With summer on its way out, HBO is giving subscribers an early sneak peek at this fall’s original new drama series THE DEUCE, with a special advance premiere of the first episode available starting FRIDAY, AUG. 25 via HBO NOW, HBO GO, HBO On Demand and affiliate portals.
Created by George Pelecanos and David Simon and starring James Franco and Maggie Gyllenhaal, THE DEUCE follows the story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early 1970s through the mid-1980s, exploring the rough-and-tumble world at the pioneering moments of what would become the billion-dollar American sex industry. George Pelecanos, David Simon, James Franco and Nina K. Noble executive produce.
THE DEUCE debuts Sunday, Sept. 10 (9:00–10:20 p.m. ET/PT) on HBO, with the season’s other seven episodes airing and streaming on subsequent Sundays at 9:00 p.m.
THE DEUCE — Episode #1: “Pilot”
Twin brothers Vincent (James Franco) and Frankie Martino (James Franco) — one a double-shifting bartender with two kids and a wayward wife in Brooklyn, the second an insouciant gambler with piling mob debts — navigate their way through the rough-and-tumble world of 1971 Times Square.
While Vincent plots ways to improve his situation and pay off his brother’s debt, he crosses paths with other midtown denizens — including veteran hookers Candy (Maggie Gyllenhaal) and Ashley (Jamie Neumann), young streetwalkers Darlene (Dominique Fishback) and Lori (Emily Meade), and smooth-talking pimps C.C. (Gary Carr), Larry (Gbenga Akinnagbe) and Rodney (Cliff Smith/Method Man) — as they ply their trades under the not-so-watchful eye of the NYPD. Meanwhile, when NYU student Abby (Margarita Levieva) is enlisted by friends to buy amphetamines on the street, she ends up in the Times Square precinct, an unlikely starting point for making a bold change to her privileged life.
Written by George Pelecanos & David Simon; directed by Michelle MacLaren.
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
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Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
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For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.