Welcome back to the war between the old Gods and the new, with everyone’s favorite coin-trick-performing convict Shadow Moon (Ricky Whittle) and a whole host of allies and enemies gathering their forces!
After the obligatory previously on American Gods shots, we are treated to a rant from Mister World himself, admirably played by Crispin Glover, as he snarls and simpers his eerie way through reasoning with Technical Boy (Bruce Langley). There is only one thing Mister World commands to Technical Boy be done, like the effective deity he is, and that is, find Media. Ooh, foreshadowing.
Elsewhere, our heroes and down-at-heel Gods have made it to the House on the Rock. In the book, the scenes are mighty different, for the addition of a single element to the car ride throws a good deal of possibility into the ether, the presence of dead-wife Laura Moon (Elizabeth Browning).
Anyway, a good deal of fascinating information about the House on the Rock and it’s maker, the history of the House itself, and on and on the story goes, is delivered to everyone. Anansi the filthy-mouthed storytelling spider-God (Orlando Jones), has joined the party, and Queen Bilquis (Yetide Badaki) has made an uninvited showing, intent on being heard as well. And now, everyone is to take a ride on the largest carousel in the world, full of golden flashing lights and fantastical beasts on display, with laughing old Gods riding them, beckoning for Shadow to join them, as we make for an epic meeting of the old Gods.
The scene of the old Gods conversing in Odin’s old hall, “backstage” as the old Gods called it, was done fairly well, I thought. Though heavily reliant on CGI and some odd color choices might abound, the scenes do come across as understandable for what they are meant to be: old Norse God Odin (Ian McShane), trying to convince several other old Gods to join him in the war against the New Gods that’s coming.
This is about where the show and the book take a diverge for a while, which is fine. Next thing Shadow knows, we’re here in a diner and Wednesday is schmoozing the old Gods with goofy food and cheap wine, while Anansi and Czernobog (Peter Stormare) brood with Shadow, and Laura and Mad Sweeney commiserate of the left-out. But death is about to come screaming through the windows, and in the confusion of trying to take down the shooter, Shadow is captured by the opposition!
Stay tuned to Starz next week for the return of Media on ‘American Gods’ Season 2!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.