For the 17th year, the Tribeca Film Festival, presented by AT&T, will bring creators, diverse audiences, and the industry together in New York City during the annual storytelling festival running April 18-29, 2018.
As part of a new multi-year collaboration, creators will be able to submit their feature and short films to the 2018 festival through Withoutabox, the online festival submission system favored by filmmakers for its ease of use and streamlined process. This new relationship with Withoutabox continues Tribeca’s ongoing mission to empower storytellers with the opportunities and tools to bring their stories to life.
The 2018 Festival is set to build on the momentum from last year’s edition, which not only saw record setting attendance numbers from recent years, but also the highest percentage of film sales to distributors. The 2017 line-up made major cultural headlines from reunions like The Godfather and Reservoir Dogs; to Tribeca Immersive’s critically acclaimed Virtual Arcade and Storyscapes programming, which showcased the latest in VR and installations that explored the intersection of storytelling and technology; to the N.O.W. (New Online Work) section’s showcase of digital storytellers. For the second year, the Tribeca X Award celebrated the best in branded storytelling from artist-brand collaborations. Tribeca Talks®’ Directors Series and Storytellers brought luminaries such as Barbra Streisand, Alejandro González Iñárritu, Bruce Springsteen, and Tom Hanks together for once-in-a-lifetime conversations. Tribeca TV world premiered new series including Emmy® nominees The Handmaid’s Tale and Genius, in addition to introducing audiences to new shows such as The Sinner and debuting the latest seasons of fan favorites like Unbreakable Kimmy Schmidt. The inaugural Tribeca Games Festival premiered to sold-out crowds with the first-ever crowd play of Marvel’s Guardians of the Galaxy: The Telltale Series, Episode 1, a concert with British electronic producer and multi-instrumentalist Mura Masa, and keynotes with some of the top game creators, including legendary creator Hideo Kojima.
“Following a banner year that saw record high submissions across all of our festival programs, it’s clear there is more exciting work being created in more different ways and on more different platforms than ever before,” said Tribeca Director of Programming Cara Cusumano. “Withoutabox is the perfect partner to help further our film submissions and we eagerly look forward to seeing what our endlessly surprising creators bring us in 2018.”
“Withoutabox is home to the top filmmakers and film festivals in the world, and our mission is to provide filmmakers with unparalleled opportunities to share their projects with a global audience,” said Matt Kumin, Head of Withoutabox, IMDbPro and Box Office Mojo. “The Tribeca Film Festival is one of the most important festivals in the world and we are thrilled they have selected Withoutabox to be their exclusive third party film submissions service beginning with the highly anticipated 2018 film festival.”
Submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox at https://www.withoutabox.com/tribeca and VR, episodic, online storytelling, and branded storytelling can be submitted directly to www.tribecafilm.com.
Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:
- September 5, 2017 – SUBMISSIONS OPEN
- October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
- November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
- December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
- December 13, 2017
- EARLY ENTRY DEADLINE for Tribeca X Award
- LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
- January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
- February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award
Submission rules, regulations, and complete information regarding eligibility for the 2018 Tribeca Film Festival are now available at https://tribecafilm.com/festival/submissions. Questions regarding submissions may be directed to entries@tribecafilmfestival.org or by calling 212.941.2305
The Festival is curated by the programming team including Director of Programming Cara Cusumano, Artistic Director Frederic Boyer; VP of Shorts Sharon Badal; Liza Domnitz (features, TV, and online work); Loren Hammonds (virtual reality and features); Ian Hollander (features); Ben Thompson (shorts); Mara Webster (talks), and Ingrid Kopp (Storyscapes), program advisors Paula Weinstein and Tammie Rosen, and a team of associate programmers.

Movie
Review of “Good Bad Ugly”

Director: Adhik Ravichandran
Starring: Ajith Kumar, Arjun Das, Trisha, Simran
Genre: Action / Crime Drama
Rating: 4.5/5
“Good Bad Ugly” centers on Red Dragon (Ajith Kumar), a notorious gangster who chooses to surrender himself in the hopes of turning over a new leaf and reuniting with his estranged son. However, when unforeseen threats emerge, Red Dragon is forced to step back into the dangerous underworld to protect the only family he has left.
“Good Bad Ugly” plays to the strengths of Ajith Kumar, delivering a fan-pleasing portrayal of both his vintage villainy and his matured emotional depth. Ajith’s powerful screen presence, coupled with his iconic voice, shines against Arjun Das’s brooding and intense new-age antagonist, creating an electric old-school versus new-school dynamic. The nostalgic return of Simran is a clever nod to longtime fans, bringing heart and familiarity. Trisha brings a strong, grounded performance as the moral compass in Red Dragon’s life, helping move the emotional threads of the story. The film smartly balances action, comedy, and sentimental fan-service moments.
While the film delivers on fan expectations, its narrative could have benefited from tighter pacing and deeper character development for its supporting cast. Some plot conveniences and an overreliance on nostalgia may limit broader audience appeal beyond the fanbase. Certain dramatic beats felt rushed, leaving little time for emotional resonance to fully land.
The ambition to blend high-octane action with heavy emotional stakes sometimes leads to tonal inconsistencies. At moments, the shift from gritty underworld drama to lighter fan moments feels abrupt. Additionally, though Ajith Kumar’s effort to showcase his dancing skills is commendable and welcomed by fans, it slightly disrupts the otherwise darker tone the film establishes.
“Good Bad Ugly” is a tribute to Ajith Kumar’s enduring legacy, offering vintage thrills while teasing new dimensions to his craft. It’s a solid entertainer that successfully taps into fan nostalgia while hinting at an exciting evolution for AK. While not without its flaws, the film’s heart, energy, and performances make it a must-watch for fans and a compelling action-drama for broader audiences.
Streaming
Presence: A Horror Movie For People That Don’t Like Horror Movies

In these uncertain times, you can’t beat a good old-fashioned horror movie. Unfortunately, Presence is not an old-fashioned horror movie. Yet, as I discovered, this is a good thing!
When I heard about the premise of this movie, I was intrigued. The stylishly subtle trailer was, appropriately, haunting. And was that Lucy Liu? A haunted house movie from the perspective of the ghost? As a seasoned horror movie buff, I was all in!
Like the majority of people I missed the films brief theatrical release. Luckily I was able to catch it on streaming. Visually the film is easy to enjoy from your own home, as it’s rather cosy looking. I never thought I’d be describing a horror movie as ‘cosy’ looking but it’s true! This is not a James Wan type creepy, dusty, decrepit house harbouring a haunting. No, this is a 100 year old jewel toned, oak finished colonial style home.
Despite this the story follows the beats we are all familiar with: troubled family of four move into a new house. The big deviation from the trope is we, the audience, are seeing events unfold from the POV of the ghost or presence.
Director Steven Soderbergh (Ocean’s Eleven) chose to film the entire piece using a small (14mm) hand-held digital camera. Soderbergh himself acted as the ‘presence’ following the actors around. From the audiences perspective it is like watching the family through a barrier or pane of glass. Cleverly, windows and mirrors are hugely prominent and integral throughout.
The presence mainly follows and tries to interact with the daughter of the family, Chloe (Callina Liang), who has recently suffered the trauma of her best friend dying suddenly. Through Soderbergh’s experimental filming, we feel the dysphoria and frustration the ‘ghost’ is feeling at trying to affect the world around it, particularly during the anxiety-inducing final scene!
However, in what could be yet another mismarketing of a film, the trailer promised to be the ‘scariest movie you will see this year’ and ‘terrifying’; instead, they delivered this subversive, character-driven, family drama. If you are expecting jump scares and dramatic music stings, this is not your movie. I could understand if someone was disappointed that the only seemingly scary thing is the mother’s and son’s relationship, right up until the gut-punch of the final scene.
Presence is definitely a slow burn, tension building until the final scene, and the unveiling of the ‘presence’ giving us a new understanding of the whole story. The ending is disturbing and stays with you as you re-analyse earlier scenes.
My one complaint is that the character Ryan (West Mulholland) with his Chesney Hawkes hair, perhaps needed more subtlety. The rest of the cast was completely solid and believable as a family with so many unspoken issues.
I wouldn’t recommend this film for everybody but maybe be as so bold to say it’s a horror movie for people that don’t like horror movies. It’s well-lit and cerebral with realistically flawed characters.
Presence is available to stream.
Three and a half stars.
Streaming
Anime Review: Fog Hill of the Five Elements (Wu Shan Wu Xing)

Genre: Action, Fantasy, Martial Arts, Historical
Runtime: Each episode runs approximately 20-30 minutes
Director: Lin Hun (also the Creator)
Studio: Samsara Animation Studio
Main Voice Actors (Chinese Cast):Liu Zhi Shi as Wen Ren Yu Xuan Zhou Qi as Shen Nong Fang Yuan as Xuan
Overview
Fog Hill of the Five Elements is a breathtaking Chinese anime (donghua) that merges traditional Chinese ink-painting aesthetics with high-intensity martial arts action. Created and directed by Lin Hun, this series delivers a spellbinding visual experience that rivals, and in many ways surpasses, mainstream Japanese anime. Produced by Samsara Animation Studio, the anime is a labor of love, known for its hand-drawn animation and meticulous detail.
Set in a mythological world where elemental beasts roam free, the series follows the Five Elemental Envoys tasked with protecting humanity. The story focuses on Wen Ren Yu Xuan, the Fire Envoy, whose actions set off a chain of events threatening the delicate balance between humans and beasts. The tale is steeped in Chinese folklore and myth, weaving a complex narrative of duty, power, and sacrifice.
Without question, Fog Hill of the Five Elements is one of the most visually stunning animated series in recent memory. The blend of traditional Chinese ink wash painting with modern dynamic action scenes is masterful. Every frame looks like a moving scroll painting, with fluid character movements and kinetic fight choreography that puts many mainstream series to shame.
The characters are deeply tied to traditional archetypes found in Chinese legends but are fleshed out with emotional depth and conflict. Voice acting by Liu Zhi Shi, Zhou Qi, and Fang Yuan brings authenticity and gravitas to their respective roles. The dialogue is steeped in poetic language, enhancing the mythic feel of the story.
The soundtrack complements the epic visuals with traditional Chinese instrumentation mixed with modern elements. The sound design heightens the impact of every battle and emotional moment.
Rating: 9/10
Fog Hill of the Five Elements earns a 9 out of 10 for its groundbreaking animation style, deep mythological storytelling, and heart-pounding action. The only downside is its limited number of episodes and slow release schedule, which leaves fans craving more.
Pros
- Unparalleled hand-drawn animation
- Unique art direction inspired by traditional Chinese painting
- Rich mythological lore
- Epic fight choreography
Cons
- Sparse episode release
- Story pacing can be uneven at times
Final Verdict 9/10
If you’re an anime enthusiast or a fan of animation artistry, Fog Hill of the Five Elements is a must-watch. Its fusion of stunning visuals, martial arts action, and mythological storytelling makes it one of the standout titles in modern animation. Whether you’re into Japanese anime or Chinese donghua, this series deserves a spot on your watchlist.