Release Date: September 16, 2014
MPAA Rating: PG-13
Runtime: 123 mins.
Director: Gareth Edwards
Studio: Legendary Pictures
Genre: Sci-Fi, Action
Stars:Bryan Cranston, Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe
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During a horrible accident at a nuclear power plant in Japan a man loses his wife , his job, and seemingly, his mind. Fast forward 15 years and Joe Brody (Cranston) is still looking for answers as to what really happened that day. His son, Ford, (Taylor-Johnson) whom is now an EOD tech in the military gets a phone call that his father has been arrested in Japan flies off to get him out. After a little convincing Ford is talked in to breaking in to a quarantined zone where the accident occurred. This ends up dragging him in to a face to face encounter with unstoppable monsters. Who will save the day when man is no longer able to defend itself ? I’m pretty sure you can figure that out.
As far as the locales go they picked some good spots. They jumped between Japan, Hawaii, Las Vegas, and San Francisco. The 3-D in the movie added an extra layer of oomph to the visuals when showing how massive the creatures are to us insignificantly small humans. The CGI for Godzilla is phenomenal and he looks way better than a mutated iguana (yeah ’98 that was a shot at you!). Now the acting was up and down as an overall effort. Bryan Cranston is the best part of the cast as he lights up the screen whenever he’s on it. Unfortunately, there is far too little of him on screen. Aaron Taylor-Johnson (AKA Kick-Ass) seems disinterested in playing his role as Ford. He’s literally got one facial expression for every situation. His reaction to hearing his father is in jail is the same as the first time he sees Godzilla.Its a lackluster effort and shouldn’t be allowed by the director, let alone a professional actor. Elizabeth Olsen (the Olsen that can act) is good in the few moments she receives on screen. Along with Cranston she helps bring some emotion to the human element of the film. Watanabe has like maybe 25 lines in the whole film so he’s not too significant. He does however get to deliver the ever so popular Japanese pronunciation of Godzilla. It’s his one shining moment on camera. Oh, and the final monster fight is overtly bad ass. Too bad that it takes like 3/4 of the movie before any fighting really goes down.
This series was in need of a reboot especially after the last two fiascos. The mission did not fail, as this is a great reintroduction to the masses. Awesome CGI, Two great performances from two under utilized actors, and one awesome monster fight are pluses. The draw backs are the lackluster performance of the main character and the lack of solid Godzilla action until almost the end of the film. Overall, it’s awesome and contains many cheerable moments. It’s a crowd pleaser for sure.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.