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THE BOSS REVIEW

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Release date: April 8, 2016
Studio: Universal Pictures
Director: Ben Falcone
MPAA Rating: R (for sexual content, language and brief drug use)
Screenwriters: Melissa McCarthy, Ben Falcone, Steve Mallory
Starring: Melissa McCarthy, Kristen Bell, Peter Dinklage, Kathy Bates
Genre: Comedy

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After countless rejection as an orphan, Michelle Darnell, molds herself into a financial mogul with the telling mantra “The Power of One”. Convinced that any semblance of family only weakens a person, Darnell surrounds herself with “Yes men”. That is, until Darnell is imprisoned for insider trading- ala Martha Stewart. Upon her release from prison and without the funds to recruit “yes men”, Darnell imposes herself upon her ex-assistant, Claire– a single mom, played by Kristen Bell, and her daughter Rachel. In the cramped apartment, the roles are reversed, as Claire- no longer on Darnell’s pay roll, does her best to pair goodwill with tough love. Before long, Michelle Darnell, discovers her golden ticket back to the top while also bonding with her new roommates and developing into “a weird family”. Unable to cope with this new found sense of family, Darnell burns all bridges – personal & business alike within 24 hours. Recognizing her mistake, we see Darnell’s growth when she returns to her weird family asking for forgiveness.

With a string of comedies centered on actress Melissa McCarthy, one might wonder when the joke will run out. Is the Melissa McCarthy feature film comedy more of a one hit wonder with subsequent comedies degrading in quality over time? Or is McCarthy truly the comedic juggernaut that can sustain four McCarthy centric comedies, The Heat, Spy, Tammy, and Identity Thief, in three short years?! Based on The Boss, I’d say McCarthy is here to stay and her place as one of Hollywood’s elite it well earned.

Is The Boss ridiculous, mouthy, borderline offensive, and spattered with the typical bouts of physical comedy? Sure. But The Boss never rests on being any single one. Instead, they all swirl together into an extremely well paced film that keeps you laughing and entertained. The Boss’ success comes down to the cast, magnificently led by McCarthy, and to editor Craig Alpert who cleverly keeps sentimentality at bay and the pace- full speed ahead. Also, noteworthy were the stylings of Wendy Chuck and the makeup department, who created a very new look for McCarthy. Though it may take long time McCarthy fans a moment to warm up to the new look, Chuck brilliantly informs the audience as to whom Michelle Darnell is with her style alone. McCarthy as Michelle Darnell is a catchy mesh of controversial icons running the gamut from Martha Stewart and Paula Dean to Nancy Grace.

Typically not one for humor that capitalizes on cheap, offensive, shock-instigated laughs, I was pleasantly impressed with how The Boss doled out potentially offensive joke after joke with cheeky class. And that’s the blessing of the anti-hero led film. Darnell can get away with branding “Darnell’s Darlings”- her attempt to capitalize on the Girl Scout Cookie Sale model- with a look rivaling that of such militaristic icons as the Japanese Rising Sun Flag with some Nazi-esque overtones. And these little darlings don’t only look menacing, Darnell sees to it that behave in kind – intimidating and manipulating their prey, the customer. Under the not so mindful supervision of Darnell an all out brawl erupts in the streets between competing adolescent sweet treat sales teams. The ridiculous sequence utilizes all the quintessential fight scene stunts, slow motion capture, and ninja moves but with adolescent girls as the combatants. Don’t be misled by the copious children cast in The Boss. Much of the humor comes from seemingly innocuous adolescent settings, being overrun by foulmouthed disturbingly jaded adults.

The arc of a comedy like, The Boss can be reasonably surmised by its trailer. So there aren’t any big twists, turns, or surprises in the personal arc from lonely anti-hero to loveable anti-hero who learns to embrace the idea of family. But the combination of physical humor combined with the unrelenting, grounded, invested, wit of McCarthy and friends makes the predictable journey a laugh out loud, knee slapping good time. Leave the kids with the sitter and buy your tickets. A comedy like The Boss is best enjoyed in theatres, where the roller coaster of laughs is a shared in a community experience.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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