RELEASE DATE: September 18, 2015
STUDIO: Warner Bros. Pictures
DIRECTOR: Scott Cooper
MPAA RATING: R
SCREENWRITERS: Mark Mallouk, Jez Butterworth
STARRING: Johnny Depp, Joel Edgerton, Benedict Cumberbatch, Rory Cochrane, Jesse Plemons, Kevin Bacon, W. Earl Brown, David Harbour, Dakota Johnson, Julianne Nicholson, Corey Stoll, Peter Sarsgaard, Adam Scott, Juno Temple
GENRE: Drama, Crime
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The case of Whitey Bulger and the FBI is an interesting tale. An old friend, FBI Special Agent John Connolly, from the neighborhood who looked up to Whitey decides to help him from being taken down by the FBI out of a warped sense of loyalty. This “help” allows Bulger to trade info on his Italian Mafia competition and in return he gets to have the FBI look the other way while he does his business. Sounds crazy, right? Well, it also sounds true because that’s how it went down.
The story is a slowly developing one but, it’s slower pace allows for some of the best parts of the movie. At the beginning, “Whitey” is obviously a bad guy but, the scenes with his family are the few moments that he softens up. In those moments you can see the minute amount of good left in a very very vicious and otherwise cold individual. Bulger has a rotting tooth that as he loses those little bits of decency appears to get darker like a visual metaphor for his soul. The character is interesting and Johnny Depp plays him adeptly using his chameleon like ability to turn in to the person he’s playing. It’s awesome to watch. Joel Edgerton also gives a praise worthy performance as FBI Special Agent John Connolly. His Boston accent is wicked awesome considering his real life Australian accent. Edgerton plays Agent Connolly who has a certain naive code of honor from the “old” neighborhood that he uses in all of his life decisions. This code of loyalty and blinding hero worship are what drag him down until he’s in over his head. The rest of the cast turn in good performances with Kevin Bacon playing Connolly’s apprehensive boss and Benedict Cumberbatch also dropping a distinctive accent to pick up a rather good accent as Boston Senator Billy Bulger (Whitey’s brother).
The performances pulled from this fantastic cast of actors is what will drive away any tedium one may feel during the slow build up of the picture. Depp and Edgerton are encapsulating and you have no choice but to get wrapped up in their scenes. Black Mass will get Oscar consideation whether it be for best or supporting actor, director, etc. is up in the air, but I know it will get many looks.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.