Lionsgate (NYSE:LGF) today announced that the record-breaking web series Con Man, executive produced by the science fiction dream team of Alan Tudyk (Rogue One: A Star Wars Story, Firefly, Frozen), Nathan Fillion (Castle, Firefly, Dr. Horrible’s Sing Along Blog) and author PJ Haarsma, will call Comic-Con HQ home. Comic-Con HQ is the new subscription video-on-demand (SVOD) destination that will extend the experience of San Diego Comic-Con into a year-round event.
Season one of Con Man will be exclusively available for streaming on Comic-Con HQ when the platform launches this summer. Comic-Con HQ will also produce a second season of the series which will debut on the service later this year.
Created by Tudyk and produced with Haarsma and Fillion, Con Man has been fan-driven from inception. The series was funded via Indiegogo, resulting in a record-breaking $3.2 million. With the support of over 46,000 fans from around the world, Con Man now stands as one of the highest funded film campaigns on any crowdfunding platform ever.
The first season drew appearances by Tricia Helfer (Battlestar Galactica), Amy Acker (Angel, Person of Interest), Gina Torres (Firefly, Suits), Sean Maher (Firefly, Eastsiders), Felicia Day (Buffy The Vampire Slayer), Seth Green (Family Guy, Robot Chicken), Mindy Sterling (Austin Powers), Jewel Staite (Firefly), Summer Glau (Firefly, Terminator: SCC), Sean Astin (Lord of The Rings) and filmmakers James Gunn (Guardians of the Galaxy) and Joss Whedon (Avengers, Buffy the Vampire Slayer).
“Comic-Con HQ is all about capturing the spirit of the fan community, and in its own way, so is Con Man. Alan uniquely understands all sides of the fan experience and he’s captured it in such a farcical way that it’s as much parody as it is commentary around the power of fandom,” said Seth Laderman, EVP and General Manager, Comic-Con HQ.
“We are thrilled to be a part of the Comic-Con HQ family,” said Tudyk. “For a series that was born out of a passion for the genre and support from the fans, we couldn’t think of a better way to connect with our community.”
Loosely based on Tudyk’s and Fillion’s experiences starring in Firefly, Con Man centers on the post-show life of Wray Nerely (Tudyk), the co-star of “Spectrum,” a sci-fi TV series canceled before its time that later became a cult classic beloved by fans. Wray’s best friend, Jack Moore (Fillion) starred as the series’ Captain and has gone on to become a major celebrity, while Wray continues to struggle to find his big break. While Jack enjoys the life of an A-lister, Wray is the begrudging guest of sci-fi conventions, comic book store appearances and different pop culture events. The series explores these events and all the crazy and real things that happen behind the scenes in the world of fandom.
The second season of Con Man, premiering in late 2016, focuses on Wray’s attempt to propel himself from B-movie sci-fi actor to esteemed mainstream leading man, while maintaining the respect of his Spectrum fans, former co-stars and Jack in the process. Tudyk and Fillion reprise their roles as Wray and Jack, with several other familiar faces to be announced.
Season 1 will be available via Comic-Con HQ next month, following the platform’s beta launch on May 7th, Free Comic Book Day. Fans who join Comic-Con HQ during the first two weeks of beta launch will be entered to win an all-expenses paid trip to San Diego Comic-Con 2016. For more details and to sign up for free beta access, visit Comic-ConHQ.com
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
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Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.