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Review: “Bad Monkey” — A Tropical Noir With a Comedic Twist

*Bad Monkey* on Apple TV+ is a captivating blend of crime and comedy, a series that invites viewers into a world where the line between right and wrong is as murky as the waters of the Florida Keys. With strong performances and a compelling narrative, it’s a show that deserves a spot on your watchlist. Don’t miss out on this tropical noir adventure!

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Platform: Apple TV+

Creator: Bill Lawrence

Cast: Vince Vaughn, Michelle Monaghan, Jodie Turner-Smith, Ana Villafañe, Rob Delaney

Genres: Crime, Comedy, Drama

Rating: 8.5/10

Bad Monkey is the latest addition to Apple TV+’s impressive lineup, a unique blend of crime drama and comedy crafted by acclaimed show creator Bill Lawrence (*Scrubs*, *Ted Lasso*). Based on Carl Hiaasen’s 2013 novel of the same name, the series is set against the vivid backdrop of South Florida and the Bahamas, a world brimming with vivid characters, sharp wit, and a touch of noir. With Vince Vaughn in the lead, the series delivers a captivating and humorous narrative that explores the dark underbelly of tropical paradise.

The story follows Andrew Yancy (Vince Vaughn), a disgraced detective demoted to a restaurant inspector in the Florida Keys after a public scandal. When a severed arm washes up on the shore, Yancy seizes the opportunity to redeem himself by diving headfirst into an investigation that takes him from the sun-soaked beaches of Florida to the lush landscapes of the Bahamas. Along the way, he encounters an eclectic mix of characters, including the savvy Dr. Rosa Rodriguez (Michelle Monaghan) and the mysterious Eve Geddes (Jodie Turner-Smith), each bringing their own secrets and quirks to the unfolding mystery.

Vince Vaughn delivers a standout performance as Andrew Yancy, showcasing his trademark humor and charisma while also delving into the darker aspects of the character. His portrayal of a man trying to navigate a world of corruption and deception while dealing with his own demons is both engaging and relatable. Michelle Monaghan and Jodie Turner-Smith provide strong support, with their characters adding depth and intrigue to the narrative.

Ana Villafañe shines as Bonnie Montez, a local who becomes Yancy’s unexpected ally, adding a layer of warmth and authenticity to the story. Rob Delaney’s portrayal of Neville, a real estate tycoon with a penchant for the dramatic, brings a touch of absurdity and unpredictability that keeps the audience guessing.

The series’ cinematography is a visual treat, capturing the vibrant and contrasting landscapes of South Florida and the Bahamas. From the bustling streets of Miami to the serene beaches of the Keys, the settings play a crucial role in creating the series’ unique atmosphere. The lush scenery not only serves as a backdrop but also enhances the narrative, making the audience feel like they are part of Yancy’s world.

*Bad Monkey* masterfully balances its comedic elements with the darker themes of crime and corruption. The series explores the complexities of human nature, the blurred lines between right and wrong, and the consequences of one’s actions. The humor is sharp and often satirical, reflecting the absurdities of life in the tropics and the eccentricities of its inhabitants.

As with his previous works, Bill Lawrence infuses *Bad Monkey* with his signature blend of humor and heart. The series strikes a perfect balance between the serious and the absurd, keeping viewers engaged and entertained throughout. Lawrence’s ability to create well-rounded, relatable characters is evident in every episode, making *Bad Monkey* a standout in the crime-comedy genre.

*Bad Monkey* is a refreshing addition to the crime drama genre, offering a unique blend of mystery, humor, and drama. With its compelling storyline, strong performances, and stunning visuals, the series is a must-watch for fans of crime dramas and dark comedies alike. Bill Lawrence has once again delivered a hit that is sure to captivate audiences and keep them coming back for more.

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The Double: Ghostly vengeance upon you! 

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After the daughter of county magistrate is betrayed by those she trusted the most, she takes on a new identity and returns to the capital to mete out her own brand of justice!  

Quite a bit is said about Jiang Li, the daughter of the Minister of the Central Secretariat, and how she suffered at the Temple her father sent her to after a blowout at home, with not a single person coming to visit her, or send any kind of letter, in more than ten years. But I think the banked rage of Xue Fang Fei, our heroine who takes Jiang Li’s place, is also entirely worth exploring. And so, prepare your best drugged tea for the Spoilers about to follow! 

We begin more or less, on a stormy night with a hole dug in the ground, a garbled confession that mentions a woman in power who could crush them both like ants apparently and a knockout shot via shovel, all at the hands of her own beloved husband Shen Yurong, that culminates in the death of Xue Fang Fei (Jinyan Wu). Except, she didn’t die. Betrayed by the one person she gave up like everything for, Xue Fang Fei escapes and washes up on the shore, to be found by Jiang Li and her faithful friend and servant Tong’er (Ai Mi). 

Jiang Li (also Jinyan Wu), despite being the neglected daughter of the Minister of the Central Secretariat Chancellor Jiang (Su Ke), or perhaps because her stepmother is one jealous horrific hag but we’ll get to that later, is not well treated at all at the Temple. And when that mistreatment finally manages to culminate in her actual death, it provides an opportunity for the newly-resurrected Xue Fang Fei. The new Jiang Li wins the loyalty of her lifelong friend Tong’er, the silence of the Abbess of the Temple, and the attention of a very powerful man, Duke Su, all in the space of like a few days. She even gets the silent approval of the ghost of the real Jiang Li, and willingly takes on the mission of her spirit – to avenge the real Jiang Li, to set right the things in her life that were wrong, that lead to her accidental death far from home, alone with none of her blood family to save her. Since this is a Chinese show, we know that is a mountainous burden to take on. 

First, we have to get out of the Temple. And the arrival of Duke Su (Wang Xing Yue) and his men, investigating a salt smuggling scandal along with other sordid things the Temple is accused of, is the perfect vehicle to do it, even if Jiang Li has to get arrested for it. Then we have to get back to the household of her father, the Minister of the Central Secretariat or Chancellor Jiang, and the hell of stepmother Ji Shu Ran and stepsister Jiang Ruo Yao’s bickering, backbiting both hidden and blatant, with only the impotent Grandma as a friend. Oh, and also, to get embroiled in palace drama, royal guard investigations, a pretty forbidden romance with a certain very stoic-seeming commander, and mete out plans, and justice, of her very own. 

The show does an excellent job at showcasing strong women in various forms of power, exercising it in very different ways, and more often than not, the pain and suffering they deliberately cause to those around them. That’s not to say that they each don’t have their reasons, justifiable or not, but the power they wield is often only tolerated if not outright ignored by the men around them. The new Jiang Li defies these conventions, with a mind like a steel trap and the sheer fortitude to power through whatever the current test is – a qin performance that leaves her fingers bleeding and her audience weeping; whether or not she allergy-poisoned her stepsister, come on; allegations from the Emperor himself – Jiang Li makes careful, detailed plans, and carries them out with the patience and cunning of a spider, calm and deadly. 

The shows villains are mostly women, come to think of it, with Elder Princess Wanning being at the foremost of the pack, she likes torturing her playtoys, and some time ago she decided Shen Yurong was going to be one of them. Which actually kicked off this whole mess, of conspiracies and deaths and cover-ups, all because Xue Fang Fei’s ex husband has no balls whatsoever. Or perhaps he’s the Empires biggest hidden masochist, who knows. Even Shen Yurong’s actual attempts at true villainy towards the end were poorly planned, badly executed, and almost lackluster, despite his purported desperation to win for once. 

Whereas, the smiling tyranny of Ji Shu Ran back at the Prime Ministers household, using her children as weapons against Jiang Li, the love and hey guilt of her father to gently nudge him the “right” way towards getting Jiang Li out of the house by means fair or foul, is all to be expected. Her stepmother had been doing very bad things since Jiang Li was a very little girl, and the hidden knowledge of one of those atrocities in particular, is what led to tiny Jiang Li being maligned, punished, and sent away to the Temple. So of course taking care of the wicked stepmother, or rather, allowing her to fall into the self-same trap of her own making from so long ago, is high on the list of stuff in Jiang Li’s life that needs addressing. 

The best male performance inevitably come from the lead love interest, Duke Su Xiao Heng, though his two main men, Lu Ji and Wen Ji, come as a close and often comedic second, and the emotions invoked from Jiang Li’s fathers acceptance  of her return run the whole gamut of spectrum – especially when her father finally reveals that yes, he knew that the Jiang Li that returned wasn’t the one he originally left, that Xue Fang Fei managed to take vengeance for his beloved daughter and in doing so, finally actually become her, once and for all. 

It’s long and complicated and fraught with excitement and danger, featuring an absolutely ruthless female lead who lets nothing not even family ghosts stand in her way, and a perfect story to enjoy the 2024 spooky season to! Cheer on The Double on Netflix now! 

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What to Expect from the New Season of Squid Game: Thrills, Twists, and High Stakes

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The highly anticipated new season of Squid Game is set to deliver even more nail-biting suspense and shocking twists that fans of the global phenomenon have come to love. As the series returns, viewers can expect an escalation in the deadly games, with new challenges that push participants to their physical and psychological limits.

In this season, the stakes are higher than ever as a new group of contestants enters the arena, each with their own desperate reasons for participating. The games are more dangerous, the alliances more fragile, and the betrayals more heartbreaking. With the introduction of new characters and deeper insights into the shadowy organization behind the games, Season 2 promises to expand the *Squid Game* universe in unexpected ways.

The creators have teased that the upcoming challenges will be more complex and terrifying, testing not only the contestants’ physical endurance but also their moral boundaries.

Expect to see returning characters facing new dilemmas, as well as fresh faces whose backstories will tug at viewers’ heartstrings.

The new season is rumored to feature shocking revelations about the origins of the games and the true motivations of the game’s organizers, ensuring that fans remain on the edge of their seats.

Squid Game has captivated audiences with its unique blend of suspense, drama, and social commentary, and Season 2 is poised to take these elements to the next level. Fans can brace themselves for a roller-coaster of emotions as the game continues with even more at stake.

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Bonjour sweet love patisserie review

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Rating: 7/10

Platform Crunchyroll

Bonjour Sweet Love Patisserie is a delightful treat for fans of romance and cooking anime. Set in the prestigious Fleurir Confectionary Academy, the story follows Sayuri Haruno, a kind-hearted girl who enrolls in the school’s special confectionery course. Surrounded by handsome male instructors and fellow students, Sayuri navigates the world of baking while developing sweet friendships and potential romances.

The anime shines in its charming character interactions, light-hearted humor, and visually appealing desserts that are sure to make your mouth water. However, with episodes running around five minutes each, the series sometimes feels a bit rushed. The plot, while enjoyable, is fairly predictable, sticking closely to typical reverse harem tropes. That said, its short length makes it a perfect watch for those looking for a quick and sweet anime fix.

While Bonjour Sweet Love Patisserie may not break new ground in the genre, it does what it sets out to do well: offering a sugary escape into a world of love, pastries, and heartwarming moments.

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