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The Divergent Series: Allegiant the good and the bad

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Release date: March 18, 2016
Studio: Summit Entertainment (Lionsgate)
Director: Robert Schwentke
Rating: PG-13 (for intense violence and action, thematic elements, and some partial nudity)
Screenwriters: Noah Oppenheim, Adam Cooper, Bill Collage , Stephen Chbosky
Starring: Shailene Woodley, Theo James, Octavia Spencer, Naomi Watts, Jeff Daniels, Ray Stevenson, Zoe Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Keiynan Lonsdale, Jonny Weston, Mekhi Phifer, Daniel Dae Kim, Nadia Hilker, Bill Skarsgård
Genre: Action, Adventure

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3 Books 4 movies. A familiar recipe these days. Inevitably Hollywood stretches out the payday by stretching out the life span of popular franchises, making 2 films when 1 would suffice. And there are times when this reviewer, loves that! More time with the beloved characters I’ve lived with first on the page and now on the screen? Sign me up! But this strategy may backfire for Allegiant and the Divergent Film Franchise.

Allegiant Alienates. In the previous films, “Divergent” & “Insurgent”, the viewer could find someway to relate to the characters and therefore feel invested in their journey. At the heart of the previous films was a coming of age story about a young woman’s journey to self discovery while navigating her way through the complication’s of life’s social contracts: family, friendship, and faction! All while battling a clear enemy, amidst an action filled, science-fiction dystopian backdrop. And backdrop may be the key word. In Allegiant the “world beyond the wall” and the film’s “big ideas” overshadow the characters and any personal story that could entice the viewer to care about their journey. What Allegiant lacks in character and relationship development it attempts to make up in heavy-handed special effects. The special effects previously used in the series always seemed properly motivated. For instance, the characters were in a simulation and special effects seamlessly transitioned the viewer into that nightmarish simulation where the line between reality and illusion blurred. Or there were the little touches here and there to visually signal to the viewer that the world the characters live in is the same world we do, just many years in the future. Instead, the special effects in Allegiant depict a world that looks nothing like our own. Whether it’s David’s office at the Bureau or a radioactive wasteland. much of the film looks like it came right out of a computer, which further removes the viewer in my opinion.

Without the enjoyable distraction of rich interpersonal character relationships, the viewer quickly becomes all too aware of the story’s shortcomings. Not only did the long standing character relationships suffer, but the new characters introduced in Allegiant, like Matthew and Nita, come and go without consequence. We know nothing about them other than that they seem to conveniently fulfill plot needs. Ultimately, the attempted sucker punch storyline – that of the Tris-Four relationship – puts entirely too much pressure upon the importance of a lovers spat. From the first signs of trouble in the Tris-Four relationship the viewer knows that it’s a rough patch and that the couple will get through it. The stakes are low, and there is no sense of relief when the couple finally reunites. The characters and the audience alike go through the motions, wading our way through the inevitable. Even the “big idea” of the film, to accept and embrace one another’s differences, while noble, ends up feeling hollow.

Sadly I could not suspend my belief enough to buy into Allegiant. Our heroes may have scaled the giant wall at the start of the film, but for the better part of 120 minutes I still felt like I was on an uphill climb without reprieve. On the upside, I trust that the final installment of the series, Ascendant, will return some of the heart that was lost in Allegiant.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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