Movie
Kyle Gallner May I?
No Spoilers
In the modern world of horror with its ubiquitous jump scares and ultra-violence it’s nice to discover a quiet horror. A horror that is in fact barely a horror at all, this is Laurence Vannicelli’s; Mother May I?
The horrors genre’s nihilistic poster boy, the talented: Kyle Gallner stars as Emmett; the not-really bereft son of recently deceased Tracy (Robin Winn Moore). We find out that, although Tracy and Emmett had been estranged for many years, Tracy left Emmett her rather impressive country house in upstate New York. Emmett and his poet girlfriend (Holland Roden) travel to stay in the house after dumping Tracy’s ashes unceremoniously into a nearby lake. Emmett’s quip about Tracy now being ‘fish food’ should give you some idea about how he feels towards his late mother.
Tracy’s house, though beautiful and roomy, is filled with her possessions and memorabilia from her youth as a ballerina. Emmett wants to sell the house as quickly as possible despite Anya’s suggestion of turning it into some kind of artists’ retreat.
Emmett and Anya seem to be having relationship issues, despite being in it for the long haul and wanting to start a family. This apparent dysfunction is either mediated or compounded by Anya’s insistence on psychological ‘games’ suggested by her therapist’s mother. In these games, Anya and Emmett sit across the table from one another and each pretends to be the other person by switching seats. This is to try and better understand their partner. These scenes make for some pretty intense moments with the camera pulled right up to the actor’s face.
After one of these ‘sessions,’ the couple makes yet another excellent decision by indulging in magic mushrooms while emotionally unstable and in unfamiliar surroundings. I’m sure I don’t need to tell you that this goes horribly wrong.
While high Anya tries on the cast of Tracy’s face hanging above the fireplace. It is at this moment Anya becomes Tracy. Is this another mind game or a genuine possession? This state lasts longer than the hallucinogens should. Anya even ends up wearing Tracy’s clothes and makeup despite not being a makeup wearer herself. Anya even re-pierces her ears to wear the earrings that were found on Tracy’s corpse.
The rest of the film explores the Freudian nightmare in which Emmett finds himself.
What’s Good…
The acting is fantastic. Gallner, as always, brings his vulnerable intensity to the role. It’s interesting to the character of Emmett regress as his childhood (literally) comes back to haunt him.
I didn’t appreciate Emmett psycho analyzing Anya by saying she calls herself a writer but is actually just a “frustrated copywriter” (jeez movie just @ me next time!). The movie is extremely atmospheric and refreshingly quiet (I could literally hear my cat snoring at points). Expertly building tension so that you are constantly scanning the background to spot what might be hiding behind the corner of the seemingly pleasant house.
What Could Be Improved…
I love a slow burn as much as the next person but I couldn’t help but feel the movie could have upped the creep factor more. Tracy as a ballerina could have been utilized more to give her ‘ghost’ inhuman movements. I can understand why many critics described Mother May I as a horror, light on the horror.
As many horrors do, the movie lost a lot of its during the third act. Subtlety is one thing but the film does leave many questions unanswered and kind of loses itself in its own metaphor.
Despite this Mother May I is an interesting meander into the realm of real-world horror. A good watch for a cosy evening maybe just not with a snoring cat!
Three stars.
Movie
Holiday Movie Review: Violent Night
Violent Night (2022), starring David Harbour as a rugged, action hero Santa, delivers a wildly entertaining twist on holiday films. Combining dark humor, brutal action, and unexpected heart, the movie follows Santa as he defends a family held hostage on Christmas Eve. Harbor shines as a jaded yet surprisingly endearing Santa, bringing grit and charm to the role. The film’s blend of holiday magic and high-octane violence is reminiscent of Die Hard but with a festive twist.
Director Tommy Wirkola balances the chaotic fight scenes with moments of redemption and holiday spirit, creating a surprisingly satisfying narrative. While the film isn’t for traditionalists (its R-rating is well-earned), it’s perfect for fans of unconventional holiday fare.
Rating: 8/10: A bold, bloody, and refreshingly unique holiday film that’s destined to become a cult classic.
Movie
The Grinch vs. The Grinch: Jim Carrey vs. Benedict Cumberbatch – Who Played the Better Green Grump?
Dr. Seuss’s beloved character, the Grinch, has been brought to life in two iconic adaptations: Ron Howard’s How the Grinch Stole Christmas (2000), starring Jim Carrey, and Illumination’s The Grinch (2018), featuring the voice of Benedict Cumberbatch. While both films capture the essence of the Grinch’s transformation, their execution, tone, and performances make for an interesting comparison.
Jim Carrey’s Grinch (2000)
Ron Howard’s live-action adaptation is a bold, larger-than-life take on the classic tale. Jim Carrey’s portrayal is a masterclass in physical comedy and eccentricity. His Grinch is chaotic, sarcastic, and hilariously over-the-top, with Carrey’s boundless energy infusing the character with a manic charm that makes every scene memorable.
This version delves into the Grinch’s backstory, giving him a tragic childhood that explains his hatred for Whoville and Christmas. While this added depth works for some, others felt it detracted from the simplicity of the original story. The film’s whimsical production design and Danny Elfman’s score perfectly complement Carrey’s performance, but the humor occasionally skews more adult, which may alienate younger viewers.
Illumination’s The Grinch opts for a gentler, more family-friendly approach. Benedict Cumberbatch’s voice work offers a softer, more subdued interpretation of the character. This Grinch is more relatable and less cruel, making his eventual redemption feel heartwarming but less impactful.
Benedict Cumberbatch’s Grinch (2018)
The animation is visually stunning, capturing the colorful charm of Dr. Seuss’s world. The narrative sticks closer to the original book, with a few modern twists (like a subplot involving Cindy Lou Who’s quest to help her overworked single mom). Pharrell Williams’s narration and playful soundtrack give the film a contemporary vibe that resonates with children and families. However, Cumberbatch’s Grinch lacks the wild unpredictability that made Carrey’s performance unforgettable.
While both films have their merits, Jim Carrey’s Grinch stands out as the more iconic portrayal. Carrey’s physicality, comedic timing, and ability to humanize the character elevate the 2000 film, making it a definitive version for many fans. Benedict Cumberbatch’s Grinch, while charming and visually delightful, feels safer and less memorable in comparison.
Winner: Jim Carrey For its sheer energy, humor, and enduring impact, How the Grinch Stole Christmas (2000) with Jim Carrey remains the ultimate Grinch experience.
Movie
Y2K: Get up and Break Stuff!
A pair of loser best pals decide to crash the cool kid’s end-of-the-year bash, unaware that the whole computer virus Y2K craze is about to become horrifyingly real!
So Eli (Jaeden Martell) and Danny (Julian Dennison), the self-proclaimed “Sticky boys for life!”, basically have only each other. Typical high school boys, talk rather consistently about make-outs and sex and even trade a trophy Durex condom between them as their token “king of the make-outs moment” icon. They troll the local VHS video store and the stoner proprietor Garrett (director Kyle Mooney) for purported wisdom, endure bullying from the likes of CJ (Daniel Zolghadri) and Farkas (Eduardo Franco) and Soccer Chris (The Kid Laroi), and sadly many others, and inevitably Eli has happy hormone-laced dreams of being with closeted nerd and final girl Laura (Rachel Zegler). Eli’s parents Robin (Alicia Silverstone) and Howard (Tim Heidecker) are living their bygone days of being cool, fascinated by their still-new here in 1999 cellphones and dismissing concerns of this “Y2K nonsense”, while Danny’s mom Cheryl (Maureen Sebastian) really is super cool and breathlessly includes Danny in her Tae Bo kickboxing lessons.
Even after Laura and her crew of jock and popular kids decide to flat use Eli and Danny as cover for their oh-so-daring daylight robbery of a local convenience store’s liquor, our Sticky Boys are still compelled to go crash the last party of the year. Of course, Danny wants it far more than Eli, but still, hearing that Laura and her community college boyfriend Jonas (Mason Gooding) broke up and fortified with pilfered alcohol and derring-do, the Sticky Boys throw on their version of party clothes and hop aboard a bike, like a for-real lame-ass ten-speed bicycle or whatever, and give it a go!
It should come as absolutely no surprise that Danny turns out to be the way more social of our Sticky Boys, and while he means well, telling the story of how Eli came to be known as “piss-mouth” loudly at a high school party probably wasn’t the best idea. Seeing Danny finally get some make-outs as the clocks loudly begin counting down the new year is enough for Eli, but as he sullenly prepares to leave, things begin to take a massively unexpected turn!
Here in 2024 there are far too many things we rely on that happen to have computer chips or some kind of electronic equivalent in them, and while 1999 might have been less so, the Y2K virus that began small and maybe cute starts sucking up every last bit of electronica it can find and quickly goes murder-massacre on the kids in true Gremlins 2-style mayhem! Death by flung CDs, a la the bartender in Hellraiser III, if anybody besides me remembers that! Death by castrating drinks blender, ooooh nooo! The deaths just get more creative and insane, and Eli and a few fortunate survivors hoof it off to find someplace where the deadly Y2K virus can’t get at them!
The movie is full of nostalgia for the 90s music, particularly for the Limp Bizkit megahits that were everywhere then, which makes sense since Fred Durst himself has a giant cameo in the movie. The reveal of the conglomerated computer bad guy is very much like the amazing-for-the-time computer graphics of The Lawnmower Man, which hey, came out in 1992 too! And perhaps best of all, the showing of Y2K in my theater was hosted by the legendary Tony Hawke y’all. Full of remember-when tunes, fun practical-effects killer gags, and a huge “Hey, I did that too!”-style vibe, Y2K should be your new ring in the Happy New Year movie comedy, in theaters now!