Release date:December 23, 2016
(limited; wide: Jan. 6)
Studio:Focus Features
Director:Juan Antonio Bayona
MPAA Rating:PG-13 (for thematic content and some scary images)
Screenwriter:Patrick Ness
Starring:Lewis MacDougall, Felicity Jones, Toby Kebbell, Liam Neeson, Sigourney Weaver
Genre:Drama, Fantasy
Official website:FocusFeatures.com| Facebook| Twitter| Instagram
[divider]
To start things off this is not a lighthearted, whimsical, romp through some fantasy world of elves and magic. This is a film that, right from the start, jumps into some very serious subject matter.
We are introduced to a young boy named Conor, who is brought to us admirably by Lewis MacDougall. This is a young man tormented by bullies, an absent father, an overbearing grandmother, and worst of all an extremely ill mother (Like I said NOT a lighthearted film).
In the beginning it seems as though Conor is running the house due his mother having to work a lot of shifts, but it is quickly revealed that she is deathly ill and he is the one mostly maintaining the house. She does what she can, but her illness greatly limits her abilities.
Conor is is shown to be tortured at school by a band of ruffians, who make it their propose to take out their own insecurities on him, by mocking him and beating him on the regular. In addition to this Conor is plagued by a recurring dream of him standing outside of an old dilapidated church when all of a sudden the earth splits open and begins to swallow up his mother! He rushes to save her, but in the dream, he is unable to. She slips from his grasp into the pit never to be seen again, and he then he awakens. He awakens at the same time every night: 12:07 am (this become relevent later on in the film).
Conor attempts to cope with all of this by drawing. He is shown several times drawing late at night. In fact it is during one of these late night sessions when the “Monster” first appears. Now, of course the Monster is a CGI creation, but I will say that it is well done.
The creature grabs hold of Conor and informs him that he will told 3 stories all of which are designed to help him through this ordeal. Conor, however, (and for obvious reasons) does not care about any “stories”. The Monster, however, is insistent and with each story Conor is given insight to new and different perceptions. There is, however, no “magic” moment of revelation when everything falls into place and they live happily ever after. Every lesson is a hard one, every learning moment comes through pain, and this is something that I greatly appreciated!
This film is definitely one of heavy emotions, dismal situations, firebrand discoveries, as well as pockets of brightlight hope partnered with great warmth and tenderness. I found myself hardpressed not to weep in the theater even though I could hear many others who succumbed.
I highly recommend this film especially because in this era of everything being handed to characters on a silver platter of right now, this film shows the road of stuggle that leads to discovery.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.