When Orphan Black premiered in 2013, I knew right away it was a show I would root for – a Canadian sci-fi thriller airing on BBC America featuring a lead performance (performances?) with a stunningly high level of difficulty – all resting on the shoulders of an unknown actress whose name we would soon learn.
Yes, that’s Tatiana Maslany playing street-smart and suspicious Sarah Manning: a single mother whose life gets turned upside down when she witnesses a woman jump in front of a moving train, a woman who happens to look just like her. And yes, that’s Tatiana Maslany playing Alison Hendrix, a suburban soccer mom you do NOT want to meet in a dark alley, or even near a sink with a working disposal. And that’s Tatiana Maslany, as Helena, truly insane and yet somehow so delightful, who was raised in a Ukrainian convent and tortured by religious fanatics. And on and on. The running count on Wikipedia lists almost fifteen separate roles, though the number of regularly occurring ones is more like half a dozen.
Of course we wouldn’t care if it were a hundred different characters if it was just a matter of playing dress-up or trying on new accents. We’ve all seen Cloud Atlas (or maybe you haven’t #blessed). What Maslany brings to the show is more than a trick of appearances (though she does get some great costume changes). Her transformation for each part is so distinctive and authentic, that when she finally won an Emmy in 2016 (after years of what must be one of the most grueling work schedule in the business), millions of fans cried out, “Yeah…duh. Finally!”
As a fan myself, it felt incredible to see her talent finally recognized and equally great to see a show that’s critically acclaimed, smartly written science fiction and lead by a woman get renewed for the past four seasons. Orphan Black is the kind of television gem that you worry might get canned before its time. I really believe it’s Maslany’s buzz-worthy performance that allowed it to get where it is today – going into its fifth and final season, and (hopefully) ready to answer a heckuva a lot of questions.
At the start of season five, we’re picking up where four left off – on the island of Dr. (well I don’t know if he’s actually a doctor, it’s probably more like one of those “Dr.” Phil things) P.T. Westmoreland – the 170 year old guru whose cult is all “yay genetic experiments and immortality”. Luckily all our favorites are there too – Sarah, Alison, Helen, Cosima. Oh yeah and Rachel, who is the worst and needs to add some layers to that bob, is also present. Everyone’s fighting their battles – Cosima against her cancer, Helena to have her babies, all of them just to stay alive and have autonomy over their own damn bodies. And when Sarah uses a tampon to suture a wound, it’s just another fist-pumping moment of “females ARE strong as hell” in a show that delivers them regularly.
As I mentioned, there are plenty of questions to answer about how we got here and where we’re going – this episode has lots of talk about the future’s inevitability, which seems to be a nod to Westmoreland and his ilk wanting to bring their brand of genetic engineering to the masses. And my fingers are crossed that we’ll get a satisfying resolution for at least some of our girls (I’m picturing them all dancing together again, this time at Cosima and Delphine’s wedding). But I’m not worried. With Maslany at its helm, this show has proved it can do almost anything. So go ahead, one more time, send in the clones.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.