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Upfront and Personal: Digital Hollywood Los Angeles

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If you ever wanted to get crazy anecdotes from the industry, Digital Hollywood is the place to be. One would rarely find celebrities at this sort of trade show; it’s mostly executives and ones who make things happen.  If you are a person looking to get into the industry or even been around for a while and looking to move into something else in the same field this is the place for you to go!

This year’s Digital Hollywood run by Victor Harwood, had a focus on an emerging platform in the industry; Augmented and Virtual Reality. Watching people on a flat screen isn’t the latest craze anymore and with the ever growing popularity of the immersive storytelling experience of video games, the movie industry has finally taken notice. From applying practical knowledge to adapting stories into specific genres, the movie and television industry represented itself in full force seeking ideas and exchanging the needs of what the production houses and distributors were craving.

For those looking to start out on the perilous journey of becoming a content creator, panels such as the Hollywood Masterclass, were available for content creators to learn the process from screenwriter to studio or independent production. I found this specific class to be particularly informative as most moderators concentrate on the creative and leave out the important legal and business aspects that usually plague first time content creators.  Catherine Clinch from Clinch Digital Media was particularly attentive to the pitfalls of being a writer and what people should look out for in specific deals.

For those of you who are interested in financing, there is a specific financing track that one can follow to learn about everything from proper startup procedures to crowdfunding. These classes weren’t your usual internet pitch for use my service but great platforms where creators can voice specific questions like “what do you need to get investor, angel investor, or grant money for your project?”

Most of the folks who were giving the panels were not “experts” but industry executives and current ones from major companies like Paramount, STARZ, and NBC.  We were even given a chance to speak to one of the executive producers of Designated Survivor, Jeff Melvoin. If you were prepared, there were a host of people who could make things happen at that moment. One could network their way to heads of development if they played their cards right.

It wasn’t all deal making during the conference though. There were definitely times for a few laughs. David Zucker, who brought you such classics as The Naked Gun and Airplane hosted a Comedy Festival with some of the latest in comedy from Maddox (I’m better than your kids), to popular comedy troops like the Upright Citizens Brigade and Second City Improv. Even Comedy has a place in Virtual Reality where even the audience can become the butt of the joke!

It wasn’t a fortune to get into this particular trade show either. There is a price for everyone from established companies to the freelancer looking to start new business.

For more information check out the site that has some live replays of the great panels available to attendees:

http://www.digitalhollywood.com/

 

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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