t yet experienced the magic of Allu Arjun, now is the perfect time to dive into his cinematic universe. His films are available on Netflix, Amazon Prime Video, Disney+ Hotstar, and ZEE5, ensuring that no matter where you are, you can witness the rise of the Stylish Star firsthand.
Genre: Action Thriller
Runtime: 2 hours 45 minutes
Director: Prithviraj Sukumaran
Writer: Murali Gopy
Starring: Mohanlal, Prithviraj Sukumaran, Indrajith Sukumaran, Manju Warrier, Tovino Thomas
Studio: Aashirvad Cinemas, Lyca Productions
The Good: What Empuraan Gets Right
Mohanlal’s Magnetic Screen Presence: As Stephen/Khurēshi Ab’raam, Mohanlal owns every scene. His silence speaks louder than words, and his layered performance adds emotional gravity to the action.
Prithviraj’s Direction Shines: Seamlessly balancing intense set pieces with political intrigue, Prithviraj proves again he’s one of the most visionary directors in Indian cinema today.
Murali Gopy’s Sharp Screenplay: The film is packed with political subtext, philosophical dialogue, and thrilling twists that reward patient viewers.
Stunning Cinematography and Score: The visuals, spanning locations from India to the Middle East, are breathtaking. Deepak Dev’s music elevates every sequence, especially the high-stakes confrontations.
Strong Supporting Cast: With Indrajith Sukumaran, Manju Warrier, and Tovino Thomas in key roles, the ensemble delivers solid performances that complement Mohanlal.
The Bad: Where Empuraan Falters
Pacing in the First Half: The film takes its time building the narrative, which may test the patience of action-seeking audiences early on.
Complexity Might Alienate Casual Viewers: With deep political allegories and global criminal dynamics, it’s not exactly light fare — viewers unfamiliar with Lucifer might feel lost.
A Bit Too Long: At 2 hours and 45 minutes, some scenes — particularly flashbacks — could’ve been trimmed without losing impact.
Empuraan Is a Gripping and Ambitious Sequel That Raises the Stakes After the massive success of Lucifer (2019), fans have waited with bated breath for the sequel — and Empuraan does not disappoint. Directed with confidence by Prithviraj Sukumaran, this 2025 Malayalam action thriller expands the universe of Lucifer, diving deeper into the underworld empire of Stephen Nedumpally (Mohanlal) and the origins of the mysterious Khureshi-Ab’raam.
Empuraan is a masterfully executed Malayalam action thriller that expands its cinematic universe with flair. Mohanlal delivers another iconic performance, and Prithviraj continues to evolve as a bold director who knows how to handle scale and subtlety alike. While the film’s pacing and complexity may not appeal to everyone, for fans of intelligent, stylish Indian cinema, Empuraan is a must-watch.
Final Rating: 8.5/10
Recommended for:
Fans of Lucifer, Indian political thrillers, Mohanlal admirers, Malayalam cinema lovers, and viewers who appreciate layered storytelling and high-stakes action.
Nandamuri Taraka Rama Rao Jr., affectionately known as Jr NTR, has consistently enthralled audiences with his dynamic performances and versatile acting prowess. Following the successful release of “Devara: Part 1” on September 27, 2024, fans are eagerly anticipating his forthcoming projects. Here’s an overview of what’s next for this action superstar.
1. Devara: Part 2
After the resounding success of “Devara: Part 1,” which grossed over ₹466 crore globally, the sequel is highly anticipated. Director Koratala Siva has hinted that “Devara: Part 2” will be even more intense, stating that if Part 1 showcased 10% of Jr NTR’s capabilities, Part 2 will unveil the remaining 90%. Filming is slated to commence in the first half of 2026, with a targeted release by the end of that year.
2. War 2
Expanding his horizons, Jr NTR is set to make his Hindi film debut with “War 2,” directed by Ayan Mukerji. This sequel to the 2019 blockbuster “War” will see him sharing screen space with Hrithik Roshan and Kiara Advani. The film is part of the YRF Spy Universe and is scheduled for release on August 14, 2025, coinciding with the Indian Independence Day weekend.
3. NTR 31 (Tentative Title: Dragon)
In collaboration with acclaimed director Prashanth Neel, Jr NTR will star in a period drama tentatively titled “Dragon.” The film is set to delve into themes of immigration and is expected to be one of the most expensive projects for both the actor and the director. The movie is slated for a grand release on January 9, 2026.
Why Jr NTR is the Action Hero Everyone Wants to See
Jr NTR’s appeal as an action hero stems from his ability to seamlessly blend intense physicality with deep emotional resonance. His performances are characterized by a compelling screen presence, dynamic energy, and a remarkable ability to connect with audiences across diverse roles. This unique combination of skills has solidified his status as a leading figure in Indian cinema, making him the action hero everyone wants to see.
With a lineup of diverse and high-profile projects, Jr NTR continues to push cinematic boundaries and captivate audiences worldwide. His dedication to his craft and ability to reinvent himself with each role ensure that fans have much to look forward to in the coming years.
Allu Arjun: The Stylish Star Who Redefined Telugu Cinema
Empuraan (2025) Movie Review – A Thrilling, High-Octane Malayalam Sequel That Delivers Big
Upcoming NTR Junior projects
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