Universal Pictures announced today that principal photography has begun on Mamma Mia! Here We Go Again. Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, you are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA. With the film’s original cast returning and new additions including Lily James (Cinderella, Baby Driver), the musical comedy will open on July 20, 2018.
Mamma Mia! Here We Go Again is produced by Judy Craymer and Gary Goetzman, producers of the original film. Craymer is also the creator and producer of the worldwide smash-hit stage musical.
Ol Parker, writer of The Best Exotic Marigold Hotel, writes and directs the sequel from a story by Catherine Johnson, Richard Curtis and Parker. Benny Andersson and Björn Ulvaeus return to provide music and lyrics and serve as executive producers. Tom Hanks, Rita Wilson, Phyllida Lloyd, Richard Curtis and Nicky Kentish Barnes also serve as executive producers.
Reprising their roles from Mamma Mia! The Movie are Academy Award® winner Meryl Streep as Donna, Julie Walters as Rosie and Christine Baranski as Tanya. Amanda Seyfried and Dominic Cooper reunite as Sophie and Sky, while Pierce Brosnan, Stellan Skarsgård and Oscar® winner Colin Firth return to play Sophie’s three possible dads: Sam, Bill and Harry.
As the film goes back and forth in time to show how relationships forged in the past resonate in the present, James will play the role of Young Donna. Filling the roles of Young Rosie and Young Tanya are Alexa Davies (A Brilliant Young Mind) and Jessica Keenan Wynn (Go Green). Young Sam will be played by Jeremy Irvine (Fallen), while Young Bill is Josh Dylan (Allied) and Young Harry is Hugh Skinner (Kill Your Friends).
“I’m so thrilled to have our brilliant original cast back and to welcome the new cast to the Mamma Mia! family,” said Judy Craymer. “It was so much fun casting these young roles, and there is great excitement amongst the whole cast as we explore the characters past and present and continue this heartwarming story where it left off…told once again through much-loved ABBA songs.”
The talented creative team includes musical director Martin Koch and music programmer Nick Gilpin, both collaborators of the original stage show, as well as Anthony Van Laast, choreographer of the stage show and Mamma Mia! The Movie.
New to the Mamma Mia! family are cinematographer Robert Yeoman (The Grand Budapest Hotel, Bridesmaids), production designer Alan Macdonald (The Queen, The Best Exotic Marigold Hotel), editor Peter Lambert (Woman in Gold, The Twilight Saga: New Moon) and costume designer Michele Clapton (HBO’s Game of Thrones, Netflix’s The Crown).
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.