We’re one episode away from Season 5 finale of The Americans, FX’s critically acclaimed drama about a family of deep cover Russian spies living in Virginia during the height of the Cold War. And from there, we’re only one season away from the show wrapping up for good, an ending that producers Joe Weisberg and Joel Fields have supposedly had in mind since starting the show in 2013. The fact that they’ve been guiding the show’s twisty narrative toward a set resolution for five years of betrayals, character deaths and spy craft that would make even John le Carré ‘s head spin is impressive, though I can’t imagine that there’s anything like closure or contentment in the 11 episodes to come. The Americans‘ take on historical drama has always been too sober and clear-eyed to offer any of its main players an easy out or peaceful ride into the sunset. And this season, arguably one of the its best, has set up the show’s multiple story lines to meet varying degrees of conflict, resistance, and potentially catastrophic failure.
Over and over again The Americans has asked what cause is worth devoting your life to, killing for, sacrificing your family’s happiness for? Is it country? Wealth? Religion? Season 5 has been about the toppling of those idols, how doubt and disillusionment can lead to a loss of faith. For Phil and Elizabeth, both lifelong loyal soldiers for the Soviet cause, it’s gotten harder to pretend like the things they’re asked to do for their country are justifiable. For their teenage daughter, Paige, her belief that religion would save her is being replaced by her new knowledge about her family’s identity and her understanding of how that makes them strong and noble. But even that faith is being built on the lies they tell her, the same lies they were told to be recruited. And so ultimately there is no one to trust, nothing to believe in. The imperfect authorities and institutions at the head of both sides of the Cold War are laid bare by the end of this season, as the show exposes both the crumbling and corrupt Soviet bureaucracy and the vapid materialism consuming the United States. Against that backdrop we see Phil, Elizabeth and everyone around them struggle to make choices about who to be and how to move forward in a world with so little certainty.
Except for Henry. Henry’s gonna be alright I think.
These days, when we throw around the word “dark” about a show or movie, we’re usually talking about a propensity for some really gruesome violence, an anti-hero with a particular edge, and/or an impressively high body count. And The Americans certainly has its share of “holy hell – are they really going to do that” moments – Phil and Elizabeth, our Soviet spy couple extraordinaire – take out plenty of people (enemies and bystanders) in the course of their “work,” not to mention that their collection of bad wigs is truly trauma inducing. But The Americans is dark in another way too, a way that’s fundamental to the show’s perspective on the world. It’s the idea that all of us, Soviet peasants standing in line for flour, middle class American kids playing video games after schools, spies and FBI agents covertly plotting each other’s deaths as they wave hello from neighboring houses in the suburbs – is lost and alone in this postmodern world, and that nothing can save us from that. It’s an existential horror that makes the thought of seeing another head bashed in pale in comparison.
The final episode of Season 5 of The Americans air this Tuesday, May 30th on FX
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.
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