Hasbro, Inc. (NASDAQ: HAS) is flexing more muscle in programming for kids with the announcement of Stretch Armstrong and the Flex Fighters, a new original series from Hasbro Studios premiering on Netflix. The new teenage superhero animated series will reimagine the classic Hasbro brand Stretch Armstrong into a relatable kids adventure that features diverse characters with wacky powers and a playfully humorous storyline.
Stretch Armstrong and the Flex Fighters follows high school student Jake Armstrong and his two best friends Nathan Park and Ricardo Perez who are accidentally exposed to an experimental chemical that forever changes their seemingly normal lives, transforming them into unlikely heroes who embark on a series of adventures.
“Stretch Armstrong and the Flex Fighters is the first Hasbro brand to receive a Netflix original series order. We have been waiting for just the right moment to re-imagine Stretch for a new audience and our friends at Netflix got it right away; they have been a tremendous partner,” said Stephen Davis, Chief Content Officer and Executive Vice President, Hasbro Inc. “We have hit a superhero sweet spot, and with Netflix’s global reach, kids across the world will fall in love with its fun characters and action-packed storyline.”
Stretch Armstrong and the Flex Fighters will feature the voices of leading Hollywood television and film talent including:
●Jake Armstrong / Stretch – Scott Menville (Teen Titans Go!, Teenage Mutant Ninja Turtles)
●Nathan Park / Wingspan – Steven Yeun (The Walking Dead, Okja)
●Ricardo Perez / Omni-Mass – Ogie Banks (Ultimate Spider-Man)
●Rook – Wil Wheaton (Teen Titans Go!, Star Trek: The Next Generation)
●Erika – Felicia Day (The Guild, Supernatural)
●Kane – Keith David (Adventure Time, Rick and Morty)
●Dr. C – Kate Mulgrew (Orange is the New Black, Star Trek: Voyager)
●Mr. Savic – Walter Koenig (Star Trek, Babylon 5)
Originally introduced in 1976, Stretch Armstrong was the ultimate toy –well-muscled doll that could stretch from its original size of fifteen inches to four or five feet. Netflix and Hasbro will transport viewers into a new generation of Stretch Armstrong with 26 episodes available for Netflix members worldwide beginning late 2017. Stretch Armstrong and the Flex Fighters is developed for television by Executive Producer and Supervising Director Victor Cook (Scooby-Doo! Mystery Incorporated) and Executive Producer/Story Editors/Head Writers Chris “Doc” Wyatt (Ultimate Spider-Man, Napoleon Dynamite) and Kevin Burke (Ultimate Spider-Man, Avengers Assemble).
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
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Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.