Studio:New Line Cinema (Warner Bros.)
Director:Zach Braff
MPAA Rating: PG-13 (for drug content, language and some suggestive material)
Screenwriter:Ted Melfi
Starring:Morgan Freeman, Michael Caine, Alan Arkin, Ann-Margret , Joey King, Matt Dillon, Christopher Lloyd, John Ortiz, Peter Serafinowicz
Genre:Comedy
Official website:GoinginStylemovie.com| Facebook| Twitter| Instagram
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Wow! To start things out this movie is what I would consider a must-see! It is hilarious, well thought-out, and well-acted by everyone involved! I found myself laughing throughout the whole film!
The film starts out with a glimpse into Michael Caine’s character and his life. He has received a yellow notice from the bank stating that he is close to losing his home, which he has opened up to his daughter and granddaughter, who are trying to get back on their feet.
He goes to the bank to see about straightening out his situation and to find out why his mortgage has tripled. Here he is patronized by the bank manager who tells him that at last he didn’t receive a red notice, all with a delightfully snarky grin on his face.
During the ensuing conversation the bank is hit by a group of three bank robbers. Bank robbers move in quietly and then unleash hell. They, of course, start shooting up the place a move very rapidly to collect the money from the tellers. Everyone is told to lie on their backs like a cat, which is a hilarious visual, and once they’re done they alert everyone to not to call the police for 90 seconds. Later on this becomes the Catalyst, or Turning point, for Michael Caine’s character. As was shown in the commercials the company that they ( Michael Caine, Morgan Freeman, and Alan Arkin) used to work for has folded into another company and has dissolved everyone’s pension. This becomes the motivational pivot point for these gentlemen to get their own back.
Each character is very distinct, with magnificent nuances as well as their own brand of humor, yet they blend and compliment each other like the elements of a fine meal.
We are shown that, in the beginning Morgan Freeman and Alan Arkin are apprehensive about the plan, despite then being very frustrated comma in fact the angry over losing their pension. With quick measure they throw themselves into getting a plan together and seeking assistance in completing their objective. Each one of them have things that are driving them beyond their needed to keep their homes and things like that. Michael Caine’s character has his daughter and granddaughter to think of, Morgan Freeman wants to see his family more often, and Alan Arkin reluctantly, and comedicly, sparks up a relationship with Ann Margaret’s character.
The film intertwines wonderfully and through a series of mishaps comes together with hilarity.
There are some very touching and poignant moments within this film involving big business and big banks ripping off the common man as well as some commentary about the importance of friends and family.
I would highly recommend this film for everyone!
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.