Starz and FremantleMedia North America (FMNA) began production this week on the 10-episode first season of “American Gods,” the adaptation of Neil Gaiman’s acclaimed contemporary fantasy novel. Shooting has commenced in Toronto, Canada and will continue in additional locations across America.
Joining the previously announced cast are Cloris Leachman (“Malcom in The Middle,” “Raising Hope”) as Zorya Vechernyaya, Peter Stormare (“Fargo,” “Prison Break”) as Czernobog, Chris Obi (“Snow White and the Huntsman,” “The Counselor”) as Anubis, and Mousa Kraish (“Superbad,” “Fast & Furious”) as The Jinn.
The cast includes Ricky Whittle (“The 100,” “Austenland”) as Shadow Moon, Ian McShane (“Deadwood,” “Ray Donovan”) as Mr. Wednesday, Emily Browning (“Sucker Punch,” “Legend”) as Laura Moon, Sean Harris (“The Borgias,” “Mission: Impossible – Rogue Nation”) as Mad Sweeney, Yetide Badaki (“Aquarius,” “Masters of Sex”) as Bilquis, Bruce Langley (“Deadly Waters”) as Technical Boy, Crispin Glover (“Back to the Future”) as Mr World, and Jonathan Tucker (“Kingdom”) as Low Key Lyesmith.
Leachman plays Zorya Vechernyaya, the eldest of three sisters who watch over the constellations, guarding against horrors forgotten by modern man. Once accustomed to royal status, the sisters have learned to survive on far less in a country that has no memory of them.
Stormare plays Czernobog. A Slavic god of darkness and evil, Czernobog is reluctant to join the coming war, wary of Wednesday’s motivations.
Obi plays Anubis, the commanding ancient Egyptian god of the dead, gently guiding mortals through the judgment of their souls.
Kraish will play The Jinn, a mythical creature of the fire who understands a person’s deepest desires better than they do. He fears for his safety with the coming war, and considers fleeing America.
Cloris Leachman is an accomplished and beloved American actress of stage, film and television. An eight-time Primetime Emmy® Award-winner, Leachman’s career spans films, television dramas and comedies from the Golden Age to the hottest primetime hits today. Leachman most recently starred in the DreamWorks animated film “The Croods” with Nicholas Cage and Emma Stone and the “Wedding Ringer” with Kevin Hart. She recently finished shooting “The Comedian” with Robert DeNiro for director Taylor Hackford, “So B. It” for Stephen Gylennhaall and was the oldest competitor on the ABC hit series “Dancing with the Stars.” Additional TV and Film credits include “Lassie,” “The Twlight Zone,” “The Mary Tyler Moore Show,” “Facts of Life,” “Malcolm in the Middle,” “Raising Hope,” “The 11th,” “The Last Picture Show,” “Young Frankenstein,” “High Anxiety,” “History of the World: Part 1,” “The Muppet Movie” and “Spanglish.”
Swedish born actor/director Peter Stormare is best known for his breakout roles in “Fargo” and “The Big Lebowski.” Stormare has worked in over 150 films and most recently in “John Wick: Chapter Two” with Keanu Reeves and the upcoming Dimension Films release “Clown,” along with “22 Jump Street,” and “Hansel & Gretel: Witch Hunters”. He made his television debut starring on the first season of the hit Fox TV drama series “Prison Break” and has also had memorable guest appearances on “Entourage,” “Weeds,” “Hawaii Five-0” and “CSI.” Additional TV and Film credits include “Armageddon,” “8MM,” “Brothers Grimm,” “Minority Report,” “Constantine,” “Bad Boys II,” “Lockout,” “Inseparable,” “The Imaginarium of Dr Parnassus,” “Premonition,” “Arrow,” “Manhattan,” “Graceland” and “The Black List.”
Chris Obi is an English actor, most recently known for “Snow White and the Huntsman” where he worked with director Rupert Sanders. Obi reunites once again with Sanders for the upcoming Dreamwords/Paramount Pictures release “Ghost in the Shell.” As well as being a successful TV and Film actor, Obi has also graced the stages of many theatres across the UK playing a variety of roles and has also lent his voice to numerous radio plays. Additional Film credits include “The Counselor,” “Burke & Hare” and “The Call Up.”
Mousa Kraish is a Palestinian-American actor from Brooklyn, New York. In his career he has had the good fortune to work with a number of acclaimed directors including Steven Spielberg (“Munich”), Mike Nichols (“Charlie Wilson’s War), Justin Lin (“Finishing the Game” and “Fast and Furious”) and Greg Mottola, for whom Mousa appeared in the Judd Apatow-produced runaway summer hit “Superbad.” In his most recent role he stars alongside David Schwimmer and Jim Sturgess for the AMC series “Feed the Beast.” Additional television appearances include “Homeland,” “Transparent,” “Chuck,” “Covert Affairs,” “Blue Bloods,” “Parenthood,” “Arrested Development” and “Men of a Certain Age.” Other film credits include “The Day the Earth Stood Still” and “You Don’t Mess with the Zohan”, as well as the independent features “King of California,” “Super Zeroes,” “Overnight” and “Echo Park.”
“American Gods” has been translated into over 30 languages and earned numerous accolades including Hugo, Nebula and Bram Stoker Awards for Best Novel. The plot posits a war brewing between old and new gods: the traditional gods of mythological roots from around the world steadily losing believers to an upstart pantheon of gods reflecting society’s modern love of money, technology, media, celebrity and drugs. Its protagonist, Shadow Moon, is an ex-con who becomes bodyguard and traveling partner to Mr. Wednesday, a conman but in reality one of the older gods, on a cross-country mission to gather his forces in preparation to battle the new deities.
“American Gods” is produced by FremantleMedia North America. Bryan Fuller (“Hannibal,” “Pushing Daisies,” “Heroes”) and Michael Green (“The River,” “Kings,” “Heroes”) are writers and showrunners. David Slade (“Hannibal,” “The Twilight Saga: Eclipse”) is directing the pilot and additional episodes. FMNA’s Craig Cegielski and Stefanie Berk are executive producing the series along with Fuller, Green, Slade and Neil Gaiman. Senior Vice Presidents of Original Programming Marta Fernandez and Ken Segna are the Starz executives in charge of “American Gods.” Starz retains all network pay TV and SVOD rights to the project. FremantleMedia is distributing the series worldwide.
Leachman is represented by Innovative Artists and Juliet Green Management. Stormare is represented by ICM Partners and Silver Lining Entertainment. Obi is represented by The Gersh Agency, United Agents and Untitled Entertainment. Kraish is represented by Stone Manners Salners Agency and Velocity Entertainment Partners.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.