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17th Annual Tribeca Film Festival Announces 2018 Dates and Call for Submissions

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For the 17th year, the Tribeca Film Festival, presented by AT&T, will bring creators, diverse audiences, and the industry together in New York City during the annual storytelling festival running April 18-29, 2018.

As part of a new multi-year collaboration, creators will be able to submit their feature and short films to the 2018 festival through Withoutabox, the online festival submission system favored by filmmakers for its ease of use and streamlined process. This new relationship with Withoutabox continues Tribeca’s ongoing mission to empower storytellers with the opportunities and tools to bring their stories to life.

The 2018 Festival is set to build on the momentum from last year’s edition, which not only saw record setting attendance numbers from recent years, but also the highest percentage of film sales to distributors. The 2017 line-up made major cultural headlines from reunions like The Godfather and Reservoir Dogs; to Tribeca Immersive’s critically acclaimed Virtual Arcade and Storyscapes programming, which showcased the latest in VR and installations that explored the intersection of storytelling and technology; to the N.O.W. (New Online Work) section’s showcase of digital storytellers. For the second year, the Tribeca X Award celebrated the best in branded storytelling from artist-brand collaborations. Tribeca Talks®’ Directors Series and Storytellers brought luminaries such as Barbra Streisand, Alejandro González Iñárritu, Bruce Springsteen, and Tom Hanks together for once-in-a-lifetime conversations. Tribeca TV world premiered new series including Emmy® nominees The Handmaid’s Tale and Genius, in addition to introducing audiences to new shows such as The Sinner and debuting the latest seasons of fan favorites like Unbreakable Kimmy Schmidt. The inaugural Tribeca Games Festival premiered to sold-out crowds with the first-ever crowd play of Marvel’s Guardians of the Galaxy: The Telltale Series, Episode 1, a concert with British electronic producer and multi-instrumentalist Mura Masa, and keynotes with some of the top game creators, including legendary creator Hideo Kojima.

“Following a banner year that saw record high submissions across all of our festival programs, it’s clear there is more exciting work being created in more different ways and on more different platforms than ever before,” said Tribeca Director of Programming Cara Cusumano. “Withoutabox is the perfect partner to help further our film submissions and we eagerly look forward to seeing what our endlessly surprising creators bring us in 2018.”

“Withoutabox is home to the top filmmakers and film festivals in the world, and our mission is to provide filmmakers with unparalleled opportunities to share their projects with a global audience,” said Matt Kumin, Head of Withoutabox, IMDbPro and Box Office Mojo. “The Tribeca Film Festival is one of the most important festivals in the world and we are thrilled they have selected Withoutabox to be their exclusive third party film submissions service beginning with the highly anticipated 2018 film festival.”

Submissions will open September 5 for all sections of the Festival – feature and short films, TV, Immersive, N.O.W. (New Online Work) and the Tribeca X Award. Filmmakers can submit a film for consideration via Withoutabox at https://www.withoutabox.com/tribeca and VR, episodic, online storytelling, and branded storytelling can be submitted directly to www.tribecafilm.com.

Deadlines to submit U.S. and projects for the 2018 Tribeca Film Festival are as follows:

  • September 5, 2017 – SUBMISSIONS OPEN
  • October 18, 2017 – EARLY ENTRY DEADLINE for feature and short films, Tribeca TV, Tribeca Immersive, N.O.W. (New Online Work)
  • November 22, 2017 – OFFICIAL ENTRY DEADLINE A for feature films, Tribeca TV, Tribeca Immersive, N.O.W.
  • December 1, 2017 – OFFICIAL ENTRY DEADLINE B for short films
  • December 13, 2017
    • EARLY ENTRY DEADLINE for Tribeca X Award
    • LATE ENTRY DEADLINE for feature films, TV, Immersive, N.O.W.
  • January 12, 2018 – OFFICIAL ENTRY DEADLINE for Tribeca X Award
  • February 14, 2018 – LATE ENTRY DEADLINE for Tribeca X Award

Submission rules, regulations, and complete information regarding eligibility for the 2018 Tribeca Film Festival are now available at https://tribecafilm.com/festival/submissions. Questions regarding submissions may be directed to entries@tribecafilmfestival.org or by calling 212.941.2305

The Festival is curated by the programming team including Director of Programming Cara Cusumano, Artistic Director Frederic Boyer; VP of Shorts Sharon Badal; Liza Domnitz (features, TV, and online work); Loren Hammonds (virtual reality and features); Ian Hollander (features); Ben Thompson (shorts); Mara Webster (talks), and Ingrid Kopp (Storyscapes), program advisors Paula Weinstein and Tammie Rosen, and a team of associate programmers.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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