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Monkey Man Review

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Not only does Dev Patel star in Monkey Man but it is his directorial debut and also boasts a co-writing credit!

Dev Patel plays a downtrodden young man living in the slums of a fictional Indian city named Yatana. Known only as ‘Kid’ he scrapes together a meager living being beaten by more popular fighters in a rigged underground fighting club. Kid fights under the moniker of ‘Monkey Man’ whilst wearing a gorilla mask. Using his finely honed street smarts Kid infiltrates an elite private club populated by the city’s most powerful people.

We follow Kid as he climbs up the levels of corruption; to face not only the evil government syndicate but his own traumatic past.

Having only seen Patel in comedic roles such as; SKINS, David Copperfield, and Shyamalan’s The Last Airbender (unintentionally comedic perhaps?) it was a revelation to see him in a serious role. Since Monkey Man uses dialogue so sparsely, it was impressive how Patel portrayed an individual with severe trauma and rage simmering just below the surface. Not to mention the extreme physical prowess and transformation Patel displays throughout the movie. The numerous fight scenes (although extremely gory) are beautifully choreographed to an amazing soundtrack by Jed Kurzel. Worth mentioning is the film’s strategic use of mirrors. Kid and his trauma are reflected back at him letting the audience know he can’t hide from who he is, or who he is to become.

It’s not just the fight scenes, the entire movie is beautifully stylized with the use of color and movement. Juxtaposition is used artfully throughout. With the gritty realness and griminess of the intricate fight scenes. Much like the deprivation of the city slums juxtaposed with the luminous skyscrapers.

There are so many running themes throughout the narrative. The opening scene tells the story of Hanuman, the Hindu monkey god who grasps the sun believing it to be a juicy mango. Subsequently, Hanuman is punished by the gods. Kid’s story mirrors that of Hanuman’s. Even the monkey grasping the sun could be seen as foreshadowing the reason for the severe scarring on Kid’s hands.

Patel himself (who grew up in London, UK) recalled spending his childhood “ashamed” (Aryan P, 2024) of his “Indianness”(Aryan P, 2024). Using Monkey Man he, like his protagonist Kid, reclaims a part of himself. Before creating the film Patel said he was going to “double down and triple down on the culture in every single way” (Aryan P, 2024). The movie is drenched in South Asian influences from the Bollywood-inspired score to the sociopolitical commentary. These influences are magnified in my personal favorite scene in the movie. Kid is rebuilding his strength by punching a basmati rice punchbag. Patel doubled down on the cultural influence with the use of a Bhangra call and response, a style of music and dance from South Asia. The kid punches the basmati bag while another character serenades his movements on the tabla (Indian hand drums). There is no other way to describe this scene but ‘cool’. Patel definitely fulfilled his promise of making Indian culture cool and exciting.

It’s hard to believe this is Patel’s first time in the director’s chair. The movie is expertly directed with its visceral power. When Kid emerges from the river, his hero’s journey truly begins. The frame immediately clears as the audience rises from the river with Kid. The neon haziness and grime from the previous scenes are gone. The audience feels like it can finally take a deep breath as we are treated to beautiful shots of the overarching Indian forest. Kid has returned to his roots.

Being a white western person I can’t quite appreciate all of the cultural nuance and social commentary. Patel remarked he made the movie for people who look like him and people who don’t (Aryan P, 2024) Monkey Man has many universal truths weaving through the narrative that makes it a satisfying watch for everyone.

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The Double: Ghostly vengeance upon you! 

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After the daughter of county magistrate is betrayed by those she trusted the most, she takes on a new identity and returns to the capital to mete out her own brand of justice!  

Quite a bit is said about Jiang Li, the daughter of the Minister of the Central Secretariat, and how she suffered at the Temple her father sent her to after a blowout at home, with not a single person coming to visit her, or send any kind of letter, in more than ten years. But I think the banked rage of Xue Fang Fei, our heroine who takes Jiang Li’s place, is also entirely worth exploring. And so, prepare your best drugged tea for the Spoilers about to follow! 

We begin more or less, on a stormy night with a hole dug in the ground, a garbled confession that mentions a woman in power who could crush them both like ants apparently and a knockout shot via shovel, all at the hands of her own beloved husband Shen Yurong, that culminates in the death of Xue Fang Fei (Jinyan Wu). Except, she didn’t die. Betrayed by the one person she gave up like everything for, Xue Fang Fei escapes and washes up on the shore, to be found by Jiang Li and her faithful friend and servant Tong’er (Ai Mi). 

Jiang Li (also Jinyan Wu), despite being the neglected daughter of the Minister of the Central Secretariat Chancellor Jiang (Su Ke), or perhaps because her stepmother is one jealous horrific hag but we’ll get to that later, is not well treated at all at the Temple. And when that mistreatment finally manages to culminate in her actual death, it provides an opportunity for the newly-resurrected Xue Fang Fei. The new Jiang Li wins the loyalty of her lifelong friend Tong’er, the silence of the Abbess of the Temple, and the attention of a very powerful man, Duke Su, all in the space of like a few days. She even gets the silent approval of the ghost of the real Jiang Li, and willingly takes on the mission of her spirit – to avenge the real Jiang Li, to set right the things in her life that were wrong, that lead to her accidental death far from home, alone with none of her blood family to save her. Since this is a Chinese show, we know that is a mountainous burden to take on. 

First, we have to get out of the Temple. And the arrival of Duke Su (Wang Xing Yue) and his men, investigating a salt smuggling scandal along with other sordid things the Temple is accused of, is the perfect vehicle to do it, even if Jiang Li has to get arrested for it. Then we have to get back to the household of her father, the Minister of the Central Secretariat or Chancellor Jiang, and the hell of stepmother Ji Shu Ran and stepsister Jiang Ruo Yao’s bickering, backbiting both hidden and blatant, with only the impotent Grandma as a friend. Oh, and also, to get embroiled in palace drama, royal guard investigations, a pretty forbidden romance with a certain very stoic-seeming commander, and mete out plans, and justice, of her very own. 

The show does an excellent job at showcasing strong women in various forms of power, exercising it in very different ways, and more often than not, the pain and suffering they deliberately cause to those around them. That’s not to say that they each don’t have their reasons, justifiable or not, but the power they wield is often only tolerated if not outright ignored by the men around them. The new Jiang Li defies these conventions, with a mind like a steel trap and the sheer fortitude to power through whatever the current test is – a qin performance that leaves her fingers bleeding and her audience weeping; whether or not she allergy-poisoned her stepsister, come on; allegations from the Emperor himself – Jiang Li makes careful, detailed plans, and carries them out with the patience and cunning of a spider, calm and deadly. 

The shows villains are mostly women, come to think of it, with Elder Princess Wanning being at the foremost of the pack, she likes torturing her playtoys, and some time ago she decided Shen Yurong was going to be one of them. Which actually kicked off this whole mess, of conspiracies and deaths and cover-ups, all because Xue Fang Fei’s ex husband has no balls whatsoever. Or perhaps he’s the Empires biggest hidden masochist, who knows. Even Shen Yurong’s actual attempts at true villainy towards the end were poorly planned, badly executed, and almost lackluster, despite his purported desperation to win for once. 

Whereas, the smiling tyranny of Ji Shu Ran back at the Prime Ministers household, using her children as weapons against Jiang Li, the love and hey guilt of her father to gently nudge him the “right” way towards getting Jiang Li out of the house by means fair or foul, is all to be expected. Her stepmother had been doing very bad things since Jiang Li was a very little girl, and the hidden knowledge of one of those atrocities in particular, is what led to tiny Jiang Li being maligned, punished, and sent away to the Temple. So of course taking care of the wicked stepmother, or rather, allowing her to fall into the self-same trap of her own making from so long ago, is high on the list of stuff in Jiang Li’s life that needs addressing. 

The best male performance inevitably come from the lead love interest, Duke Su Xiao Heng, though his two main men, Lu Ji and Wen Ji, come as a close and often comedic second, and the emotions invoked from Jiang Li’s fathers acceptance  of her return run the whole gamut of spectrum – especially when her father finally reveals that yes, he knew that the Jiang Li that returned wasn’t the one he originally left, that Xue Fang Fei managed to take vengeance for his beloved daughter and in doing so, finally actually become her, once and for all. 

It’s long and complicated and fraught with excitement and danger, featuring an absolutely ruthless female lead who lets nothing not even family ghosts stand in her way, and a perfect story to enjoy the 2024 spooky season to! Cheer on The Double on Netflix now! 

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What to Expect from the New Season of Squid Game: Thrills, Twists, and High Stakes

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The highly anticipated new season of Squid Game is set to deliver even more nail-biting suspense and shocking twists that fans of the global phenomenon have come to love. As the series returns, viewers can expect an escalation in the deadly games, with new challenges that push participants to their physical and psychological limits.

In this season, the stakes are higher than ever as a new group of contestants enters the arena, each with their own desperate reasons for participating. The games are more dangerous, the alliances more fragile, and the betrayals more heartbreaking. With the introduction of new characters and deeper insights into the shadowy organization behind the games, Season 2 promises to expand the *Squid Game* universe in unexpected ways.

The creators have teased that the upcoming challenges will be more complex and terrifying, testing not only the contestants’ physical endurance but also their moral boundaries.

Expect to see returning characters facing new dilemmas, as well as fresh faces whose backstories will tug at viewers’ heartstrings.

The new season is rumored to feature shocking revelations about the origins of the games and the true motivations of the game’s organizers, ensuring that fans remain on the edge of their seats.

Squid Game has captivated audiences with its unique blend of suspense, drama, and social commentary, and Season 2 is poised to take these elements to the next level. Fans can brace themselves for a roller-coaster of emotions as the game continues with even more at stake.

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Bonjour sweet love patisserie review

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Rating: 7/10

Platform Crunchyroll

Bonjour Sweet Love Patisserie is a delightful treat for fans of romance and cooking anime. Set in the prestigious Fleurir Confectionary Academy, the story follows Sayuri Haruno, a kind-hearted girl who enrolls in the school’s special confectionery course. Surrounded by handsome male instructors and fellow students, Sayuri navigates the world of baking while developing sweet friendships and potential romances.

The anime shines in its charming character interactions, light-hearted humor, and visually appealing desserts that are sure to make your mouth water. However, with episodes running around five minutes each, the series sometimes feels a bit rushed. The plot, while enjoyable, is fairly predictable, sticking closely to typical reverse harem tropes. That said, its short length makes it a perfect watch for those looking for a quick and sweet anime fix.

While Bonjour Sweet Love Patisserie may not break new ground in the genre, it does what it sets out to do well: offering a sugary escape into a world of love, pastries, and heartwarming moments.

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