The CW has set its midseason schedule, including the series premiere of the highly-anticipated new drama RIVERDALE, and the returns of THE 100, REIGN, THE ORIGINALS and IZOMBIE.
DC’S LEGENDS OF TOMORROW moves to its new night on Tuesday, January 24 (9:00-10:00pm ET/PT), paired with The CW’s #1 series THE FLASH (8:00-9:00pm ET/PT).
On Thursday, January 26, SUPERNATURAL returns from its winter hiatus at its new time (8:00-9:00pm ET/PT), followed by the series debut of The CW’s new drama RIVERDALE (9:00-10:00pm ET/PT), a surprising and subversive take based on the iconic characters from Archie Comics.
THE 100 is back Wednesday, February 1 (9:00-10:00pm ET/PT), paired with ARROW (8:00-9:00pm ET/PT).
REIGN returns for its fourth season Friday, February 10 (9:00-10:00pm ET/PT). With THE VAMPIRE DIARIES concluding after eight seasons on Friday, March 10, THE ORIGINALS will return on Friday, March 17 (8:00-9:00pm ET/PT).
The season finale of DC’S LEGENDS OF TOMORROW is set for Tuesday, March 28, and IZOMBIE will make its season three debut with back-to-back new episodes on Tuesday, April 4 (8:00-9:00pm and 9:00-10:00pm ET/PT), before moving to its regularly scheduled time period after THE FLASH on April 11.
The season finale of NO TOMORROW will air Tuesday, January 17 (9:00-10:00pm ET), with the season finale of FREQUENCY set for the following week Wednesday, January 25 (9:00-10:00pm ET/PT). CRAZY EX-GIRLFRIEND wraps up its second season run on Friday, February 3 (9:00-10:00pm ET/PT).
Below is The CW’s midseason schedule with key moves and premiere dates:
MONDAY
8:00-9:00pm SUPERGIRL
9:00-10:00pm JANE THE VIRGIN
TUESDAYS BEGINNING JANUARY 24
8:00-9:00pm THE FLASH
9:00-10:00pm DC’S LEGENDS OF TOMORROW (New Time Period)
WEDNESDAYS BEGINNING FEBRUARY 1
8:00-9:00pm ARROW
9:00-10:00pm THE 100 (Season Premiere)
THURSDAYS BEGINNING JANUARY 26
8:00-9:00pm SUPERNATURAL (New Time Period)
9:00-10:00pm RIVERDALE (Series Premiere)
FRIDAYS BEGINNING FEBRUARY 10
8:00-9:00pm THE VAMPIRE DIARIES
9:00-10:00pm REIGN (Season Premiere)
FRIDAYS BEGINNING MARCH 17
8:00-9:00pm THE ORIGINALS (Season Premiere)
9:00-10:00pm REIGN
TUESDAY, APRIL 4
8:00-9:00pm IZOMBIE (Season Premiere)
9:00-10:00pm IZOMBIE (New Episode)
TUESDAYS BEGINNING APRIL 11
8:00-9:00pm THE FLASH
9:00-10:00pm IZOMBIE (Regular Time Period)
All Times ET/PT
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.