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Movie Review Sin City: A Dame to Kill For

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Release Date:August 22,2014
MPAA Rating:R
Runtime: 102 Mins.
Directors: Frank Miller and Robert Rodriguez
Studio:
Genre: Crime, Thriller
Stars: Mickey Rourke, Jessica Alba, Josh Brolin, Powers Boothe, Joseph Gordon-Levitt, Bruce Willis, Eva Green, Dennis Haysbert, Martin Csokas, Rosario Dawson, Jamie Chung, Jamie King, Alexa Vega, Julia Garner, Christopher Meloni, Jeremy Piven, Ray Liotta, Juno Temple, Christopher Lloyd, Stacy Keach, Jude Ciccolella

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Ava,she has every man wrapped around her little finger. Some even refer to her as a goddess. Senator Roark, he’s the most powerful man in the city. He’s also the most corrupt and vicious. What do these two have in common ? Nothing except they both run rampant in Basin City or Sin City as the residents like to refer to it. That’s right the little town in all of comics has come back to life on the big screen. This time we have three stories that intertwine to serve you up an hour and 42 minutes of film noir goodness on steroids.

The movie hits you with the aesthetic art style of a graphic novel as in other films based off of Frank Millers’ work ( for example : Sin City, 300, or 300: Rise of an Empire). The massive amount of green screen works for the type of environments and action that comprise this film. The camera work is great as it accentuates the absurdity of whats going on onscreen. It’s perfect. The splashes of color thrown in throughout the mostly black and white movie help bring extra pop to the action and added sensuality to the sexiness of all the ladies (especially my girl Rosario Dawson) that you see. The pacing never let the story get boring but there were parts that seemed like they could have been cut out. Like Christopher Meloni’s part as Mort. I guess it was to show how easily Ava could seduce men to do what she wants but I found it unnecessary. I will say that the stories told were pretty good and showed just how flawed the “good guys” are and how incredibly insidious the bad guys are. The action was unrelenting and the violence was of the ultra variety. For the world this movie takes you too it works. The fact that the blood is almost always displayed as white instead of red did soften some of the impact of massive amounts of red stuff splashing everywhere which made the gory bits a little more bearable. I’m glad Miller went to Robert Rodriguez again because he’s made his career off of ridiculous violence and onscreen absurdity.

The stars of the film are selected well. Most of the people who weren’t brutally murdered in the first film return. Rourke as the juggernaut, Marv returns to cause chaos and pain. He’s as fun as he was the last time he stepped in those boots. Alba, as the exotic dancer/ object of Marv’s affection is hot but I grew tired of her dancing and doing little else after a few scenes of it. Dwight is back but Clive Owen has been replaced by Josh Brolin. Dwight is played so well by Brolin I almost forgot Owen played the character back in 2005’s Sin City. Gail is portrayed by the lovely Rosario Dawson. She seems to take a back seat this time out but she is memorable in her appearances on screen being both seductive and deadly. Powers Boothe is the evil Senator Roark. He’s a worthy villain for the city of sin. Manute is played by Dennis Haysbert (The All-State Guy) as the previous actor Michael Clarke Duncan passed away. Haysbert does a great job as the hulking brute devoted to Ava. Ava is played by the phenomenal Eva Green. She’s sexy incarnate as the titular “Dame to Kill For”. You get to see her a lot and a lot of her if you know what I mean (I know you can’t see me but I’m winking and nudging you with my elbow). Christopher Lloyd also makes a funny little appearance in the movie as a back alley doctor.

Overall, I enjoyed the hell out of this movie but some of the over the top acting cost this film a few points. With crazy action and sexuality to spare this movie can and will entertain. But whatever you do don’t bring the kiddies to this one.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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