What Happened to Monday is a sci-fi action thriller set in an overpopulated dystopian future where the Child Allocation Act advanced by career politician/genetic biologist Nicolette Cayman, played by a stiff, Hillary Clinton-esque Glenn Close, offers a solution. Mandatory from now on, only a single child will be allowed per household. Any siblings will be taken away and stored in a cryogenics system called Cryo Sleep. Somewhere, a woman, Karen Settman, dies during childbirth and her surviving set of identical septuplets are saved and hidden away by their biological grandfather, Terrence Settman, brilliantly portrayed by Willem Defoe. Each of the seven sisters are named for each day of the week, a device that overplays its hand by the second act. They all assume one ultimate identity to ensure their survival: Karen Settman.
30 years later, all seven Karen Settmans, triumphantly played by Noomi Rapace, in a tour de force performance reminiscent of James McAvoy’s many alters in Split, tries to live a normal life while hiding with her six secret siblings in a technologically secure apartment. Each day, a different sister goes out of the house on the day that corresponds with her name, i.e. Monday assumes the identity of Karen Settman on Monday and goes into work…Tuesday on Tuesday and so on and so forth. And that’s where the problems began for me. Seems like an inventive plot, yes. It’s a fresh concept and the use of such a versatile actress was impressive, however, six was too much for the Child Allocation Bureau and sadly, it was too much for me. After a while, Noomi talking to herself annoyed me. It was hard to keep track of seven women as they lived together. The conversation between them seemed contrived in order to showcase each individual personality. Another headscratcher: supertitles with the days of the week preceded big scenes and yet, it wasn’t specified if it was appropriating the day of the week or one of the characters. The struggle to keep track of all seven ladies and the eventual twist seemed anticlimactic. Putting a ton of inventive ideas into a story doesn’t make for a better film. This is a perfect example of the old adage: less is more.
The screenwriters, Max Botkin and Kerry Williamson, convoluted the story to make us work for a big ending that seemed unsatisfying once the credits rolled. The special effects, the techie equipment and weaponry, and the set design really got me thinking this would be another Snowpiercer or Gattaca, unfortunately the director, Tommy Wirkola, asked me to do more than suspend my disbelief when he made the communication between all seven sisters pertinent to their survival only to dissolve that idea half way through the second act as the sister’s dirty secrets were needed to advance the plot. These so-called secrets would have made it impossible for them to conceal their identities and thrive. Far too many holes in the concepts the writers built into their own story world. There was some major potential. The flashback scenes where Terrance Settman would home school the seven little girls in secrecy were pure magic. If only home schooling was handled by Mr. Settman, we’d have no need for a scary dystopian thrillers. All would be utopia. These scenes were few and far between, however, they hinted at the wonderful beginnings the story had.
I had many questions while watching What Happened to Monday These questions took me out of the movie experience. Some of the plot devices were so clunky that I had to laugh. Sci-fi fans of the above mentioned films will get a thrill but, like the film itself, even that’s a stretch.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.