RELEASE DATE: July 17, 2015
STUDIO: Walt Disney Pictures, Marvel Studios
MPAA RATING: PG-13
STARRING: Paul Rudd, Michael Douglas, Michael Pena,Evangeline Lilly, Corey Stoll, David Dastmalchian, T.I. , Judy Greer, Bobby Cannavale, Martin Donovan, Wood Harris,John Slattery, Gregg Turkington, Abby Ryder Fortson, David Dastmalchian
GENRE: Action, Adventure
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When Ant-Man was announced was enthused. I loved him in the comics but didn’t know how he would fit in to the Marvel Cinematic Universe. His powers weren’t as easy to get across say an Iron Man or Thor. He became super small and mentally controlled ants… not exactly the type of powers little kids dream of having. But, when I walked out of the theater after this film I was pleasantly surprised and absolutely giddy for the public to see it.
I was scared that the plot would have to be another global threat/new hero saves it type of thing that Marvel and Disney has done well but done almost to death. Luckily (and thankfully), we got a fun heist movie. With Michael Douglas playing Hank Pym (the original Ant-Man) having his long hidden secret of miniaturization being discovered and exploited by a rejected ex-protege, Darren Cross (Stoll), and someone must stop him. Pym enlists the help of a fresh out of jail Scott Lang (Rudd). Pym needs the suit and research that Cross is selling to the highest bidder stolen, and who better to do that than a man fresh out of jail for that very crime. Lang is then introduced to the suit that will earn him the mantle of the new Ant-Man.
If any of you had doubts about Rudd as the lead in a superhero movie can rest assured that they picked the right man for the job. He pulls off the snarky comments and serious action competently. He really feels like he is an everyday guy (that happens to burgle things from folks) who stepped in to an extraordinary situation. Douglas as Dr. Pym is alright but, not much in the depth department. Just an angry old guy mostly. His daughter Hope (Evangeline Lilly) is portrayed as a overly serious bitter woman with Daddy issues. Lilly is spot on. Stoll pulls off the insane Darren Cross. He’s duplicitous as the friendly scientific face for Pym’s company and as the crazy, obsessive and scornful killer. The best casting decision wasb Michael Peña as Luis. Rudd brings levity to the proceedings but Peña steals the spotlight when ever he’s on screen as a part of Lang’s crew. He had the entire theater and myself laughing more than a little bit.
The lack of Darren Cross having any real back story besides he doesn’t like Hank Pym because he pushed him away. This only serves to make him sound like a whiny child instead of villainous evil doer. He’s just not very deep as a character. Although, that can be said for a majority of the MCU’s (Marvel Cinematic Universe) rogues gallery. So, it’s a problem like usual but not at all a deal breaker for this film. The visual effects team did a fantastic job with the constant miniaturization and growth of Ant-Man and Yellow Jacket. Plus, the animation of the ants that Ant-Man controls is pretty well done.
This movie rocks in all aspects. From the acting, to the action, to the visual effects, to the awesomely effective comedy it gets it right. This film has all of that and still is able to feel more accessible than anything else in the MCU. Maybe that’s because Ant-Man isn’t as widely known as others but, I have a feeling that after this he won’t be so obscure.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.