Movie
Y2K: Get up and Break Stuff!
A pair of loser best pals decide to crash the cool kid’s end-of-the-year bash, unaware that the whole computer virus Y2K craze is about to become horrifyingly real!
So Eli (Jaeden Martell) and Danny (Julian Dennison), the self-proclaimed “Sticky boys for life!”, basically have only each other. Typical high school boys, talk rather consistently about make-outs and sex and even trade a trophy Durex condom between them as their token “king of the make-outs moment” icon. They troll the local VHS video store and the stoner proprietor Garrett (director Kyle Mooney) for purported wisdom, endure bullying from the likes of CJ (Daniel Zolghadri) and Farkas (Eduardo Franco) and Soccer Chris (The Kid Laroi), and sadly many others, and inevitably Eli has happy hormone-laced dreams of being with closeted nerd and final girl Laura (Rachel Zegler). Eli’s parents Robin (Alicia Silverstone) and Howard (Tim Heidecker) are living their bygone days of being cool, fascinated by their still-new here in 1999 cellphones and dismissing concerns of this “Y2K nonsense”, while Danny’s mom Cheryl (Maureen Sebastian) really is super cool and breathlessly includes Danny in her Tae Bo kickboxing lessons.
Even after Laura and her crew of jock and popular kids decide to flat use Eli and Danny as cover for their oh-so-daring daylight robbery of a local convenience store’s liquor, our Sticky Boys are still compelled to go crash the last party of the year. Of course, Danny wants it far more than Eli, but still, hearing that Laura and her community college boyfriend Jonas (Mason Gooding) broke up and fortified with pilfered alcohol and derring-do, the Sticky Boys throw on their version of party clothes and hop aboard a bike, like a for-real lame-ass ten-speed bicycle or whatever, and give it a go!
It should come as absolutely no surprise that Danny turns out to be the way more social of our Sticky Boys, and while he means well, telling the story of how Eli came to be known as “piss-mouth” loudly at a high school party probably wasn’t the best idea. Seeing Danny finally get some make-outs as the clocks loudly begin counting down the new year is enough for Eli, but as he sullenly prepares to leave, things begin to take a massively unexpected turn!
Here in 2024 there are far too many things we rely on that happen to have computer chips or some kind of electronic equivalent in them, and while 1999 might have been less so, the Y2K virus that began small and maybe cute starts sucking up every last bit of electronica it can find and quickly goes murder-massacre on the kids in true Gremlins 2-style mayhem! Death by flung CDs, a la the bartender in Hellraiser III, if anybody besides me remembers that! Death by castrating drinks blender, ooooh nooo! The deaths just get more creative and insane, and Eli and a few fortunate survivors hoof it off to find someplace where the deadly Y2K virus can’t get at them!
The movie is full of nostalgia for the 90s music, particularly for the Limp Bizkit megahits that were everywhere then, which makes sense since Fred Durst himself has a giant cameo in the movie. The reveal of the conglomerated computer bad guy is very much like the amazing-for-the-time computer graphics of The Lawnmower Man, which hey, came out in 1992 too! And perhaps best of all, the showing of Y2K in my theater was hosted by the legendary Tony Hawke y’all. Full of remember-when tunes, fun practical-effects killer gags, and a huge “Hey, I did that too!”-style vibe, Y2K should be your new ring in the Happy New Year movie comedy, in theaters now!
Movie
Mechanic Rocky
“Mechanic Rocky” is a 2024 Indian Telugu-language action comedy film that marks the directorial debut of Ravi Teja Mullapudi, who also penned the script. Produced by Ram Talluri under SRT Entertainments, the film features Vishwak Sen in the titular role, with Meenakshi Chaudhary and Shraddha Srinath as the female leads. The technical crew includes Manojh Reddy Katasani handling cinematography, Anwar Ali in charge of editing, and Jakes Bejoy composing the music.
The narrative centers on Rakesh, affectionately known as Rocky, a cheerful mechanic who operates his family’s auto repair shop. His life takes a tumultuous turn when he becomes entangled with two women, Apsara and Priya, both of whom develop romantic interests in him. Complications escalate as Ranki Reddy, a ruthless land grabber portrayed by Sunil, sets his sights on Rocky’s garage, leading to a series of confrontations that blend action, drama, and elements of comedy.
Vishwak Sen delivers a commendable performance, embodying Rocky with a blend of charm and intensity that resonates well with the audience. Meenakshi Chaudhary and Shraddha Srinath provide solid support, each bringing depth to their respective roles. Sunil’s portrayal of the antagonist adds a compelling layer to the film, enhancing the overall narrative.
The film’s music, composed by Jakes Bejoy, complements the storyline effectively, with tracks like “Gulledu Gulledu” and “Oo Pillo” standing out for their catchy tunes and engaging choreography.
Critically, “Mechanic Rocky” has received mixed reviews. The Times of India describes it as “an underdog tale blending drama, action, and redemption,” highlighting its genre-blending approach. Great Andhra notes that the film “feels like two different films,” with a tedious first half and a more engaging second half. 123telugu.com echoes this sentiment, stating that while the second half is gripping, the first half is dull, ultimately calling it a “decent watch.”
In conclusion, “Mechanic Rocky” offers a blend of action, comedy, and drama, with strong performances and engaging music. However, its uneven pacing and predictable plot developments may detract from the overall experience for some viewers. As an entertainment journalist and Indian cinema enthusiast, I would rate “Mechanic Rocky” a 6 out of 10, acknowledging its strengths while noting areas where it could have delivered more effectively.
Movie
Nosferatu
Rating: 8/10
Director: Robert Eggers
Writer: Robert Eggers
Studio: Focus Features
Cast: Bill Skarsgård (Count Orlok), Lily-Rose Depp (Ellen), Nicholas Hoult (Thomas Hutter)
Robert Eggers’ Nosferatu (2024) is a stunning reimagining of F.W. Murnau’s 1922 silent horror classic, blending a gothic atmosphere with Eggers’ meticulous attention to historical authenticity. The film succeeds in delivering an eerie, slow-burn horror experience that respects its source material while bringing a modern edge to the genre.
Bill Skarsgård shines as the grotesque and unsettling Count Orlok, his performance capturing the monster’s primal terror with chilling intensity. Opposite him, Lily-Rose Depp brings emotional depth to Ellen, combining vulnerability and quiet strength as she navigates Orlok’s dark obsession. Nicholas Hoult’s portrayal of Thomas Hutter adds a grounded, human element to the supernatural narrative, providing a strong counterbalance to the horror.
The film is a visual triumph, with cinematographer Jarin Blaschke’s use of chiaroscuro lighting creating a hauntingly gothic ambiance reminiscent of German Expressionism. Every frame is a masterpiece, enriched by intricate period-accurate production design and costumes. Robin Carolan’s haunting score enhances the foreboding tone, immersing audiences in the shadowy world of 19th-century Europe.
Eggers’ direction is deliberate, favoring atmosphere and tension over jump scares. This methodical approach may challenge viewers seeking more conventional horror pacing but rewards patience with an experience steeped in dread and unease.
However, the film’s stylized nature can create a sense of emotional detachment for some audiences, and its slow pacing may not resonate universally. Despite these minor critiques, Nosferatu stands as a testament to Eggers’ commitment to crafting meaningful, atmospheric cinema.
For fans of gothic horror and classic cinema, Nosferatu is a must-see that revitalizes a seminal narrative with artistry and reverence.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.