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At first glance, you may “Criminal” intriguing. Don’t fall for the lure.

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Release date:April 15, 2016
Studio:Summit Entertainment (Lionsgate)
Director:Ariel Vroman
MPAA Rating:R (for strong violence and language throughout)
Screenwriters:Douglas Cook, David Weisberg
Starring:Kevin Costner, Gary Oldman, Tommy Lee Jones, Alice Eve, Gal Gadot
Genre:Action, Adventure

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If a murderous sociopath unable to feel empathy for more than 5 decades awoke from a medical procedure with the emotion-filled life history of another person now inside his own mind, what would that journey look like? I’m still left wondering, as “Criminal” too easily excuses its anti-hero protagonist from this dilemma. CIA agent Bill Pope (Reynolds) dies with the knowledge of an imminent attack- the details of which only he knew. Yet all is not lost. For the past 15+ years the CIA has funded medical research and experiments headed by Tommy Lee Jones’ Dr. Franks to transfer memories from one mammal to another. Convicted killer, Jericho (Costner), wins the mammal-to-mammal memory transfer lottery thanks to his lacking frontal lobe activity – he was thrown out the window of a moving vehicle as a young child. With the convicted killer now imbued with the insights of deceased CIA agent Pope, the mission to stop the bad guy – a Spanish Anarchist (Molla), and thwart the attack ensues. The dual premise is set up. First, can the CIA prevent an imminent attack with the help of a murderous sociopath? Second, how will said-sociopath transform once deceased CIA agent Pope’s memories intertwine with his own?

Apparently, taking on CIA agent Pope’s life history effectively muzzles the killer but does not trigger a depth of self-reflection. After welcoming himself into Pope’s London family home, tying up his wife, and potentially about to rape her- Jericho exercises restraint – opting to leave Pope’s wife and child unharmed and excusing himself with only a bag of nick knacks that he can pawn for cash. Upon their next meeting, when Mrs. Pope returns home to find the interloper patching himself up in her basement after a gun shot wound – Jericho explains that since her husband could never hurt the family then he, Jericho, could never hurt them. It’s all very business-like and factual from Jericho and devoid of emotion. Yet Mrs. Pope is very easily won over by Jericho’s far-fetched story that her husband’s memories are stored in his brain. The emotional arc and journey rests on the shoulders of Mrs. Pope, well played by Gal Gadot, rather than our lead Jericho. Though Gadot’s acting is lovely – the performance is undermined by the utterly unbelievable circumstances.

It’s a pattern that repeats over and over in, “Criminal” – undermining A-list actor performances again and again by throwing rationality and good sense to the wind. Can Gary Oldman, as CIA handler Quaker Wells, convincingly and energetically interrogate a convict for information of an imminent threat? Yes. But do I think this CIA handler would verbally berate a patient waking up from one-of-a-kind “memory” surgery for a solid 5 minutes, then give up and order the execution of the patient when he didn’t immediately recall that past life of a newly deceased CIA agent that was just inserted into his brain? In a word, no.

All in all, it was wonderful to see Kevin Costner in a new light as the rough and gruff Jericho. Costner sunk his teeth into the role and is entertaining and enjoyable to watch. However, the character arc is vastly underwhelming in relation to it’s potential. Sure Jericho goes from an equal opportunity killer looking out only for himself at all times to a killer of only “bad guys” and selflessly willing to sacrifice for others. But it’s just not enough. Jericho never reaches an emotional catharsis – nor does the audience. Instead, in typical Hollywood fashion, money is thrown at the problem as the film concludes with explosions, car chases, unnecessary wrecks, and missiles rather than good writing. Other than the initial premise and the charming wit of Jericho, the screenplay by Douglas Cook and David Weisberg is severely lacking and there’s no combination of A-list actors that could save this under realized film.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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