AMC released the first trailer for the upcoming third season of its hit martial arts series, “Into the Badlands,” to a packed house of fans during a panel at WonderCon Anaheim 2018. The panel featured series star and executive producer Daniel Wu (Tomb Raider) who returns as Sunny, Nick Frost (Shaun of the Dead) who returns as Bajie, Lorraine Toussaint (“Orange is the New Black”) who joins the cast this season as Cressida, and showrunner, executive producer and writer Alfred Gough.
Season three of the post-apocalyptic, visually stunning drama will return Sunday, April 22 at 10:00 p.m. ET/PT. Season 2 is available on Netflix now.
ABOUT “INTO THE BADLANDS” – SEASON THREE PREMIERES SUNDAY, APRIL 22 AT 10:00 P.M. ET/PT
“Into the Badlands,” which closed its second season as a top-ten scripted cable series averaging 3 million viewers per episode, is a story of survival and dominance set in a future feudal society. Within the territory known as the Badlands, a variety of clans struggle for supremacy over one another. These clans have been formed by the destruction of familial bonds and skirmishes over power. The show’s interwoven themes of martial arts, love and redemption are highlighted by what the show is best known for: its stunning cinematography and striking fight sequences.
The ensemble cast is led by Wu, Frost, Aramis Knight (Enders Game) Emily Beecham (Daphne), Orla Brady (“Fringe”) and Ally Ioannides (“Parenthood”). They will be joined by new series regulars Toussaint, Sherman Augustus (“Westworld”), Babou Ceesay (“Guerilla”) and Ella-Rae Smith (Clique), as well as recurring guest stars Dean-Charles Chapman (“Game of Thrones”) and Lewis Tan (“Iron Fist”).
Season three of “Into the Badlands” finds Sunny (Wu) living off the grid, doing his best to provide for his infant son, Henry, in the wake of Veil’s death. It is only when Henry contracts a mysterious illness that Sunny must join forces with Bajie (Frost) and journey back into the Badlands, where The Widow (Beecham) and Baron Chau (Eleanor Matsuura) are entrenched in a drawn-out war that has destabilized the entire region. No longer supported by Tilda (Ioannides) or Waldo (Stephen Lang), The Widow must find new allies in Lydia (Brady) and in Nathaniel Moon (Augustus) — the former regent who lost his hand to Sunny and Bajie in Season 2. But when a mysterious nomadic leader called Pilgrim (Ceesay) arrives in the Badlands on a mission to restore Azra and usher in a new era of “peace,” old enemies must band together to defend the Badlands.
From AMC Studios, “Into the Badlands” was created by executive producers, showrunners and writers Alfred Gough and Miles Millar (Smallville) and is executive produced by Oscar®-nominated producers Stacey Sher (Django Unchained) and Michael Shamberg (Contagion), along with David Dobkin (The Judge), Stephen Fung (Tai Chi Zero), Michael Taylor (TURN: Washington’s Spies) and Wu.
Streaming
Salaar: Part 1 – Ceasefire
directed by Prashanth Neel, brings a bold and gritty spectacle to the big screen, marking a triumphant return for Prabhas in an action-heavy role. Known for his high-energy, raw style (seen in KGF), Neel continues his signature approach here, blending intense action scenes with grandiose settings reminiscent of epic sagas like Game of Thrones. The film revolves around Deva (Prabhas), a powerful yet calm figure with a complex past, and his involvement in a politically charged power struggle with Prithviraj Sukumaran’s character Varadha. This layered storyline introduces us to the fictitious city of Khansar, where betrayals and power dynamics keep viewers on edge.
Critics generally appreciate Prabhas’s magnetic performance, noting that he captures the larger-than-life heroism he’s celebrated for since Baahubali. His portrayal, paired with intense fight choreography, keeps the audience engaged, particularly during standout sequences that elevate the film’s dramatic intensity. Prithviraj’s character as Deva’s friend adds an intriguing dynamic, though Shruti Haasan’s role feels underused. While fans of action-packed cinema and Prabhas’s iconic style will enjoy the exhilarating visuals and powerful cinematography, some critics feel the plot loses momentum in the second half, with multiple subplots that dilute its emotional depth. The story is intentionally left open-ended, setting the stage for Salaar: Part 2.
Overall, Salaar is an ambitious action film that will satisfy fans of Prabhas and high-octane spectacles. However, those seeking a tight narrative or deep emotional connections might find it lacking. I’d rate it 3.5 out of 5 stars—a solid experience for action enthusiasts, with room for a more focused storyline in its sequel.
Streaming
Review of Kalki 2898 AD on Netflix
Review of Kalki 2898 AD on Netflix
Rating: (4/5)
Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.
The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses.
One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes.
While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.
In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.
Movie
Gladiator 2 Builds On The Legacy Of Its Predecessor,
Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role
The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.
Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.
As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.